Publications

Abstract

Human communication is inherently multimodal. Auditory speech, but also visual cues can be used to understand another talker. Most studies of audiovisual speech perception have focused on the perception of speech segments (i.e., speech sounds). However, less is known about the influence of visual information on the perception of suprasegmental aspects of speech like lexical stress. In two experiments, we investigated the influence of different visual cues (e.g., facial articulatory cues and beat gestures) on the audiovisual perception of lexical stress. We presented auditory lexical stress continua of disyllabic Dutch stress pairs together with videos of a speaker producing stress on the first or second syllable (e.g., articulating VOORnaam or voorNAAM). Moreover, we combined and fully crossed the face of the speaker producing lexical stress on either syllable with a gesturing body producing a beat gesture on either the first or second syllable. Results showed that people successfully used visual articulatory cues to stress in muted videos. However, in audiovisual conditions, we were not able to find an effect of visual articulatory cues. In contrast, we found that the temporal alignment of beat gestures with speech robustly influenced participants' perception of lexical stress. These results highlight the importance of considering suprasegmental aspects of language in multimodal contexts.

Abstract

Speech is often accompanied by gestures. Since beat gestures—simple nonreferential up-and-down hand movements—frequently co-occur with prosodic prominence, they can indicate stress in a word and hence influence spoken-word recognition. However, little is known about the reverse influence of auditory speech on visual perception. The current study investigated whether lexical stress has an effect on the perceived timing of hand beats. We used videos in which a disyllabic word, embedded in a carrier sentence (Experiment 1) or in isolation (Experiment 2), was coupled with an up-and-down hand beat, while varying their degrees of asynchrony. Results from Experiment 1, a novel beat timing estimation task, revealed that gestures were estimated to occur closer in time to the pitch peak in a stressed syllable than their actual timing, hence reducing the perceived temporal distance between gestures and stress by around 60%. Using a forced-choice task, Experiment 2 further demonstrated that listeners tended to perceive a gesture, falling midway between two syllables, on the syllable receiving stronger cues to stress than the other, and this auditory effect was greater when gestural timing was most ambiguous. Our findings suggest that f0 and intensity are the driving force behind the temporal attraction effect of stress on perceived gestural timing. This study provides new evidence for auditory influences on visual perception, supporting bidirectionality in audiovisual interaction between speech-related signals that occur in everyday face-to-face communication.

Abstract

When talking, speakers naturally produce hand movements (co-speech gestures) that contribute to communication. Evidence in Dutch suggests that the timing of simple up-and-down, non-referential “beat” gestures influences spoken word recognition: the same auditory stimulus was perceived as CONtent (noun, capitalized letters indicate stressed syllables) when a beat gesture occurred on the first syllable, but as conTENT (adjective) when the gesture occurred on the second syllable. However, these findings were based on a small number of minimal pairs in Dutch, limiting the generalizability of the findings. We therefore tested this effect in Spanish, where lexical stress is highly relevant in the verb conjugation system, distinguishing bailo, “I dance” with word-initial stress from bailó, “she danced” with word-final stress. Testing a larger sample (N = 100), we also assessed whether individual differences in working memory capacity modulated how much individuals relied on the gestures in spoken word recognition. The results showed that, similar to Dutch, Spanish participants were biased to perceive lexical stress on the syllable that visually co-occurred with a beat gesture, with the effect being strongest when the acoustic stress cues were most ambiguous. No evidence was found for by-participant effect sizes to be influenced by individual differences in phonological or visuospatial working memory. These findings reveal gestural-speech coordination impacts lexical stress perception in a language where listeners are regularly confronted with such lexical stress contrasts, highlighting the impact of gestures’ timing on prominence perception and spoken word recognition.

Abstract

Disfluencies, like 'uh', have been shown to help listeners anticipate reference to low-frequency words. The associative account of this 'disfluency bias' proposes that listeners learn to associate disfluency with low-frequency referents based on prior exposure to non-arbitrary disfluency distributions (i.e., greater probability of low-frequency words after disfluencies). However, there is limited evidence for listeners actually tracking disfluency distributions online. The present experiments are the first to show that adult listeners, exposed to a typical or more atypical disfluency distribution (i.e., hearing a talker unexpectedly say uh before high-frequency words), flexibly adjust their predictive strategies to the disfluency distribution at hand (e.g., learn to predict high-frequency referents after disfluency). However, when listeners were presented with the same atypical disfluency distribution but produced by a non-native speaker, no adjustment was observed. This suggests pragmatic inferences can modulate distributional learning, revealing the flexibility of, and constraints on, distributional learning in incremental language comprehension.

Abstract

Listeners are known to track statistical regularities in speech. Yet, which temporal cues
are encoded is unclear. This study tested effects of talker-specific habitual speech rate
and talker-independent average speech rate (heard over a longer period of time) on
the perception of the temporal Dutch vowel contrast /A/-/a:/. First, Experiment 1
replicated that slow local (surrounding) speech contexts induce fewer long /a:/
responses than faster contexts. Experiment 2 tested effects of long-term habitual
speech rate. One high-rate group listened to ambiguous vowels embedded in `neutral'
speech from talker A, intermixed with speech from fast talker B. Another low-rate group
listened to the same `neutral' speech from talker A, but to talker B being slow.
Between-group comparison of the `neutral' trials showed that the high-rate group
demonstrated a lower proportion of /a:/ responses, indicating that talker A's habitual
speech rate sounded slower when B was faster. In Experiment 3, both talkers
produced speech at both rates, removing the different habitual speech rates of talker A
and B, while maintaining the average rate differing between groups. This time no
global rate effect was observed. Taken together, the present experiments show that a
talker's habitual rate is encoded relative to the habitual rate of another talker, carrying
implications for episodic and constraint-based models of speech perception.

Abstract

Speech can be produced at different rates. Listeners take this rate variation into account by normalizing vowel duration for contextual speech rate: An ambiguous Dutch word /m?t/ is perceived as short /mAt/ when embedded in a slow context, but long /ma:t/ in a fast context. Whilst some have argued that this rate normalization involves low-level automatic perceptual processing, there is also evidence that it arises at higher-level cognitive processing stages, such as decision making. Prior research on rate-dependent speech perception has only used explicit recognition tasks to investigate the phenomenon, involving both perceptual processing and decision making. This study tested whether speech rate normalization can be observed without explicit decision making, using a cross-modal repetition priming paradigm. Results show that a fast precursor sentence makes an embedded ambiguous prime (/m?t/) sound (implicitly) more /a:/-like, facilitating lexical access to the long target word "maat" in a (explicit) lexical decision task. This result suggests that rate normalization is automatic, taking place even in the absence of an explicit recognition task. Thus, rate normalization is placed within the realm of everyday spoken conversation, where explicit categorization of ambiguous sounds is rare.

Abstract

Many psycholinguistic models of speech sequence planning make claims about the onset and offset times of planning units, such as words, syllables, and phonemes. These predictions typically go untested, however, since psycholinguists have assumed that the temporal dynamics of the speech signal is a poor index of the temporal dynamics of the underlying speech planning process. This article argues that this problem is tractable, and presents and validates two simple metrics that derive planning unit onset and offset times from the acoustic signal and articulatographic data.

Abstract

Prosodic juncture concerns the compartmentalization and partitioning of syntactic entities in spoken discourse by means of prosody. It has been argued that the Intonation Unit, defined by internal criteria and prosodic boundary phenomena (e.g., final lengthening, pitch reset, pauses), encapsulates the basic structural unit of spoken Modern Hebrew.

Abstract

Fricative consonants in Hebrew can be divided into bgdkpt and sibilants (ז, ס, צ, שׁ, שׂ). Hebrew sibilants have been argued to stem from Proto-Semitic affricates, laterals, interdentals and /s/. In standard Israeli Hebrew the sibilants are pronounced as [s] (ס and שׂ), [ʃ] (שׁ), [z] (ז), [ʦ] (צ).

Abstract

The oral fluency level of an L2 speaker is often used as a measure in assessing language proficiency. The present study reports on four experiments investigating the contributions of three fluency aspects (pauses, speed and repairs) to perceived fluency. In Experiment 1 untrained raters evaluated the oral fluency of L2 Dutch speakers. Using specific acoustic measures of pause, speed and repair phenomena, linear regression analyses revealed that pause and speed measures best predicted the subjective fluency ratings, and that repair measures contributed only very little. A second research question sought to account for these results by investigating perceptual sensitivity to acoustic pause, speed and repair phenomena, possibly accounting for the results from Experiment 1. In Experiments 2–4 three new groups of untrained raters rated the same L2 speech materials from Experiment 1 on the use of pauses, speed and repairs. A comparison of the results from perceptual sensitivity (Experiments 2–4) with fluency perception (Experiment 1) showed that perceptual sensitivity alone could not account for the contributions of the three aspects to perceived fluency. We conclude that listeners weigh the importance of the perceived aspects of fluency to come to an overall judgment.

Abstract

Second language (L2) research often involves analyses of acoustic measures of fluency. The studies investigating fluency, however, have been difficult to compare because the measures of fluency that were used differed widely. One of the differences between studies concerns the lower cut-off point for silent pauses, which has been set anywhere between 100 ms and 1000 ms. The goal of this paper is to find an optimal cut-off point. We calculate acoustic measures of fluency using different pause thresholds and then relate these measures to a measure of L2 proficiency and to ratings on fluency.