Publications

Abstract

Speech signals originate as a sequence of linguistic units selected by speakers, but these units are necessarily realised in the suprasegmental dimensions of time, frequency and amplitude. For this reason prosodic structure has been viewed as a mandatory target of language processing by both speakers and listeners. In apparent contradiction, however, prosody has also been argued to be ancillary rather than core linguistic structure, making processing of prosodic structure essentially optional. In the present tribute to one of the luminaries of prosodic research for the past quarter century, we review evidence from studies of the processing of lexical stress and focal accent which reconciles these views and shows that both claims are, each in their own way, fully true.

Abstract

The results of a study on perceptual learning are reported. Dutch subjects made lexical decisions on a list of words and nonwords. Embedded in the list were either [f]- or [s]-final words in which the final fricative had been replaced by an ambiguous sound, midway between [f] and [s]. One group of listeners heard ambiguous [f]- final Dutch words like [kara?] (based on karaf, carafe) and unambiguous [s]-final words (e.g., karkas, carcase). A second group heard the reverse (e.g., ambiguous [karka?] and unambiguous karaf). After this training phase, listeners labelled ambiguous fricatives on an [f]- [s] continuum. The subjects who had heard [?] in [f]- final words categorised these fricatives as [f] reliably more often than those who had heard [?] in [s]-final words. These results suggest that speech recognition is dynamic: the system adjusts to the constraints of each particular listening situation. The lexicon can provide this adjustment process with a training signal.

Abstract

The central issues in the study of speech recognition by human listeners (HSR) and of automatic speech recognition (ASR) are clearly comparable; nevertheless the research communities that concern themselves with ASR and HSR are largely distinct. This paper compares the research objectives of the two fields, and attempts to draw informative lessons from one to the other.

Abstract

Current models of spoken-word recognition assume automatic activation of multiple candidate words fully or partially compatible with the speech input. We propose that listeners make use of this concurrent activation in word play such as punning. Distortion in punning should ideally involve no more than a minimal contrastive deviation between two words, namely a phoneme. Moreover, we propose that this metric of similarity does not presuppose phonemic awareness on the part of the punster. We support these claims with an analysis of modern and traditional puns in Japanese (in which phonemic awareness in language users is not encouraged by alphabetic orthography). For both data sets, the results support the predictions. Punning draws on basic processes of spokenword recognition, common across languages.

Abstract

Articulatory data are used to address the question of whether Dutch schwa insertion is a phonological or a phonetic process. By investigating tongue tip raising and dorsal lowering, we show that /l/ when it appears before inserted schwa is a light /l/, just as /l/ before an underlying schwa is, and unlike the dark /l/ before a consonant in non-insertion productions of the same words. The fact that inserted schwa can condition the light/dark /l/ alternation shows that schwa insertion involves the phonological insertion of a segment rather than phonetic adjustments to articulations.

Abstract

A distinction between strong and weak vowels can be drawn on the basis of vowel quality, of stress, or of both factors. An experiment was conducted in which sets of contextually matched word-intial vowels ranging from clearly strong to clearly weak were cross-spliced, and the naturalness of the resulting words was rated by listeners. The ratings showed that in general cross-spliced words were only significantly less acceptable than unspliced words when schwa was not involved; this supports a categorical distinction based on vowel quality.

Abstract

Speakers and listeners have a shared goal: to communicate. The processes of speech perception and of speech production interact in many ways under the constraints of this communicative goal; such interaction is as characteristic of prosodic processing as of the processing of other aspects of linguistic structure. Two of the major uses of prosodic information in situations of communication are to encode salience and segmentation, and these themes unite the contributions to the symposium introduced by the present review.

Abstract

This paper reports two experiments with vowels and consonants as phoneme detection targets in real words. In the first experiment, two relatively distinct vowels were compared with two confusible stop consonants. Response times to the vowels were longer than to the consonants. Response times correlated negatively with target phoneme length. In the second, two relatively distinct vowels were compared with their corresponding semivowels. This time, the vowels were detected faster than the semivowels. We conclude that response time differences between vowels and stop consonants in this task may reflect differences between phoneme categories in the variability of tokens, both in the acoustic realisation of targets and in the' representation of targets by subjects.

Abstract

The lexicon, considered as a component of the process of recognizing speech, is a device that accepts a sound image as input and outputs meaning. Lexical access is the process of formulating an appropriate input and mapping it onto an entry in the lexicon's store of sound images matched with their meanings. This chapter addresses the problems of auditory lexical access from continuous speech. The central argument to be proposed is that utterance prosody plays a crucial role in the access process. Continuous listening faces problems that are not present in visual recognition (reading) or in noncontinuous recognition (understanding isolated words). Aspects of utterance prosody offer a solution to these particular problems.

Abstract

One of a listener's major tasks in understanding continuous speech is segmenting the speech signal into separate words. When listening conditions are difficult, speakers can help listeners by deliberately speaking more clearly. In three experiments, we examined how word boundaries are produced in deliberately clear speech. We found that speakers do indeed attempt to mark word boundaries; moreover, they differentiate between word boundaries in a way which suggests they are sensitive to listener needs. Application of heuristic segmentation strategies makes word boundaries before strong syllables easiest for listeners to perceive; but under difficult listening conditions speakers pay more attention to marking word boundaries before weak syllables, i.e. they mark those boundaries which are otherwise particularly hard to perceive.

Abstract

In languages with variable stress placement, lexical stress patterns can convey information about word identity. The experiments reported here address the question of whether lexical stress information can be used in word recognition. The results allow the following conclusions: 1. Prior information as to the number of syllables and lexical stress patterns of words and nonwords does not facilitate lexical decision responses (Experiment 1). 2. The strong correspondences between grammatical category membership and stress pattern in bisyllabic English words (strong-weak stress being associated primarily with nouns, weak-strong with verbs) are not exploited in the recognition of isolated words (Experiment 2). 3. When a change in lexical stress also involves a change in vowel quality, i.e., a segmental as well as a suprasegmental alteration, effects on word recognition are greater when no segmental correlates of suprasegmental changes are involved (Experiments 2 and 3). 4. Despite the above finding, when all other factors are controlled, lexical stress information per se can indeed be shown to play a part in word-recognition process (Experiment 3).