Publications
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Bosker, H. R., & Kösem, A. (2017). An entrained rhythm's frequency, not phase, influences temporal sampling of speech. In Proceedings of Interspeech 2017 (pp. 2416-2420). doi:10.21437/Interspeech.2017-73.
Abstract
Brain oscillations have been shown to track the slow amplitude fluctuations in speech during comprehension. Moreover, there is evidence that these stimulus-induced cortical rhythms may persist even after the driving stimulus has ceased. However, how exactly this neural entrainment shapes speech perception remains debated. This behavioral study investigated whether and how the frequency and phase of an entrained rhythm would influence the temporal sampling of subsequent speech. In two behavioral experiments, participants were presented with slow and fast isochronous tone sequences, followed by Dutch target words ambiguous between as /ɑs/ “ash” (with a short vowel) and aas /a:s/ “bait” (with a long vowel). Target words were presented at various phases of the entrained rhythm. Both experiments revealed effects of the frequency of the tone sequence on target word perception: fast sequences biased listeners to more long /a:s/ responses. However, no evidence for phase effects could be discerned. These findings show that an entrained rhythm’s frequency, but not phase, influences the temporal sampling of subsequent speech. These outcomes are compatible with theories suggesting that sensory timing is evaluated relative to entrained frequency. Furthermore, they suggest that phase tracking of (syllabic) rhythms by theta oscillations plays a limited role in speech parsing. -
Franken, M. K., Eisner, F., Schoffelen, J.-M., Acheson, D. J., Hagoort, P., & McQueen, J. M. (2017). Audiovisual recalibration of vowel categories. In Proceedings of Interspeech 2017 (pp. 655-658). doi:10.21437/Interspeech.2017-122.
Abstract
One of the most daunting tasks of a listener is to map a
continuous auditory stream onto known speech sound
categories and lexical items. A major issue with this mapping
problem is the variability in the acoustic realizations of sound
categories, both within and across speakers. Past research has
suggested listeners may use visual information (e.g., lipreading)
to calibrate these speech categories to the current
speaker. Previous studies have focused on audiovisual
recalibration of consonant categories. The present study
explores whether vowel categorization, which is known to show
less sharply defined category boundaries, also benefit from
visual cues.
Participants were exposed to videos of a speaker
pronouncing one out of two vowels, paired with audio that was
ambiguous between the two vowels. After exposure, it was
found that participants had recalibrated their vowel categories.
In addition, individual variability in audiovisual recalibration is
discussed. It is suggested that listeners’ category sharpness may
be related to the weight they assign to visual information in
audiovisual speech perception. Specifically, listeners with less
sharp categories assign more weight to visual information
during audiovisual speech recognition. -
Dolscheid, S., Willems, R. M., Hagoort, P., & Casasanto, D. (2014). The relation of space and musical pitch in the brain. In P. Bello, M. Guarini, M. McShane, & B. Scassellati (
Eds. ), Proceedings of the 36th Annual Meeting of the Cognitive Science Society (CogSci 2014) (pp. 421-426). Austin, Tx: Cognitive Science Society.Abstract
Numerous experiments show that space and musical pitch are
closely linked in people's minds. However, the exact nature of
space-pitch associations and their neuronal underpinnings are
not well understood. In an fMRI experiment we investigated
different types of spatial representations that may underlie
musical pitch. Participants judged stimuli that varied in
spatial height in both the visual and tactile modalities, as well
as auditory stimuli that varied in pitch height. In order to
distinguish between unimodal and multimodal spatial bases of
musical pitch, we examined whether pitch activations were
present in modality-specific (visual or tactile) versus
multimodal (visual and tactile) regions active during spatial
height processing. Judgments of musical pitch were found to
activate unimodal visual areas, suggesting that space-pitch
associations may involve modality-specific spatial
representations, supporting a key assumption of embodied
theories of metaphorical mental representation. -
Heyselaar, E., Hagoort, P., & Segaert, K. (2014). In dialogue with an avatar, syntax production is identical compared to dialogue with a human partner. In P. Bello, M. Guarini, M. McShane, & B. Scassellati (
Eds. ), Proceedings of the 36th Annual Meeting of the Cognitive Science Society (CogSci 2014) (pp. 2351-2356). Austin, Tx: Cognitive Science Society.Abstract
The use of virtual reality (VR) as a methodological tool is
becoming increasingly popular in behavioural research due
to its seemingly limitless possibilities. This new method has
not been used frequently in the field of psycholinguistics,
however, possibly due to the assumption that humancomputer
interaction does not accurately reflect human-human
interaction. In the current study we compare participants’
language behaviour in a syntactic priming task with human
versus avatar partners. Our study shows comparable priming
effects between human and avatar partners (Human: 12.3%;
Avatar: 12.6% for passive sentences) suggesting that VR is a
valid platform for conducting language research and studying
dialogue interactions. -
Peeters, D., Azar, Z., & Ozyurek, A. (2014). The interplay between joint attention, physical proximity, and pointing gesture in demonstrative choice. In P. Bello, M. Guarini, M. McShane, & B. Scassellati (
Eds. ), Proceedings of the 36th Annual Meeting of the Cognitive Science Society (CogSci 2014) (pp. 1144-1149). Austin, Tx: Cognitive Science Society.
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