Judith Holler

Publications

Displaying 1 - 4 of 4
  • Connell, L., Cai, Z. G., & Holler, J. (2012). Do you see what I'm singing? Visuospatial movement biases pitch perception. In N. Miyake, D. Peebles, & R. P. Cooper (Eds.), Proceedings of the 34th Annual Meeting of the Cognitive Science Society (CogSci 2012) (pp. 252-257). Austin, TX: Cognitive Science Society.

    Abstract

    The nature of the connection between musical and spatial processing is controversial. While pitch may be described in spatial terms such as “high” or “low”, it is unclear whether pitch and space are associated but separate dimensions or whether they share representational and processing resources. In the present study, we asked participants to judge whether a target vocal note was the same as (or different from) a preceding cue note. Importantly, target trials were presented as video clips where a singer sometimes gestured upward or downward while singing that target note, thus providing an alternative, concurrent source of spatial information. Our results show that pitch discrimination was significantly biased by the spatial movement in gesture. These effects were eliminated by spatial memory load but preserved under verbal memory load conditions. Together, our findings suggest that pitch and space have a shared representation such that the mental representation of pitch is audiospatial in nature.
  • Holler, J., Kelly, S., Hagoort, P., & Ozyurek, A. (2012). When gestures catch the eye: The influence of gaze direction on co-speech gesture comprehension in triadic communication. In N. Miyake, D. Peebles, & R. P. Cooper (Eds.), Proceedings of the 34th Annual Meeting of the Cognitive Science Society (CogSci 2012) (pp. 467-472). Austin, TX: Cognitive Society. Retrieved from http://mindmodeling.org/cogsci2012/papers/0092/index.html.

    Abstract

    Co-speech gestures are an integral part of human face-to-face communication, but little is known about how pragmatic factors influence our comprehension of those gestures. The present study investigates how different types of recipients process iconic gestures in a triadic communicative situation. Participants (N = 32) took on the role of one of two recipients in a triad and were presented with 160 video clips of an actor speaking, or speaking and gesturing. Crucially, the actor’s eye gaze was manipulated in that she alternated her gaze between the two recipients. Participants thus perceived some messages in the role of addressed recipient and some in the role of unaddressed recipient. In these roles, participants were asked to make judgements concerning the speaker’s messages. Their reaction times showed that unaddressed recipients did comprehend speaker’s gestures differently to addressees. The findings are discussed with respect to automatic and controlled processes involved in gesture comprehension.
  • Kelly, S., Healey, M., Ozyurek, A., & Holler, J. (2012). The communicative influence of gesture and action during speech comprehension: Gestures have the upper hand [Abstract]. Abstracts of the Acoustics 2012 Hong Kong conference published in The Journal of the Acoustical Society of America, 131, 3311. doi:10.1121/1.4708385.

    Abstract

    Hand gestures combine with speech to form a single integrated system of meaning during language comprehension (Kelly et al., 2010). However, it is unknown whether gesture is uniquely integrated with speech or is processed like any other manual action. Thirty-one participants watched videos presenting speech with gestures or manual actions on objects. The relationship between the speech and gesture/action was either complementary (e.g., “He found the answer,” while producing a calculating gesture vs. actually using a calculator) or incongruent (e.g., the same sentence paired with the incongruent gesture/action of stirring with a spoon). Participants watched the video (prime) and then responded to a written word (target) that was or was not spoken in the video prime (e.g., “found” or “cut”). ERPs were taken to the primes (time-locked to the spoken verb, e.g., “found”) and the written targets. For primes, there was a larger frontal N400 (semantic processing) to incongruent vs. congruent items for the gesture, but not action, condition. For targets, the P2 (phonemic processing) was smaller for target words following congruent vs. incongruent gesture, but not action, primes. These findings suggest that hand gestures are integrated with speech in a privileged fashion compared to manual actions on objects.
  • Rowbotham, S., Holler, J., Lloyd, D., & Wearden, A. (2012). How do we communicate about pain? A systematic analysis of the semantic contribution of co-speech gestures in pain-focused conversations. Journal of Nonverbal Behavior, 36, 1-21. doi:10.1007/s10919-011-0122-5.

    Abstract

    The purpose of the present study was to investigate co-speech gesture use during communication about pain. Speakers described a recent pain experience and the data were analyzed using a ‘semantic feature approach’ to determine the distribution of information across gesture and speech. This analysis revealed that a considerable proportion of pain-focused talk was accompanied by gestures, and that these gestures often contained more information about pain than speech itself. Further, some gestures represented information that was hardly represented in speech at all. Overall, these results suggest that gestures are integral to the communication of pain and need to be attended to if recipients are to obtain a fuller understanding of the pain experience and provide help and support to pain sufferers.

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