Anne Cutler †

Publications

Displaying 1 - 6 of 6
  • Van Ooijen, B., Cutler, A., & Berinetto, P. M. (1993). Click detection in Italian and English. In Eurospeech 93: Vol. 1 (pp. 681-684). Berlin: ESCA.

    Abstract

    We report four experiments in which English and Italian monolinguals detected clicks in continous speech in their native language. Two of the experiments used an off-line location task, and two used an on-line reaction time task. Despite there being large differences between English and Italian with respect to rhythmic characteristics, very similar response patterns were found for the two language groups. It is concluded that the process of click detection operates independently from language-specific differences in perceptual processing at the sublexical level.
  • Young, D., Altmann, G. T., Cutler, A., & Norris, D. (1993). Metrical structure and the perception of time-compressed speech. In Eurospeech 93: Vol. 2 (pp. 771-774).

    Abstract

    In the absence of explicitly marked cues to word boundaries, listeners tend to segment spoken English at the onset of strong syllables. This may suggest that under difficult listening conditions, speech should be easier to recognize where strong syllables are word-initial. We report two experiments in which listeners were presented with sentences which had been time-compressed to make listening difficult. The first study contrasted sentences in which all content words began with strong syllables with sentences in which all content words began with weak syllables. The intelligibility of the two groups of sentences did not differ significantly. Apparent rhythmic effects in the results prompted a second experiment; however, no significant effects of systematic rhythmic manipulation were observed. In both experiments, the strongest predictor of intelligibility was the rated plausibility of the sentences. We conclude that listeners' recognition responses to time-compressed speech may be strongly subject to experiential bias; effects of rhythmic structure are most likely to show up also as bias effects.
  • Cutler, A. (1987). Components of prosodic effects in speech recognition. In Proceedings of the Eleventh International Congress of Phonetic Sciences: Vol. 1 (pp. 84-87). Tallinn: Academy of Sciences of the Estonian SSR, Institute of Language and Literature.

    Abstract

    Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.
  • Cutler, A., & Carter, D. (1987). The prosodic structure of initial syllables in English. In J. Laver, & M. Jack (Eds.), Proceedings of the European Conference on Speech Technology: Vol. 1 (pp. 207-210). Edinburgh: IEE.
  • Cutler, A., & Butterfield, S. (1986). The perceptual integrity of initial consonant clusters. In R. Lawrence (Ed.), Speech and Hearing: Proceedings of the Institute of Acoustics (pp. 31-36). Edinburgh: Institute of Acoustics.
  • Scott, D. R., & Cutler, A. (1982). Segmental cues to syntactic structure. In Proceedings of the Institute of Acoustics 'Spectral Analysis and its Use in Underwater Acoustics' (pp. E3.1-E3.4). London: Institute of Acoustics.

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