Publications

Abstract

Human communication is inherently multimodal. Auditory speech, but also visual cues can be used to understand another talker. Most studies of audiovisual speech perception have focused on the perception of speech segments (i.e., speech sounds). However, less is known about the influence of visual information on the perception of suprasegmental aspects of speech like lexical stress. In two experiments, we investigated the influence of different visual cues (e.g., facial articulatory cues and beat gestures) on the audiovisual perception of lexical stress. We presented auditory lexical stress continua of disyllabic Dutch stress pairs together with videos of a speaker producing stress on the first or second syllable (e.g., articulating VOORnaam or voorNAAM). Moreover, we combined and fully crossed the face of the speaker producing lexical stress on either syllable with a gesturing body producing a beat gesture on either the first or second syllable. Results showed that people successfully used visual articulatory cues to stress in muted videos. However, in audiovisual conditions, we were not able to find an effect of visual articulatory cues. In contrast, we found that the temporal alignment of beat gestures with speech robustly influenced participants' perception of lexical stress. These results highlight the importance of considering suprasegmental aspects of language in multimodal contexts.

Abstract

Speech is often accompanied by gestures. Since beat gestures—simple nonreferential up-and-down hand movements—frequently co-occur with prosodic prominence, they can indicate stress in a word and hence influence spoken-word recognition. However, little is known about the reverse influence of auditory speech on visual perception. The current study investigated whether lexical stress has an effect on the perceived timing of hand beats. We used videos in which a disyllabic word, embedded in a carrier sentence (Experiment 1) or in isolation (Experiment 2), was coupled with an up-and-down hand beat, while varying their degrees of asynchrony. Results from Experiment 1, a novel beat timing estimation task, revealed that gestures were estimated to occur closer in time to the pitch peak in a stressed syllable than their actual timing, hence reducing the perceived temporal distance between gestures and stress by around 60%. Using a forced-choice task, Experiment 2 further demonstrated that listeners tended to perceive a gesture, falling midway between two syllables, on the syllable receiving stronger cues to stress than the other, and this auditory effect was greater when gestural timing was most ambiguous. Our findings suggest that f0 and intensity are the driving force behind the temporal attraction effect of stress on perceived gestural timing. This study provides new evidence for auditory influences on visual perception, supporting bidirectionality in audiovisual interaction between speech-related signals that occur in everyday face-to-face communication.

Abstract

When talking, speakers naturally produce hand movements (co-speech gestures) that contribute to communication. Evidence in Dutch suggests that the timing of simple up-and-down, non-referential “beat” gestures influences spoken word recognition: the same auditory stimulus was perceived as CONtent (noun, capitalized letters indicate stressed syllables) when a beat gesture occurred on the first syllable, but as conTENT (adjective) when the gesture occurred on the second syllable. However, these findings were based on a small number of minimal pairs in Dutch, limiting the generalizability of the findings. We therefore tested this effect in Spanish, where lexical stress is highly relevant in the verb conjugation system, distinguishing bailo, “I dance” with word-initial stress from bailó, “she danced” with word-final stress. Testing a larger sample (N = 100), we also assessed whether individual differences in working memory capacity modulated how much individuals relied on the gestures in spoken word recognition. The results showed that, similar to Dutch, Spanish participants were biased to perceive lexical stress on the syllable that visually co-occurred with a beat gesture, with the effect being strongest when the acoustic stress cues were most ambiguous. No evidence was found for by-participant effect sizes to be influenced by individual differences in phonological or visuospatial working memory. These findings reveal gestural-speech coordination impacts lexical stress perception in a language where listeners are regularly confronted with such lexical stress contrasts, highlighting the impact of gestures’ timing on prominence perception and spoken word recognition.

Abstract

Prosodic juncture concerns the compartmentalization and partitioning of syntactic entities in spoken discourse by means of prosody. It has been argued that the Intonation Unit, defined by internal criteria and prosodic boundary phenomena (e.g., final lengthening, pitch reset, pauses), encapsulates the basic structural unit of spoken Modern Hebrew.

Abstract

Fricative consonants in Hebrew can be divided into bgdkpt and sibilants (ז, ס, צ, שׁ, שׂ). Hebrew sibilants have been argued to stem from Proto-Semitic affricates, laterals, interdentals and /s/. In standard Israeli Hebrew the sibilants are pronounced as [s] (ס and שׂ), [ʃ] (שׁ), [z] (ז), [ʦ] (צ).

Abstract

The oral fluency level of an L2 speaker is often used as a measure in assessing language proficiency. The present study reports on four experiments investigating the contributions of three fluency aspects (pauses, speed and repairs) to perceived fluency. In Experiment 1 untrained raters evaluated the oral fluency of L2 Dutch speakers. Using specific acoustic measures of pause, speed and repair phenomena, linear regression analyses revealed that pause and speed measures best predicted the subjective fluency ratings, and that repair measures contributed only very little. A second research question sought to account for these results by investigating perceptual sensitivity to acoustic pause, speed and repair phenomena, possibly accounting for the results from Experiment 1. In Experiments 2–4 three new groups of untrained raters rated the same L2 speech materials from Experiment 1 on the use of pauses, speed and repairs. A comparison of the results from perceptual sensitivity (Experiments 2–4) with fluency perception (Experiment 1) showed that perceptual sensitivity alone could not account for the contributions of the three aspects to perceived fluency. We conclude that listeners weigh the importance of the perceived aspects of fluency to come to an overall judgment.

Abstract

Second language (L2) research often involves analyses of acoustic measures of fluency. The studies investigating fluency, however, have been difficult to compare because the measures of fluency that were used differed widely. One of the differences between studies concerns the lower cut-off point for silent pauses, which has been set anywhere between 100 ms and 1000 ms. The goal of this paper is to find an optimal cut-off point. We calculate acoustic measures of fluency using different pause thresholds and then relate these measures to a measure of L2 proficiency and to ratings on fluency.