Displaying 1 - 13 of 13
-
Bowerman, M. (1971). [Review of A. Bar Adon & W.F. Leopold (Eds.), Child language: A book of readings (Prentice Hall, 1971)]. Contemporary Psychology: APA Review of Books, 16, 808-809.
-
Cutler, A. (1971). [Review of the book Probleme der Aufgabenanalyse bei der Erstellung von Sprachprogrammen by K. Bung]. Babel, 7, 29-31.
-
Kempen, G. (1971). [Review of the book General Psychology by N. Dember and J.J. Jenkins]. Nijmeegs Tijdschrift voor Psychologie, 19, 132-133.
-
Kempen, G. (1971). Het onthouden van eenvoudige zinnen met zijn en hebben als werkwoorden: Een experiment met steekwoordreaktietijden. Nijmeegs Tijdschrift voor Psychologie, 19, 262-274.
-
Kempen, G. (1971). Opslag van woordbetekenissen in het semantisch geheugen. Nijmeegs Tijdschrift voor Psychologie, 19, 36-50.
-
Klein, W. (1971). Eine kommentierte Bibliographie zur Computerlinguistik. Linguistische Berichte, (11), 101-134.
-
Klein, W., & Klein, W. (1971). Formale Poetik und Linguistik. In Beiträge zu den Sommerkursen des Goethe-Instituts München (pp. 190-195).
-
Levelt, W. J. M. (1962). Motion breaking and the perception of causality. In A. Michotte (
Ed. ), Causalité, permanence et réalité phénoménales: Etudes de psychologie expérimentale (pp. 244-258). Louvain: Publications Universitaires. -
Seuren, P. A. M. (1971). Chomsky, man en werk. De Gids, 134, 298-308.
-
Seuren, P. A. M. (1971). [Review of the book Introduction à la grammaire générative by Nicolas Ruwet]. Linguistics, 10(78), 111-120. doi:10.1515/ling.1972.10.78.72.
-
Seuren, P. A. M. (1971). [Review of the book La linguistique synchronique by Andre Martinet]. Linguistics, 10(78), 109-111. doi:10.1515/ling.1972.10.78.72.
-
Seuren, P. A. M. (1971). [Review of the book Syntaxis by A. Kraak and W. Klooster]. Foundations of Language, 7(3), 441-445.
-
Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.
Abstract
As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.
Share this page