Publications

Abstract

Listeners process spoken language in ways which are adapted to the phonological structure of their native language. As a consequence, non-native speakers do not listen to a language in the same way as native speakers; moreover, listeners may use their native language listening procedures inappropriately with foreign input. With sufficient experience, however, it may be possible to inhibit this latter (counter-productive) behavior.

Abstract

Word blends combine fragments from two words, either in speech errors or when a new word is created. Previous work has demonstrated that in Japanese, such blends preserve moraic structure; in English they do not. A similar effect of moraic structure is observed in perceptual research on segmentation of continuous speech in Japanese; English listeners, by contrast, exploit stress units in segmentation, suggesting that a general rhythmic constraint may underlie both findings. The present study examined whether mis parallel would also hold for word blends. In spontaneous English polysyllabic blends, the source words were significantly more likely to be split before a strong than before a weak (unstressed) syllable, i.e. to be split at a stress unit boundary. In an experiment in which listeners were asked to identify the source words of blends, significantly more correct detections resulted when splits had been made before strong syllables. Word blending, like speech segmentation, appears to be constrained by language rhythm.

Abstract

In a 50,000-word corpus of spoken British English the occurrence of words embedded within other words is reported. Within-word embedding in this real speech sample is common, and analogous to the extent of embedding observed in the vocabulary. Imposition of a syllable boundary matching constraint reduces but by no means eliminates spurious embedding. Embedded words are most likely to overlap with the beginning of matrix words, and thus may pose serious problems for speech recognisers.

Abstract

This paper describes recent experimental evidence which shows that models of spoken word recognition must incorporate both inhibition between competing lexical candidates and a sensitivity to metrical cues to lexical segmentation. A new version of the Shortlist [1][2] model incorporating the Metrical Segmentation Strategy [3] provides a detailed simulation of the data.

Abstract

Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.

Abstract

Speech production is constrained at all levels by the demands of speech perception. The speaker's primary aim is successful communication, and to this end semantic, syntactic and lexical choices are directed by the needs of the listener. Even at the articulatory level, some aspects of production appear to be perceptually constrained, for example the blocking of phonological distortions under certain conditions. An apparent exception to this pattern is word boundary information, which ought to be extremely useful to listeners, but which is not reliably coded in speech. It is argued that the solution to this apparent problem lies in rethinking the concept of the boundary of the lexical access unit. Speech rhythm provides clear information about the location of stressed syllables, and listeners do make use of this information. If stressed syllables can serve as the determinants of word lexical access codes, then once again speakers are providing precisely the necessary form of speech information to facilitate perception.