Displaying 1 - 28 of 28
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Bowerman, M. (1974). Early development of concepts underlying language. In R. Schiefelbusch, & L. Lloyd (
Eds. ), Language perspectives: Acquisition, retardation, and intervention (pp. 191-209). Baltimore: University Park Press. -
Bowerman, M. (1974). Learning the structure of causative verbs: A study in the relationship of cognitive, semantic, and syntactic development. Papers and Reports on Child Language Development, 8, 142-178.
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Brown, S., & Brown, P. (1965). Comparison of successive and simultaneous methods of pair presentation in paired-associate learning. Psychonomic Science, 309-310.
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Cutler, A. (1974). On saying what you mean without meaning what you say. In M. Galy, R. Fox, & A. Bruck (
Eds. ), Papers from the Tenth Regional Meeting, Chicago Linguistic Society (pp. 117-127). Chicago, Ill.: CLS. -
Dietrich, R., & Klein, W. (1974). Einführung in die Computerlinguistik. Stuttgart: Kohlhammer.
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Kempen, G. (1965). Leermachine en talenpracticum: Inleiding en literatuuroverzicht. Tijdschrift voor opvoedkunde, 11, 1-31.
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Klein, W. (1974). Critical remarks on generative metrics. Poetics, 12, 29-48.
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Klein, W., & Von Stechow, A. (
Eds. ). (1974). Functional generative grammar in Prague. Kronberg/Ts: Scriptor. -
Klein, W. (1974). Variation in der Sprache. Kronberg/Ts: Scriptor.
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Klein, W. (1974). Variation, Norm und Abweichung in der Sprache. In G. Lotzmann (
Ed. ), Sprach- und Sprechnormen - Verhalten und Abweichung (pp. 7-21). Heidelberg: Groos. -
Levelt, W. J. M. (1965). Binocular brightness averaging and contour information. British Journal of Psychology, 56, 1-13.
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Levelt, W. J. M. (1974). Formal grammars in linguistics and psycholinguistics: Vol.III, Psycholinguistic applications. The Hague: Mouton.
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Levelt, W. J. M. (1974). Formal grammars in linguistics and psycholinguistics: Vol. I, An introduction to the theory of formal languages and automata. The Hague: Mouton Publishers.
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Levelt, W. J. M. (1974). Formal grammars in linguistics and psycholinguistics: Vol.II, Applications in linguistic theory. The Hague: Mouton.
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Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
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Levelt, W. J. M. (1974). J.B. Carroll & R. Freedle (eds.), Language comprehension and the acquisition of knowledge [Book review]. The Quarterly journal of experimental psychology, 26(2), 325-326. doi:10.1080/14640747408400419.
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Levelt, W. J. M. (1965). On binocular rivalry. PhD Thesis, Van Gorcum, Assen.
Abstract
PHD thesis, defended at the University of Leiden -
Levelt, W. J. M. (1974). Taalpsychologie: Van taalkunde naar psychologie. In Herstal-Conferentie.
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Plomp, R., & Levelt, W. J. M. (1965). Tonal consonance and critical bandwidth. Journal of the Acoustical Society of America, 38, 548-560. doi:10.1121/1.1909741.
Abstract
Firstly, theories are reviewed on the explanation of tonal consonance as the singular nature of tone intervals with frequency ratios corresponding with small integer numbers. An evaluation of these explanations in the light of some experimental studies supports the hypothesis, as promoted by von Helmholtz, that the difference between consonant and dissonant intervals is related to beats of adjacent partials. This relation was studied more fully by experiments in which subjects had to judge simple-tone intervals as a function of test frequency and interval width. The results may be considered as a modification of von Helmholtz's conception and indicate that, as a function of frequency, the transition range between consonant and dissonant intervals is related to critical bandwidth. Simple-tone intervals are evaluated as consonant for frequency differences exceeding this bandwidth. whereas the most dissonant intervals correspond with frequency differences of about a quarter of this bandwidth. On the base of these results, some properties of consonant intervals consisting of complex tones are explained. To answer the question whether critical bandwidth also plays a rôle in music, the chords of two compositions (parts of a trio sonata of J. S. Bach and of a string quartet of A. Dvorák) were analyzed by computing interval distributions as a function of frequency and number of harmonics taken into account. The results strongly suggest that, indeed, critical bandwidth plays an important rôle in music: for a number of harmonics representative for musical instruments, the "density" of simultaneous partials alters as a function of frequency in the same way as critical bandwidth does. -
Seuren, P. A. M. (1974). Autonomous versus semantic syntax. In P. A. M. Seuren (
Ed. ), Semantic syntax (pp. 96-122). Oxford: Oxford University Press. -
Seuren, P. A. M. (1965). Fonotheek, teniotheek. Levende Talen, 229, 221-222.
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Seuren, P. A. M. (1974). Introduction. In P. A. M. Seuren (
Ed. ), Semantic syntax (pp. 1-28). Oxford: Oxford University Press. -
Seuren, P. A. M. (1974). Negative's travels. In P. A. M. Seuren (
Ed. ), Semantic syntax (pp. 183-208). Oxford: Oxford University Press. -
Seuren, P. A. M. (1974). Pronomi clitici in italiano. In M. Medici, & A. Sangregorio (
Eds. ), Fenomeni morfologici e sintattici nell'Italiano contemporaneo (pp. 309-327). Roma: Bulzoni. -
Seuren, P. A. M. (
Ed. ). (1974). Semantic syntax. Oxford: Oxford University Press. -
Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given. -
De Weert, C., & Levelt, W. J. M. (1974). Binocular brightness combinations: Additive and nonadditive aspects. Perception and Psychophysics, 15, 551-562.
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