Publications

Abstract

Human communication is inherently multimodal. Auditory speech, but also visual cues can be used to understand another talker. Most studies of audiovisual speech perception have focused on the perception of speech segments (i.e., speech sounds). However, less is known about the influence of visual information on the perception of suprasegmental aspects of speech like lexical stress. In two experiments, we investigated the influence of different visual cues (e.g., facial articulatory cues and beat gestures) on the audiovisual perception of lexical stress. We presented auditory lexical stress continua of disyllabic Dutch stress pairs together with videos of a speaker producing stress on the first or second syllable (e.g., articulating VOORnaam or voorNAAM). Moreover, we combined and fully crossed the face of the speaker producing lexical stress on either syllable with a gesturing body producing a beat gesture on either the first or second syllable. Results showed that people successfully used visual articulatory cues to stress in muted videos. However, in audiovisual conditions, we were not able to find an effect of visual articulatory cues. In contrast, we found that the temporal alignment of beat gestures with speech robustly influenced participants' perception of lexical stress. These results highlight the importance of considering suprasegmental aspects of language in multimodal contexts.

Abstract

Speech is often accompanied by gestures. Since beat gestures—simple nonreferential up-and-down hand movements—frequently co-occur with prosodic prominence, they can indicate stress in a word and hence influence spoken-word recognition. However, little is known about the reverse influence of auditory speech on visual perception. The current study investigated whether lexical stress has an effect on the perceived timing of hand beats. We used videos in which a disyllabic word, embedded in a carrier sentence (Experiment 1) or in isolation (Experiment 2), was coupled with an up-and-down hand beat, while varying their degrees of asynchrony. Results from Experiment 1, a novel beat timing estimation task, revealed that gestures were estimated to occur closer in time to the pitch peak in a stressed syllable than their actual timing, hence reducing the perceived temporal distance between gestures and stress by around 60%. Using a forced-choice task, Experiment 2 further demonstrated that listeners tended to perceive a gesture, falling midway between two syllables, on the syllable receiving stronger cues to stress than the other, and this auditory effect was greater when gestural timing was most ambiguous. Our findings suggest that f0 and intensity are the driving force behind the temporal attraction effect of stress on perceived gestural timing. This study provides new evidence for auditory influences on visual perception, supporting bidirectionality in audiovisual interaction between speech-related signals that occur in everyday face-to-face communication.

Abstract

When talking, speakers naturally produce hand movements (co-speech gestures) that contribute to communication. Evidence in Dutch suggests that the timing of simple up-and-down, non-referential “beat” gestures influences spoken word recognition: the same auditory stimulus was perceived as CONtent (noun, capitalized letters indicate stressed syllables) when a beat gesture occurred on the first syllable, but as conTENT (adjective) when the gesture occurred on the second syllable. However, these findings were based on a small number of minimal pairs in Dutch, limiting the generalizability of the findings. We therefore tested this effect in Spanish, where lexical stress is highly relevant in the verb conjugation system, distinguishing bailo, “I dance” with word-initial stress from bailó, “she danced” with word-final stress. Testing a larger sample (N = 100), we also assessed whether individual differences in working memory capacity modulated how much individuals relied on the gestures in spoken word recognition. The results showed that, similar to Dutch, Spanish participants were biased to perceive lexical stress on the syllable that visually co-occurred with a beat gesture, with the effect being strongest when the acoustic stress cues were most ambiguous. No evidence was found for by-participant effect sizes to be influenced by individual differences in phonological or visuospatial working memory. These findings reveal gestural-speech coordination impacts lexical stress perception in a language where listeners are regularly confronted with such lexical stress contrasts, highlighting the impact of gestures’ timing on prominence perception and spoken word recognition.

Abstract

This psychoacoustic study provides behavioral evidence that neural entrainment in the theta range (3-9 Hz) causally shapes speech perception. Adopting the ‘rate normalization’ paradigm (presenting compressed carrier sentences followed by uncompressed target words), we show that uniform compression of a speech carrier to syllable rates inside the theta range influences perception of subsequent uncompressed targets, but compression outside theta range does not. However, the influence of carriers – compressed outside theta range – on target perception is salvaged when carriers are ‘repackaged’ to have a packet rate inside theta. This suggests that the brain can only successfully entrain to syllable/packet rates within theta range, with a causal influence on the perception of subsequent speech, in line with recent neuroimaging data. Thus, this study points to a central role for sustained theta entrainment in rate normalization and contributes to our understanding of the functional role of brain oscillations in speech perception.

Abstract

Recently, the world’s attention was caught by an audio clip that was perceived as “Laurel” or “Yanny”. Opinions were sharply split: many could not believe others heard something different from their perception. However, a crowd-source experiment with >500 participants shows that it is possible to make people hear Laurel, where they previously heard Yanny, by manipulating preceding acoustic context. This study is not only the first to reveal within-listener variation in Laurel/Yanny percepts, but also to demonstrate contrast effects for global spectral information in larger frequency regions. Thus, it highlights the intricacies of human perception underlying these social media phenomena.

Abstract

Speakers adjust their voice when talking in noise (known as Lombard speech), facilitating speech comprehension. Recent neurobiological models of speech perception emphasize the role of amplitude modulations in speech-in-noise comprehension, helping neural oscillators to ‘track’ the attended speech. This study tested whether talkers produce more pronounced amplitude modulations in noise. Across four different corpora, modulation spectra showed greater power in amplitude modulations below 4 Hz in Lombard speech compared to matching plain speech. This suggests that noise-induced speech contains more pronounced amplitude modulations, potentially helping the listening brain to entrain to the attended talker, aiding comprehension.

Abstract

Low-frequency neural entrainment to rhythmic input
has been hypothesized as a canonical mechanism
that shapes sensory perception in time. Neural
entrainment is deemed particularly relevant for
speech analysis, as it would contribute to the extraction
of discrete linguistic elements from continuous
acoustic signals. However, its causal influence in
speech perception has been difficult to establish.
Here, we provide evidence that oscillations build temporal
predictions about the duration of speech tokens
that affect perception. Using magnetoencephalography
(MEG), we studied neural dynamics during
listening to sentences that changed in speech rate.
Weobserved neural entrainment to preceding speech
rhythms persisting for several cycles after the change
in rate. The sustained entrainment was associated
with changes in the perceived duration of the last
word’s vowel, resulting in the perception of words
with different meanings. These findings support oscillatory
models of speech processing, suggesting that
neural oscillations actively shape speech perception.

Abstract

Listeners are known to use adjacent contextual speech rate in processing temporally ambiguous speech sounds. For instance, an ambiguous vowel between short /A/ and long /a:/ in Dutch sounds relatively long (i.e., as /a:/) embedded in a fast precursor sentence, but short in a slow sentence. Besides the local speech rate, listeners also track talker-specific global speech rates. However, it is yet unclear whether other talkers' global rates are encoded with reference to a listener's self-produced rate. Three experiments addressed this question. In Experiment 1, one group of participants was instructed to speak fast, whereas another group had to speak slowly. The groups were compared on their perception of ambiguous /A/-/a:/ vowels embedded in neutral rate speech from another talker. In Experiment 2, the same participants listened to playback of their own speech and again evaluated target vowels in neutral rate speech. Neither of these experiments provided support for the involvement of self-produced speech in perception of another talker's speech rate. Experiment 3 repeated Experiment 2 but with a new participant sample that was unfamiliar with the participants from Experiment 2. This experiment revealed fewer /a:/ responses in neutral speech in the group also listening to a fast rate, suggesting that neutral speech sounds slow in the presence of a fast talker and vice versa. Taken together, the findings show that self-produced speech is processed differently from speech produced by others. They carry implications for our understanding of the perceptual and cognitive mechanisms involved in rate-dependent speech perception in dialogue settings.

Abstract

Interpersonal discourse particles (DPs), such as Dutch inderdaad (≈‘indeed’) and eigenlijk (≈‘actually’) are highly frequent in everyday conversational interaction. Despite extensive theoretical descriptions of their polyfunctionality, little is known about how they are used by language comprehenders. In two visual world eye-tracking experiments involving an online dialogue completion task, we asked to what extent inderdaad, confirming an inferred expectation, and eigenlijk, contrasting with an inferred expectation, influence real-time understanding of dialogues. Answers in the dialogues contained a DP or a control adverb, and a critical discourse referent was replaced by a beep; participants chose the most likely dialogue completion by clicking on one of four referents in a display. Results show that listeners make rapid and fine-grained situation-specific inferences about the use of DPs, modulating their expectations about how the dialogue will unfold. Findings further specify and constrain theories about the conversation-managing function and polyfunctionality of DPs.

Abstract

Disfluencies, such as uh and uhm, are known to help the listener in speech comprehension. For instance, disfluencies may elicit prediction of less accessible referents and may trigger listeners’ attention to the following word. However, recent work suggests differential processing of disfluencies in native and non-native speech. The current study investigated whether the beneficial effects of disfluencies on listeners’ attention are modulated by the (non-)native identity of the speaker. Using the Change Detection Paradigm, we investigated listeners’ recall accuracy for words presented in disfluent and fluent contexts, in native and non-native speech. We observed beneficial effects of both native and non-native disfluencies on listeners’ recall accuracy, suggesting that native and non-native disfluencies trigger listeners’ attention in a similar fashion.

Abstract

Speech perception involves a number of processes that deal with variation in the speech signal. One such process is normalization for speechrate: local temporal cues are perceived relative to the rate in the surrounding context. It is as yet unclear whether and how this perceptual effect interacts with higher level impressions of rate, such as a speaker’s nonnative identity. Nonnative speakers typically speak more slowly than natives, an experience that listeners take into account when explicitly judging the rate of nonnative speech. The present study investigated whether this is also reflected in implicit rate normalization. Results indicate that nonnative speech is implicitly perceived as faster than temporally-matched native speech, suggesting that the additional cognitive load of listening to an accent speeds up rate perception. Therefore, rate perception in speech is not dependent on syllable durations alone but also on the ease of processing of the temporal signal.