Publications

Displaying 1 - 40 of 40
  • Bowerman, M. (1974). Early development of concepts underlying language. In R. Schiefelbusch, & L. Lloyd (Eds.), Language perspectives: Acquisition, retardation, and intervention (pp. 191-209). Baltimore: University Park Press.
  • Bowerman, M. (1974). Learning the structure of causative verbs: A study in the relationship of cognitive, semantic, and syntactic development. Papers and Reports on Child Language Development, 8, 142-178.
  • Cutler, A. (1974). On saying what you mean without meaning what you say. In M. Galy, R. Fox, & A. Bruck (Eds.), Papers from the Tenth Regional Meeting, Chicago Linguistic Society (pp. 117-127). Chicago, Ill.: CLS.
  • Kempen, G. (1966). Een informatietheoretische reïnterpretatie van het probleem der autonome geheugenveranderingen. Gawein: Tijdschrift voor psychologie, 15, 9-26.
  • Kempen, G. (1966). [Review of the book Theories of learning and instruction ed. by E.R. Hilgard]. Nijmeegs Tijdschrift voor Psychologie, 14, 250.
  • Klein, W. (1968). Zur Kategorisierung der Funktionsverbgefüge. Beiträge zur Linguistik und Informationsverarbeitung, 13, 7-37.
  • Klein, W. (1974). Critical remarks on generative metrics. Poetics, 12, 29-48.
  • Klein, W. (1974). Variation, Norm und Abweichung in der Sprache. In G. Lotzmann (Ed.), Sprach- und Sprechnormen - Verhalten und Abweichung (pp. 7-21). Heidelberg: Groos.
  • Levelt, W. J. M. (1968). [Review of the book] R.C. Oldfield en J.C. Marshall (eds.), Language. Selected readings. Nederlands tijdschrift voor de psychologie, 23, 474.
  • Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek I: Inleiding in de generatieve grammatica. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 317-337.
  • Levelt, W. J. M. (1966). Generatieve grammatica en psycholinguïstiek II. Psycholinguïstisch onderzoek. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 21, 367-400.
  • Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (Ed.), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires.
  • Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
  • Levelt, W. J. M., & Plomp, R. (1966). Les dimensions dans la perception des intervalles musicaux. Sciences de l'art, 3, 172-182.
  • Levelt, W. J. M. (1968). Hans Hörmann, Psychologie der Sprache [Book review]. Lingua, 20, 93-97. doi:10.1016/0024-3841(68)90133-2.
  • Levelt, W. J. M. (1974). J.B. Carroll & R. Freedle (eds.), Language comprehension and the acquisition of knowledge [Book review]. The Quarterly journal of experimental psychology, 26(2), 325-326. doi:10.1080/14640747408400419.
  • Levelt, W. J. M. (1968). Om der wille van het taalpsychologisch experiment. Forum der Letteren, 21, 927-928.
  • Levelt, W. J. M. (1968). R. Quirk en J. Svartvik (eds.), Investigating linguistic acceptability [Book review]. Nederlands tijdschrift voor de psychologie, 32(6), 692.
  • Levelt, W. J. M. (1966). The alternation process in binocular rivalry. British Journal of Psychology, 57(3/4), 225-238.
  • Levelt, W. J. M., & Plomp, K. (1968). The appreciation of musical intervals. In J. M. M. Aler (Ed.), Proceedings of the fifth International Congress of Aesthetics, Amsterdam 1964 (pp. 901-904). The Hague: Mouton.
  • Levelt, W. J. M. (1966). Some demonstrations of the complementary functioning of the eyes. Perception & Psychophysics, 1, 39-40.
  • Levelt, W. J. M., & Bonarius, M. (1968). Suffixes as deep structure clues. Heymans Bulletins Psychologische Instituten RU Groningen, HB-68-22EX.
  • Levelt, W. J. M. (1974). Taalpsychologie: Van taalkunde naar psychologie. In Herstal-Conferentie.
  • Levelt, W. J. M. (1966). The perceptual conflict in binocular rivalry. In M. A. Bouman (Ed.), Studies in perception: Dedicated to M.A. Bouman (pp. 47-60). Soesterberg: Institute for Perception RVO-TNO.
  • Levelt, W. J. M., Van de Geer, J. P., & Plomp, R. (1966). Triadic comparisons of musical intervals. British Journal of Mathematical & Statistical Psychology, 19(2), 163-179.
  • De Loor, G. P., Jurriens, A. A., Levelt, W. J. M., & Van de Geer, J. P. (1968). Line scan imagery interpretation. Photogrammatic Engineering, 28, 502-510.
  • Plomp, R., & Levelt, W. J. M. (1966). Perception of tonal consonance. In M. A. Bouman (Ed.), Studies in Perception - dedicated to M.A. Bouman (pp. 105-118). Soesterberg: Institute for Perception RVO-TNO.
  • Seuren, P. A. M. (1974). Autonomous versus semantic syntax. In P. A. M. Seuren (Ed.), Semantic syntax (pp. 96-122). Oxford: Oxford University Press.
  • Seuren, P. A. M. (1966). [Review of the book An introduction to morphology and syntax by Benjamin Elson and Velma Pickett]. Foundations of Language, 2(2), 213-217.
  • Seuren, P. A. M. (1966). [Review of the book Grammar discovery procedures by Robert E. Longacre]. Foundations of Language, 2(2), 200-212.
  • Seuren, P. A. M. (1968). [Review of the book Negation and the comparative particle in English by André Joly]. Neophilologus, 52, 337-338. doi:10.1007/BF01515481.
  • Seuren, P. A. M. (1963). Naar aanleiding van Dr. F. Balk-Smit Duyzentkunst "De Grammatische Functie". Levende Talen, 219, 179-186.
  • Seuren, P. A. M. (1966). Het probleem van de woorddefinitie. In Handelingen van het 29ste Nederlands Filologencongres (pp. 103-108).
  • Seuren, P. A. M. (1966). Het probleem van de woorddefinitie. Tijdschrift voor Nederlandse Taal- en Letterkunde, 82(4), 259-293.
  • Seuren, P. A. M. (1974). Introduction. In P. A. M. Seuren (Ed.), Semantic syntax (pp. 1-28). Oxford: Oxford University Press.
  • Seuren, P. A. M. (1974). Negative's travels. In P. A. M. Seuren (Ed.), Semantic syntax (pp. 183-208). Oxford: Oxford University Press.
  • Seuren, P. A. M. (1974). Pronomi clitici in italiano. In M. Medici, & A. Sangregorio (Eds.), Fenomeni morfologici e sintattici nell'Italiano contemporaneo (pp. 309-327). Roma: Bulzoni.
  • Van de Geer, J. P., & Levelt, W. J. M. (1963). Detection of visual patterns disturbed by noise: An exploratory study. Quarterly Journal of Experimental Psychology, 15, 192-204. doi:10.1080/17470216308416324.

    Abstract

    An introductory study of the perception of stochastically specified events is reported. The initial problem was to determine whether the perceiver can split visual input data of this kind into random and determined components. The inability of subjects to do so with the stimulus material used (a filmlike sequence of dot patterns), led to the more general question of how subjects code this kind of visual material. To meet the difficulty of defining the subjects' responses, two experiments were designed. In both, patterns were presented as a rapid sequence of dots on a screen. The patterns were more or less disturbed by “noise,” i.e. the dots did not appear exactly at their proper places. In the first experiment the response was a rating on a semantic scale, in the second an identification from among a set of alternative patterns. The results of these experiments give some insight in the coding systems adopted by the subjects. First, noise appears to be detrimental to pattern recognition, especially to patterns with little spread. Second, this shows connections with the factors obtained from analysis of the semantic ratings, e.g. easily disturbed patterns show a large drop in the semantic regularity factor, when only a little noise is added.
  • Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.

    Abstract

    As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
  • De Weert, C., & Levelt, W. J. M. (1974). Binocular brightness combinations: Additive and nonadditive aspects. Perception and Psychophysics, 15, 551-562.

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