Publications

Abstract

The term “uptalk” describes utterance-final pitch rises that carry no sentence-structural information. Uptalk is usually dialectal or sociolectal, and Australian English (AusEng) is particularly known for this attribute. We ask here whether experience with an uptalk variety affects listeners’ ability to categorise rising pitch contours on the basis of the timing and height of their onset and offset. Listeners were two groups of English-speakers (AusEng, and American English), and three groups of listeners with L2 English: one group with Mandarin as L1 and experience of listening to AusEng, one with German as L1 and experience of listening to AusEng, and one with German as L1 but no AusEng experience. They heard nouns (e.g. flower, piano) in the framework “Got a NOUN”, each ending with a pitch rise artificially manipulated on three contrasts: low vs. high rise onset, low vs. high rise offset and early vs. late rise onset. Their task was to categorise the tokens as “question” or “statement”, and we analysed the effect of the pitch contrasts on their judgements. Only the native AusEng listeners were able to use the pitch contrasts systematically in making these categorisations.

Abstract

Lexical stress is realised similarly in English, German, and
Dutch. On a suprasegmental level, stressed syllables tend to be
longer and more acoustically salient than unstressed syllables;
segmentally, vowels in unstressed syllables are often reduced.
The frequency of unreduced unstressed syllables (where only
the suprasegmental cues indicate lack of stress) however,
differs across the languages. The present studies test whether
listener behaviour is affected by these vocabulary differences,
by investigating German listeners’ use of suprasegmental cues
to lexical stress in German and English word recognition. In a
forced-choice identification task, German listeners correctly
assigned single-syllable fragments (e.g., Kon-) to one of two
words differing in stress (KONto, konZEPT). Thus, German
listeners can exploit suprasegmental information for
identifying words. German listeners also performed above
chance in a similar task in English (with, e.g., DIver, diVERT),
i.e., their sensitivity to these cues also transferred to a nonnative
language. An English listener group, in contrast, failed
in the English fragment task. These findings mirror vocabulary
patterns: German has more words with unreduced unstressed
syllables than English does.

Abstract

Information in speech does not unfold discretely over time; perceptual cues are gradient and overlapped. However, this varies greatly across segments and environments: listeners cannot identify the affricate in /ptS/ until the frication, but information about the vowel in /li/ begins early. Unlike most prior studies, which have concentrated on subsets of language sounds, this study tests perception of every English segment in every phonetic environment, sampling perceptual identification at six points in time (13,470 stimuli/listener; 20 listeners). Results show that information about consonants after another segment is most localized for affricates (almost entirely in the release), and most gradual for voiced stops. In comparison to stressed vowels, unstressed vowels have less information spreading to
neighboring segments and are less well identified. Indeed, many vowels,
especially lax ones, are poorly identified even by the end of the following segment. This may partly reflect listeners’ familiarity with English vowels’ dialectal variability. Diphthongs and diphthongal tense vowels show the most sudden improvement in identification, similar to affricates among the consonants, suggesting that information about segments defined by acoustic change is highly localized. This large dataset provides insights into speech perception and data for probabilistic modeling of spoken word recognition.

Abstract

The results of a study on perceptual learning are reported. Dutch subjects made lexical decisions on a list of words and nonwords. Embedded in the list were either [f]- or [s]-final words in which the final fricative had been replaced by an ambiguous sound, midway between [f] and [s]. One group of listeners heard ambiguous [f]- final Dutch words like [kara?] (based on karaf, carafe) and unambiguous [s]-final words (e.g., karkas, carcase). A second group heard the reverse (e.g., ambiguous [karka?] and unambiguous karaf). After this training phase, listeners labelled ambiguous fricatives on an [f]- [s] continuum. The subjects who had heard [?] in [f]- final words categorised these fricatives as [f] reliably more often than those who had heard [?] in [s]-final words. These results suggest that speech recognition is dynamic: the system adjusts to the constraints of each particular listening situation. The lexicon can provide this adjustment process with a training signal.

Abstract

The central issues in the study of speech recognition by human listeners (HSR) and of automatic speech recognition (ASR) are clearly comparable; nevertheless the research communities that concern themselves with ASR and HSR are largely distinct. This paper compares the research objectives of the two fields, and attempts to draw informative lessons from one to the other.

Abstract

Current models of spoken-word recognition assume automatic activation of multiple candidate words fully or partially compatible with the speech input. We propose that listeners make use of this concurrent activation in word play such as punning. Distortion in punning should ideally involve no more than a minimal contrastive deviation between two words, namely a phoneme. Moreover, we propose that this metric of similarity does not presuppose phonemic awareness on the part of the punster. We support these claims with an analysis of modern and traditional puns in Japanese (in which phonemic awareness in language users is not encouraged by alphabetic orthography). For both data sets, the results support the predictions. Punning draws on basic processes of spokenword recognition, common across languages.

Abstract

Articulatory data are used to address the question of whether Dutch schwa insertion is a phonological or a phonetic process. By investigating tongue tip raising and dorsal lowering, we show that /l/ when it appears before inserted schwa is a light /l/, just as /l/ before an underlying schwa is, and unlike the dark /l/ before a consonant in non-insertion productions of the same words. The fact that inserted schwa can condition the light/dark /l/ alternation shows that schwa insertion involves the phonological insertion of a segment rather than phonetic adjustments to articulations.

Abstract

We report four experiments in which English and Italian monolinguals detected clicks in continous speech in their native language. Two of the experiments used an off-line location task, and two used an on-line reaction time task. Despite there being large differences between English and Italian with respect to rhythmic characteristics, very similar response patterns were found for the two language groups. It is concluded that the process of click detection operates independently from language-specific differences in perceptual processing at the sublexical level.

Abstract

In the absence of explicitly marked cues to word boundaries, listeners tend to segment spoken English at the onset of strong syllables. This may suggest that under difficult listening conditions, speech should be easier to recognize where strong syllables are word-initial. We report two experiments in which listeners were presented with sentences which had been time-compressed to make listening difficult. The first study contrasted sentences in which all content words began with strong syllables with sentences in which all content words began with weak syllables. The intelligibility of the two groups of sentences did not differ significantly. Apparent rhythmic effects in the results prompted a second experiment; however, no significant effects of systematic rhythmic manipulation were observed. In both experiments, the strongest predictor of intelligibility was the rated plausibility of the sentences. We conclude that listeners' recognition responses to time-compressed speech may be strongly subject to experiential bias; effects of rhythmic structure are most likely to show up also as bias effects.