Publications

Displaying 1 - 25 of 25
  • Bowerman, M. (1971). [Review of A. Bar Adon & W.F. Leopold (Eds.), Child language: A book of readings (Prentice Hall, 1971)]. Contemporary Psychology: APA Review of Books, 16, 808-809.
  • Brown, S., & Brown, P. (1965). Comparison of successive and simultaneous methods of pair presentation in paired-associate learning. Psychonomic Science, 309-310.
  • Cutler, A. (1971). [Review of the book Probleme der Aufgabenanalyse bei der Erstellung von Sprachprogrammen by K. Bung]. Babel, 7, 29-31.
  • Kempen, G. (1971). [Review of the book General Psychology by N. Dember and J.J. Jenkins]. Nijmeegs Tijdschrift voor Psychologie, 19, 132-133.
  • Kempen, G. (1971). Het onthouden van eenvoudige zinnen met zijn en hebben als werkwoorden: Een experiment met steekwoordreaktietijden. Nijmeegs Tijdschrift voor Psychologie, 19, 262-274.
  • Kempen, G. (1965). Leermachine en talenpracticum: Inleiding en literatuuroverzicht. Tijdschrift voor opvoedkunde, 11, 1-31.
  • Kempen, G. (1971). Opslag van woordbetekenissen in het semantisch geheugen. Nijmeegs Tijdschrift voor Psychologie, 19, 36-50.
  • Klein, W. (1971). Eine kommentierte Bibliographie zur Computerlinguistik. Linguistische Berichte, (11), 101-134.
  • Klein, W., & Klein, W. (1971). Formale Poetik und Linguistik. In Beiträge zu den Sommerkursen des Goethe-Instituts München (pp. 190-195).
  • Klein, W., & Zimmermann, H. (1971). Lemmatisierter Index zu Georg Trakl, Dichtungen. Frankfurt am Main: Athenäum.
  • Klein, W. (1971). Parsing: Studien zur maschinellen Satzanalyse mit Abhängigkeitsgrammatiken und Transformationsgrammatiken. Frankfurt am Main: Athenäum.
  • Kreuzer, H. (Ed.). (1971). Methodische Perspektiven [Special Issue]. Zeitschrift für Literaturwissenschaft und Linguistik, (1/2).
  • Levelt, W. J. M. (1965). Binocular brightness averaging and contour information. British Journal of Psychology, 56, 1-13.
  • Levelt, W. J. M., & Plomp, R. (1964). De waardering van muzikale intervallen. Hypothese: Orgaan van de Psychologische Faculteit der Leidse Studenten, 9(3/4), 30-39.
  • Levelt, W. J. M. (1965). On binocular rivalry. PhD Thesis, Van Gorcum, Assen.

    Abstract

    PHD thesis, defended at the University of Leiden
  • Lutte, G., Sarti, S., & Kempen, G. (1971). Le moi idéal de l'adolescent: Recherche génétique, différentielle et culturelle dans sept pays dÉurope. Bruxelles: Dessart.
  • Plomp, R., & Levelt, W. J. M. (1965). Tonal consonance and critical bandwidth. Journal of the Acoustical Society of America, 38, 548-560. doi:10.1121/1.1909741.

    Abstract

    Firstly, theories are reviewed on the explanation of tonal consonance as the singular nature of tone intervals with frequency ratios corresponding with small integer numbers. An evaluation of these explanations in the light of some experimental studies supports the hypothesis, as promoted by von Helmholtz, that the difference between consonant and dissonant intervals is related to beats of adjacent partials. This relation was studied more fully by experiments in which subjects had to judge simple-tone intervals as a function of test frequency and interval width. The results may be considered as a modification of von Helmholtz's conception and indicate that, as a function of frequency, the transition range between consonant and dissonant intervals is related to critical bandwidth. Simple-tone intervals are evaluated as consonant for frequency differences exceeding this bandwidth. whereas the most dissonant intervals correspond with frequency differences of about a quarter of this bandwidth. On the base of these results, some properties of consonant intervals consisting of complex tones are explained. To answer the question whether critical bandwidth also plays a rôle in music, the chords of two compositions (parts of a trio sonata of J. S. Bach and of a string quartet of A. Dvorák) were analyzed by computing interval distributions as a function of frequency and number of harmonics taken into account. The results strongly suggest that, indeed, critical bandwidth plays an important rôle in music: for a number of harmonics representative for musical instruments, the "density" of simultaneous partials alters as a function of frequency in the same way as critical bandwidth does.
  • Seuren, P. A. M. (1971). [Review of the book Introduction à la grammaire générative by Nicolas Ruwet]. Linguistics, 10(78), 111-120. doi:10.1515/ling.1972.10.78.72.
  • Seuren, P. A. M. (1971). [Review of the book La linguistique synchronique by Andre Martinet]. Linguistics, 10(78), 109-111. doi:10.1515/ling.1972.10.78.72.
  • Seuren, P. A. M. (1964). [Review of the book Set theory and syntactic descriptions by William S. Cooper]. Linguistics, 2(10), 73-80. doi:10.1515/ling.1964.2.10.61.
  • Seuren, P. A. M. (1971). [Review of the book Syntaxis by A. Kraak and W. Klooster]. Foundations of Language, 7(3), 441-445.
  • Seuren, P. A. M. (1971). Chomsky, man en werk. De Gids, 134, 298-308.
  • Seuren, P. A. M. (1964). Dupliek. Levende Talen, 227, 675-680.
  • Seuren, P. A. M. (1965). Fonotheek, teniotheek. Levende Talen, 229, 221-222.
  • Seuren, P. A. M. (1971). Qualche osservazione sulla frase durativa e iterativa in italiano. In M. Medici, & R. Simone (Eds.), Grammatica trasformazionale italiana (pp. 209-224). Roma: Bulzoni.

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