Displaying 1 - 24 of 24
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Eggers, H., Klein, W., Rath, R., Rothkegel, A., Weber, H.-J., & Zimmermann, H. (1969). Die automatische Behandlung diskontinuierlicher Konstituenten im Deutschen. Muttersprache, 9/10, 260-266.
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Kempen, G., & Boon van Ostade, A. (1969). Een typologie van ideaalbeelden van Europese jeugdigen door middel van de iteratieve clusteranalyse. Nederlands Tijdschrift voor de Psychologie, 24, 46-60.
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Kempen, G., Hermans, B., Klinkum, A., Brand, M., & Verhaaren, F. (1969). The word-frequency effect and incongruity perception: Methodological artifacts? Perception and Psychophysics, 5(3), 161-162. doi:10.3758/BF03209549.
Abstract
Two experimental results often reported in support of perceptual interpretations concerning the influence of set on perception are critically examined: (a) the relation between word frequency and recognition threshold, and (b) the so-called compromise reactions between set and stimulus, Alter elimination of certain methodological artifacts (e.g., introduction of a temporal forced-choice method instead of the ascending-limits method), both phenomena disappear; the influence of set on perception appears to be wholly a matter of response bias. -
Levelt, W. J. M. (1969). R.N. Haber, Contemporary theory and research in visual perception [Book review]. Nederlands tijdschrift voor de psychologie, 24, 463-464.
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Levelt, W. J. M. (1969). A re-analysis of some adjective/noun intersection data. Heymans Bulletins, HB-69-31EX.
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Levelt, W. J. M. (1969). E.J. Brière, A psycholinguistic study of phonological interference [Book review]. Lingua, 22, 119-120.
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Levelt, W. J. M., Zwanenburg, W., & Ouweneel, G. R. E. (1969). Ambiguous surface structure and phonetic form in French. Heymans Bulletins, (HB-69-28EX).
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Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Levelt, W. J. M. (1969). Hierarchical chunking in sentence processing. Heymans Bulletins, HB-69-31EX.
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Levelt, W. J. M. (1967). Note on the distribution of dominance times in binocular rivalry. British Journal of Psychology, 58, 143-145.
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Levelt, W. J. M. (1969). Psychological representations of syntactic structures. Heymans Bulletins, HB-69-36EX.
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Levelt, W. J. M. (1969). R.M. Warren en R.P. Warren, Helmholtz on perception, its physiology and development [Book review]. Nederlands tijdschrift voor de psychologie, 24, 463-464.
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Levelt, W. J. M., & Ouweneel, G. R. E. (1969). The perception of French sentences with a surface ambiguity. Nederlands Tijdschrift voor de Psychologie en haar Grensgebieden, 24, 245-248.
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Levelt, W. J. M. (1969). The perception of syntactic structure. Heymans Bulletins, HB-69-30EX.
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Levelt, W. J. M. (1969). The scaling of syntactic relatedness: A new method in psycholinguistic research. Psychonomic Science, 17(6), 351-352.
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Seuren, P. A. M. (1969). Echte en onechte taalkunde. De Gids, 132, 225-242.
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Seuren, P. A. M. (1969). [Review of the book Writing transformational grammars by Andreas Koutsoudas]. Journal of Linguistics, 5(1), 188-189. doi:10.1017/S0022226700002188.
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Seuren, P. A. M. (1969). Generatieve grammatika en semantiek. In Handelingen van het XXVII Vlaams Filologencongres (pp. 276-282).
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Seuren, P. A. M. (1969). Il concetto di regola grammaticale. In La sintassi: atti del 3 Convegno internazionale di studi, Roma, 17-18 maggio 1969 (pp. 125-141). Rome: Bulzoni.
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Seuren, P. A. M. (1963). Naar aanleiding van Dr. F. Balk-Smit Duyzentkunst "De Grammatische Functie". Levende Talen, 219, 179-186.
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Seuren, P. A. M. (1969). La G.G.T. et la théorie de la traduction. Le Langage et l'Homme, 10, 41-50.
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Seuren, P. A. M. (1967). Negation in Dutch. Neophilologus, 51(4), 327-363.
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Van de Geer, J. P., & Levelt, W. J. M. (1963). Detection of visual patterns disturbed by noise: An exploratory study. Quarterly Journal of Experimental Psychology, 15, 192-204. doi:10.1080/17470216308416324.
Abstract
An introductory study of the perception of stochastically specified events is reported. The initial problem was to determine whether the perceiver can split visual input data of this kind into random and determined components. The inability of subjects to do so with the stimulus material used (a filmlike sequence of dot patterns), led to the more general question of how subjects code this kind of visual material. To meet the difficulty of defining the subjects' responses, two experiments were designed. In both, patterns were presented as a rapid sequence of dots on a screen. The patterns were more or less disturbed by “noise,” i.e. the dots did not appear exactly at their proper places. In the first experiment the response was a rating on a semantic scale, in the second an identification from among a set of alternative patterns. The results of these experiments give some insight in the coding systems adopted by the subjects. First, noise appears to be detrimental to pattern recognition, especially to patterns with little spread. Second, this shows connections with the factors obtained from analysis of the semantic ratings, e.g. easily disturbed patterns show a large drop in the semantic regularity factor, when only a little noise is added. -
Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
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