Anne Cutler

Publications

Displaying 1 - 10 of 10
  • Cutler, A. (2000). Hoe het woord het oor verovert. In Voordrachten uitgesproken tijdens de uitreiking van de SPINOZA-premies op 15 februari 2000 (pp. 29-41). The Hague, The Netherlands: Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO).
  • Cutler, A. (2000). How the ear comes to hear. In New Trends in Modern Linguistics [Part of Annual catalogue series] (pp. 6-10). Tokyo, Japan: Maruzen Publishers.
  • Cutler, A. (2000). Real words, phantom words and impossible words. In D. Burnham, S. Luksaneeyanawin, C. Davis, & M. Lafourcade (Eds.), Interdisciplinary approaches to language processing: The international conference on human and machine processing of language and speech (pp. 32-42). Bangkok: NECTEC.
  • Cutler, A. (1985). Performance measures of lexical complexity. In G. Hoppenbrouwers, P. A. Seuren, & A. Weijters (Eds.), Meaning and the lexicon (pp. 75). Dordrecht: Foris.
  • Cutler, A., & Pearson, M. (1985). On the analysis of prosodic turn-taking cues. In C. Johns-Lewis (Ed.), Intonation in discourse (pp. 139-155). London: Croom Helm.
  • Cutler, A. (1981). The cognitive reality of suprasegmental phonology. In T. Myers, J. Laver, & J. Anderson (Eds.), The cognitive representation of speech (pp. 399-400). Amsterdam: North-Holland.
  • Cutler, A. (1980). Errors of stress and intonation. In V. A. Fromkin (Ed.), Errors in linguistic performance: Slips of the tongue, ear, pen and hand (pp. 67-80). New York: Academic Press.
  • Cutler, A. (1980). Syllable omission errors and isochrony. In H. W. Dechet, & M. Raupach (Eds.), Temporal variables in speech: studies in honour of Frieda Goldman-Eisler (pp. 183-190). The Hague: Mouton.
  • Cutler, A., & Isard, S. D. (1980). The production of prosody. In B. Butterworth (Ed.), Language production (pp. 245-269). London: Academic Press.
  • Cutler, A., & Fay, D. (1978). Introduction. In A. Cutler, & D. Fay (Eds.), [Annotated re-issue of R. Meringer and C. Mayer: Versprechen und Verlesen, 1895] (pp. ix-xl). Amsterdam: John Benjamins.

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