Displaying 1 - 9 of 9
Akita, K., & Dingemanse, M. (2019). Ideophones (Mimetics, Expressives). In Oxford Research Encyclopedia for Linguistics. Oxford: Oxford University Press. doi:10.1093/acrefore/9780199384655.013.477.
AbstractIdeophones, also termed “mimetics” or “expressives,” are marked words that depict sensory imagery. They are found in many of the world’s languages, and sizable lexical classes of ideophones are particularly well-documented in languages of Asia, Africa, and the Americas. Ideophones are not limited to onomatopoeia like meow and smack, but cover a wide range of sensory domains, such as manner of motion (e.g., plisti plasta ‘splish-splash’ in Basque), texture (e.g., tsaklii ‘rough’ in Ewe), and psychological states (e.g., wakuwaku ‘excited’ in Japanese). Across languages, ideophones stand out as marked words due to special phonotactics, expressive morphology including certain types of reduplication, and relative syntactic independence, in addition to production features like prosodic foregrounding and common co-occurrence with iconic gestures. Three intertwined issues have been repeatedly debated in the century-long literature on ideophones. (a) Definition: Isolated descriptive traditions and cross-linguistic variation have sometimes obscured a typologically unified view of ideophones, but recent advances show the promise of a prototype definition of ideophones as conventionalised depictions in speech, with room for language-specific nuances. (b) Integration: The variable integration of ideophones across linguistic levels reveals an interaction between expressiveness and grammatical integration, and has important implications for how to conceive of dependencies between linguistic systems. (c) Iconicity: Ideophones form a natural laboratory for the study of iconic form-meaning associations in natural languages, and converging evidence from corpus and experimental studies suggests important developmental, evolutionary, and communicative advantages of ideophones.
Dingemanse, M. (2019). 'Ideophone' as a comparative concept. In K. Akita, & P. Pardeshi (
Eds.), Ideophones, Mimetics, and Expressives (pp. 13-33). Amsterdam: John Benjamins. doi:10.1075/ill.16.02din.
AbstractThis chapter makes the case for ‘ideophone’ as a comparative concept: a notion that captures a recurrent typological pattern and provides a template for understanding language-specific phenomena that prove similar. It revises an earlier definition to account for the observation that ideophones typically form an open lexical class, and uses insights from canonical typology to explore the larger typological space. According to the resulting definition, a canonical ideophone is a member of an open lexical class of marked words that depict sensory imagery. The five elements of this definition can be seen as dimensions that together generate a possibility space to characterise cross-linguistic diversity in depictive means of expression. This approach allows for the systematic comparative treatment of ideophones and ideophone-like phenomena. Some phenomena in the larger typological space are discussed to demonstrate the utility of the approach: phonaesthemes in European languages, specialised semantic classes in West-Chadic, diachronic diversions in Aslian, and depicting constructions in signed languages.
Ozyurek, A., & Woll, B. (2019). Language in the visual modality: Cospeech gesture and sign language. In P. Hagoort (
Ed.), Human language: From genes and brain to behavior (pp. 67-83). Cambridge, MA: MIT Press.
Dingemanse, M., Blythe, J., & Dirksmeyer, T. (2018). Formats for other-initiation of repair across languages: An exercise in pragmatic typology. In I. Nikolaeva (
Ed.), Linguistic Typology: Critical Concepts in Linguistics. Vol. 4 (pp. 322-357). London: Routledge.
AbstractIn conversation, people regularly deal with problems of speaking, hearing, and understanding. We report on a cross-linguistic investigation of the conversational structure of other-initiated repair (also known as collaborative repair, feedback, requests for clarification, or grounding sequences). We take stock of formats for initiating repair across languages (comparable to English huh?, who?, y’mean X?, etc.) and find that different languages make available a wide but remarkably similar range of linguistic resources for this function. We exploit the patterned variation as evidence for several underlying concerns addressed by repair initiation: characterising trouble, managing responsibility, and handling knowledge. The concerns do not always point in the same direction and thus provide participants in interaction with alternative principles for selecting one format over possible others. By comparing conversational structures across languages, this paper contributes to pragmatic typology: the typology of systems of language use and the principles that shape them.
Ozyurek, A. (2018). Cross-linguistic variation in children’s multimodal utterances. In M. Hickmann, E. Veneziano, & H. Jisa (
Eds.), Sources of variation in first language acquisition: Languages, contexts, and learners (pp. 123-138). Amsterdam: Benjamins.
AbstractOur ability to use language is multimodal and requires tight coordination between what is expressed in speech and in gesture, such as pointing or iconic gestures that convey semantic, syntactic and pragmatic information related to speakers’ messages. Interestingly, what is expressed in gesture and how it is coordinated with speech differs in speakers of different languages. This paper discusses recent findings on the development of children’s multimodal expressions taking cross-linguistic variation into account. Although some aspects of speech-gesture development show language-specificity from an early age, it might still take children until nine years of age to exhibit fully adult patterns of cross-linguistic variation. These findings reveal insights about how children coordinate different levels of representations given that their development is constrained by patterns that are specific to their languages.
Ozyurek, A. (2018). Role of gesture in language processing: Toward a unified account for production and comprehension. In S.-A. Rueschemeyer, & M. G. Gaskell (
Eds.), Oxford Handbook of Psycholinguistics (2nd ed., pp. 592-607). Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198786825.013.25.
AbstractUse of language in face-to-face context is multimodal. Production and perception of speech take place in the context of visual articulators such as lips, face, or hand gestures which convey relevant information to what is expressed in speech at different levels of language. While lips convey information at the phonological level, gestures contribute to semantic, pragmatic, and syntactic information, as well as to discourse cohesion. This chapter overviews recent findings showing that speech and gesture (e.g. a drinking gesture as someone says, “Would you like a drink?”) interact during production and comprehension of language at the behavioral, cognitive, and neural levels. Implications of these findings for current psycholinguistic theories and how they can be expanded to consider the multimodal context of language processing are discussed.
Sumer, B., & Ozyurek, A. (2016). İşitme Engelli Çocukların Dil Edinimi [Sign language acquisition by deaf children]. In C. Aydin, T. Goksun, A. Kuntay, & D. Tahiroglu (
Eds.), Aklın Çocuk Hali: Zihin Gelişimi Araştırmaları [Research on Cognitive Development] (pp. 365-388). Istanbul: Koc University Press.
Sumer, B., Zwitserlood, I., Perniss, P., & Ozyurek, A. (2016). Yer Bildiren İfadelerin Türkçe ve Türk İşaret Dili’nde (TİD) Çocuklar Tarafından Edinimi [The acqusition of spatial relations by children in Turkish and Turkish Sign Language (TID)]. In E. Arik (
Ed.), Ellerle Konuşmak: Türk İşaret Dili Araştırmaları [Speaking with hands: Studies on Turkish Sign Language] (pp. 157-182). Istanbul: Koç University Press.
Ozyurek, A., & Perniss, P. M. (2011). Event representations in signed languages. In J. Bohnemeyer, & E. Pederson (
Eds.), Event representations in language and cognition (pp. 84-107). New York: Cambridge University Press.