Publications

Abstract

The term “uptalk” describes utterance-final pitch rises that carry no sentence-structural information. Uptalk is usually dialectal or sociolectal, and Australian English (AusEng) is particularly known for this attribute. We ask here whether experience with an uptalk variety affects listeners’ ability to categorise rising pitch contours on the basis of the timing and height of their onset and offset. Listeners were two groups of English-speakers (AusEng, and American English), and three groups of listeners with L2 English: one group with Mandarin as L1 and experience of listening to AusEng, one with German as L1 and experience of listening to AusEng, and one with German as L1 but no AusEng experience. They heard nouns (e.g. flower, piano) in the framework “Got a NOUN”, each ending with a pitch rise artificially manipulated on three contrasts: low vs. high rise onset, low vs. high rise offset and early vs. late rise onset. Their task was to categorise the tokens as “question” or “statement”, and we analysed the effect of the pitch contrasts on their judgements. Only the native AusEng listeners were able to use the pitch contrasts systematically in making these categorisations.

Abstract

Lexical stress is realised similarly in English, German, and
Dutch. On a suprasegmental level, stressed syllables tend to be
longer and more acoustically salient than unstressed syllables;
segmentally, vowels in unstressed syllables are often reduced.
The frequency of unreduced unstressed syllables (where only
the suprasegmental cues indicate lack of stress) however,
differs across the languages. The present studies test whether
listener behaviour is affected by these vocabulary differences,
by investigating German listeners’ use of suprasegmental cues
to lexical stress in German and English word recognition. In a
forced-choice identification task, German listeners correctly
assigned single-syllable fragments (e.g., Kon-) to one of two
words differing in stress (KONto, konZEPT). Thus, German
listeners can exploit suprasegmental information for
identifying words. German listeners also performed above
chance in a similar task in English (with, e.g., DIver, diVERT),
i.e., their sensitivity to these cues also transferred to a nonnative
language. An English listener group, in contrast, failed
in the English fragment task. These findings mirror vocabulary
patterns: German has more words with unreduced unstressed
syllables than English does.

Abstract

Large auditory-visual (AV) speech corpora are the grist of modern research in speech science, but no such corpus exists for Australian English. This is unfortunate, for speech science is the brains behind speech technology and applications such as text-to-speech (TTS) synthesis, automatic speech recognition (ASR), speaker recognition and forensic identification, talking heads, and hearing prostheses. Advances in these research areas in Australia require a large corpus of Australian English. Here the authors describe a blueprint for building the Big Australian Speech Corpus (the Big ASC), a corpus of over 1,100 speakers from urban and rural Australia, including speakers of non-indigenous, indigenous, ethnocultural, and disordered forms of Australian English, each of whom would be sampled on three occasions in a range of speech tasks designed by the researchers who would be using the corpus.

Abstract

Two phoneme goodness rating experiments addressed the role of orthographic knowledge in the evaluation of speech sounds. Ratings for the best tokens of /s/ were higher in words spelled with S (e.g., bless) than in words where /s/ was spelled with C (e.g., voice). This difference did not appear for analogous nonwords for which every lexical neighbour had either S or C spelling (pless, floice). Models of phonemic processing incorporating obligatory influence of lexical information in phonemic processing cannot explain this dissociation; the data are consistent with models in which phonemic decisions are not subject to necessary top-down lexical influence.

Abstract

Two lexical decision experiments in Cantonese are described in which the recognition of spoken target words as a function of phonological similarity to a preceding prime is investigated. Phonological similaritv in first syllables produced inhibition, while similarity in second syllables led to facilitation. Differences between syllables in tonal and segmental structure had generally similar effects.

Abstract

Japanese, British English and American English listeners were presented with spoken words in their native language, and asked to mark on a written transcript of each word the first natural division point in the word. The results showed clear and strong patterns of consensus, indicating that listeners have available to them conscious representations of within-word structure. Orthography did not play a strongly deciding role in the results. The patterns of response were at variance with results from on-line studies of speech segmentation, suggesting that the present task taps not those representations used in on-line listening, but levels of representation which may involve much richer knowledge of word-internal structure.

Abstract

Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.