Publications

Abstract

Based on the conversation analysts’ insights into the various forms of third person reference in English, this paper first presents the inventory of forms Kilivila, the Austronesian language of the Trobriand Islanders of Papua New Guinea, offers its speakers for making such references. To illustrate such references to third persons in talk-in-interaction in Kilivila, a case study on gossiping is presented in the second part of the paper. This case study shows that ambiguous anaphoric references to two first mentioned third persons turn out to not only exceed and even violate the frame of a clearly defined situational-intentional variety of Kilivila that is constituted by the genre “gossip”, but also that these references are extremely dangerous for speakers in the Trobriand Islanders’ society. I illustrate how this culturally dangerous situation escalates and how other participants of the group of gossiping men try to “repair” this violation of the frame of a culturally defined and metalinguistically labelled “way of speaking”. The paper ends with some general remarks on how the understanding of forms of person reference in a language is dependent on the culture specific context in which they are produced.

Abstract

One of the central aims of the "Cognitive Anthropology Research Group" (since 1998 the "Department of Language and Cognition of the MPI for Psycholinguistics") is to research the relationship between language, culture and cognition and the conceptualization of space in various languages and cultures. Ever since its foundation in 1991 the group has been developing methods to elicit cross-culturally and cross-linguistically comparable data for this research project. After a brief summary of the central considerations that served as guidelines for the developing of these elicitation devices, this paper first presents a broad selection of the "space games" developed and used for data elicitation in the groups' various fieldsites so far. The paper then discusses the advantages and shortcomings of these data elicitation devices. Finally, it is argued that methodologists developing such devices find themselves in a position somewhere between Scylla and Charybdis - at least, if they take the requirement seriously that the elicited data should be comparable not only cross-culturally but also cross-linguistically.

Abstract

Arbeitet man als muttersprachlicher Sprecher des Deutschen mit Corpora gesprochener oder geschriebener deutscher Sprache, dann reflektiert man in aller Regel nur selten über die Vielzahl von kulturspezifischen Informationen, die in solchen Texten kodifiziert sind – vor allem, wenn es sich bei diesen Daten um Texte aus der Gegenwart handelt. In den meisten Fällen hat man nämlich keinerlei Probleme mit dem in den Daten präsupponierten und als allgemein bekannt erachteten Hintergrundswissen. Betrachtet man dagegen Daten in Corpora, die andere – vor allem nicht-indoeuropäische – Sprachen dokumentieren, dann wird einem schnell bewußt, wieviel an kulturspezifischem Wissen nötig ist, um diese Daten adäquat zu verstehen. In meinem Vortrag illustriere ich diese Beobachtung an einem Beispiel aus meinem Corpus des Kilivila, der austronesischen Sprache der Trobriand-Insulaner von Papua-Neuguinea. Anhand eines kurzen Auschnitts einer insgesamt etwa 26 Minuten dauernden Dokumentation, worüber und wie sechs Trobriander miteinander tratschen und klatschen, zeige ich, was ein Hörer oder Leser eines solchen kurzen Daten-Ausschnitts wissen muß, um nicht nur dem Gespräch überhaupt folgen zu können, sondern auch um zu verstehen, was dabei abläuft und wieso ein auf den ersten Blick absolut alltägliches Gespräch plötzlich für einen Trobriander ungeheuer an Brisanz und Bedeutung gewinnt. Vor dem Hintergrund dieses Beispiels weise ich dann zum Schluß meines Beitrags darauf hin, wie unbedingt nötig und erforderlich es ist, in allen Corpora bei der Erschließung und Kommentierung von Datenmaterialien durch sogenannte Metadaten solche kulturspezifischen Informationen explizit zu machen.

Abstract

One of the many results of the "Space" research project conducted at the MPI for Psycholinguistics is that there are three "Frames of spatial Reference" (FoRs), the relative, the intrinsic and the absolute FoR. Cross-linguistic research showed that speakers who prefer one FoR in verbal spatial references rely on a comparable coding system for memorizing spatial configurations and for making inferences with respect to these spatial configurations in non-verbal problem solving. Moreover, research results also revealed that in some languages these verbal FoRs also influence gestural behavior. These results document the close interrelationship between language, culture and cognition in the domain "Space". The proper description of these interrelationships in the spatial domain requires language and culture specific ontologies.

Abstract

This handbook chapter summarizes some of the problems of nominal classification in language, presents and illustrates the various systems or techniques of nominal classification, and points out why nominal classification is one of the most interesting topics in Cognitive Linguistics.

Abstract

Visiting the Trobriand Islands is advertised as being the highlight of a trip for tourists to Papua New Guinea who want, and can afford, to experience this 'ultimate adventure' with 'expeditionary cruises aboard the luxurious Melanesian Discoverer. The advertisements also promise that the tourists can 'meet the friendly people' and 'observe their unique culture, dances, and art'. During my research in Kaibola and Nuwebila, two neighbouring villages on the northern tip of Kiriwina Island, I studied and analysed the encounters of tourists with Trobriand Islanders, who sing and dance for the Europeans. The analyses of the islanders' tourist performances are based on Erving Goffman's now classic study The Presentation of Self in Everyday Life, which was first published in 1959. In this study Goffmann analyses the structures of social encounters from the perspective of the dramatic performance. The situational context within which the encounter between tourists and Trobriand Islanders takes place frames the tourists as the audience and the Trobriand Islanders as a team of performers. The inherent structure of the parts of the overall performance presented in the two villages can be summarized - within the framework of Goffman's approach - in analogy with the structure of drama. We find parts that constitute the 'exposition', the 'complication', and the 'resolution' of a drama; we even observe an equivalent to the importance of the 'Second Act Curtain' in modern drama theory. Deeper analyses of this encounter show that the motives of the performers and their 'art of impression management' are to control the impression their audience receives in this encounter situation. This analysis reveals that the Trobriand Islanders sell their customers the expected images of what Malinowski (1929) once termed the '...Life of Savages in North-Western Melanesia' in a staged 'illusion'. With the conscious realization of the part they as performers play in this encounter, the Trobriand Islanders are in a position that is superior to that of their audience. Their merchandise or commodity is 'not real', as it is sold 'out of its true cultural context'. It is staged - and thus cannot be taken by any customer whatsoever because it (re)presents just an 'illusion'. The Trobriand Islanders know that neither they nor the core aspects of their culture will suffer any damage within a tourist encounter that is defined by the structure and the kind of their performance. Their pride and self-confidence enable them to bring their superior position into play in their dealings with tourists. With their indigenous humour, they even use this encounter for ridiculing their visitors. It turns out that the encounter is another manifestation of the Trobriand Islanders' self-consciousness, self-confidence, and pride with which they manage to protect core aspects of their cultural identity, while at the same time using and 'selling' parts of their culture as a kind of commodity to tourists.