Publications

Displaying 1 - 13 of 13
  • Klein, W. (1968). Zur Kategorisierung der Funktionsverbgefüge. Beiträge zur Linguistik und Informationsverarbeitung, 13, 7-37.
  • Levelt, W. J. M. (1968). [Review of the book] R.C. Oldfield en J.C. Marshall (eds.), Language. Selected readings. Nederlands tijdschrift voor de psychologie, 23, 474.
  • Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (Ed.), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires.
  • Levelt, W. J. M., & Plomp, R. (1962). Musical consonance and critical bandwidth. In Proceedings of the 4th International Congress Acoustics (pp. 55-55).
  • Levelt, W. J. M. (1968). Hans Hörmann, Psychologie der Sprache [Book review]. Lingua, 20, 93-97. doi:10.1016/0024-3841(68)90133-2.
  • Levelt, W. J. M. (1968). Om der wille van het taalpsychologisch experiment. Forum der Letteren, 21, 927-928.
  • Levelt, W. J. M. (1968). On binocular rivalry. The Hague: Mouton.
  • Levelt, W. J. M. (1968). R. Quirk en J. Svartvik (eds.), Investigating linguistic acceptability [Book review]. Nederlands tijdschrift voor de psychologie, 32(6), 692.
  • Levelt, W. J. M., & Bonarius, M. (1968). Suffixes as deep structure clues. Heymans Bulletins Psychologische Instituten RU Groningen, HB-68-22EX.
  • Levelt, W. J. M., & Plomp, K. (1968). The appreciation of musical intervals. In J. M. M. Aler (Ed.), Proceedings of the fifth International Congress of Aesthetics, Amsterdam 1964 (pp. 901-904). The Hague: Mouton.
  • De Loor, G. P., Jurriens, A. A., Levelt, W. J. M., & Van de Geer, J. P. (1968). Line scan imagery interpretation. Photogrammatic Engineering, 28, 502-510.
  • Seuren, P. A. M. (1968). [Review of the book Negation and the comparative particle in English by André Joly]. Neophilologus, 52, 337-338. doi:10.1007/BF01515481.
  • Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.

    Abstract

    As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.

Share this page