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Corps, R. E., Brooke, C., & Pickering, M. (2022). Prediction involves two stages: Evidence from visual-world eye-tracking. Journal of Memory and Language, 122: 104298. doi:10.1016/j.jml.2021.104298.
Abstract
Comprehenders often predict what they are going to hear. But do they make the best predictions possible? We addressed this question in three visual-world eye-tracking experiments by asking when comprehenders consider perspective. Male and female participants listened to male and female speakers producing sentences (e.g., I would like to wear the nice…) about stereotypically masculine (target: tie; distractor: drill) and feminine (target: dress, distractor: hairdryer) objects. In all three experiments, participants rapidly predicted semantic associates of the verb. But participants also predicted consistently – that is, consistent with their beliefs about what the speaker would ultimately say. They predicted consistently from the speaker’s perspective in Experiment 1, their own perspective in Experiment 2, and the character’s perspective in Experiment 3. This consistent effect occurred later than the associative effect. We conclude that comprehenders consider perspective when predicting, but not from the earliest moments of prediction, consistent with a two-stage account.Additional information
data and analysis scripts -
Corps, R. E., Knudsen, B., & Meyer, A. S. (2022). Overrated gaps: Inter-speaker gaps provide limited information about the timing of turns in conversation. Cognition, 223: 105037. doi:10.1016/j.cognition.2022.105037.
Abstract
Corpus analyses have shown that turn-taking in conversation is much faster than laboratory studies of speech planning would predict. To explain fast turn-taking, Levinson and Torreira (2015) proposed that speakers are highly proactive: They begin to plan a response to their interlocutor's turn as soon as they have understood its gist, and launch this planned response when the turn-end is imminent. Thus, fast turn-taking is possible because speakers use the time while their partner is talking to plan their own utterance. In the present study, we asked how much time upcoming speakers actually have to plan their utterances. Following earlier psycholinguistic work, we used transcripts of spoken conversations in Dutch, German, and English. These transcripts consisted of segments, which are continuous stretches of speech by one speaker. In the psycholinguistic and phonetic literature, such segments have often been used as proxies for turns. We found that in all three corpora, large proportions of the segments comprised of only one or two words, which on our estimate does not give the next speaker enough time to fully plan a response. Further analyses showed that speakers indeed often did not respond to the immediately preceding segment of their partner, but continued an earlier segment of their own. More generally, our findings suggest that speech segments derived from transcribed corpora do not necessarily correspond to turns, and the gaps between speech segments therefore only provide limited information about the planning and timing of turns. -
Fisher, N., Hadley, L., Corps, R. E., & Pickering, M. (2021). The effects of dual-task interference in predicting turn-ends in speech and music. Brain Research, 1768: 147571. doi:10.1016/j.brainres.2021.147571.
Abstract
Determining when a partner’s spoken or musical turn will end requires well-honed predictive abilities. Evidence suggests that our motor systems are activated during perception of both speech and music, and it has been argued that motor simulation is used to predict turn-ends across domains. Here we used a dual-task interference paradigm to investigate whether motor simulation of our partner’s action underlies our ability to make accurate turn-end predictions in speech and in music. Furthermore, we explored how specific this simulation is to the action being predicted. We conducted two experiments, one investigating speech turn-ends, and one investigating music turn-ends. In each, 34 proficient pianists predicted turn-endings while (1) passively listening, (2) producing an effector-specific motor activity (mouth/hand movement), or (3) producing a task- and effector-specific motor activity (mouthing words/fingering a piano melody). In the speech experiment, any movement during speech perception disrupted predictions of spoken turn-ends, whether the movement was task-specific or not. In the music experiment, only task-specific movement (i.e., fingering a piano melody) disrupted predictions of musical turn-ends. These findings support the use of motor simulation to make turn-end predictions in both speech and music but suggest that the specificity of this simulation may differ between domains.
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