Publications

Abstract

Prediction in language has traditionally been studied using
simple designs in which neural responses to expected
and unexpected words are compared in a categorical
fashion. However, these designs have been contested
as being ‘prediction encouraging’, potentially exaggerating
the importance of prediction in language understanding.
A few recent studies have begun to address
these worries by using model-based approaches to probe
the effects of linguistic predictability in naturalistic stimuli
(e.g. continuous narrative). However, these studies
so far only looked at very local forms of prediction, using
models that take no more than the prior two words into
account when computing a word’s predictability. Here,
we extend this approach using a state-of-the-art neural
language model that can take roughly 500 times longer
linguistic contexts into account. Predictability estimates
fromthe neural network offer amuch better fit to EEG data
from subjects listening to naturalistic narrative than simpler
models, and reveal strong surprise responses akin to
the P200 and N400. These results show that predictability
effects in language are not a side-effect of simple designs,
and demonstrate the practical use of recent advances
in AI for the cognitive neuroscience of language.

Abstract

Brain oscillations have been shown to track the slow amplitude fluctuations in speech during comprehension. Moreover, there is evidence that these stimulus-induced cortical rhythms may persist even after the driving stimulus has ceased. However, how exactly this neural entrainment shapes speech perception remains debated. This behavioral study investigated whether and how the frequency and phase of an entrained rhythm would influence the temporal sampling of subsequent speech. In two behavioral experiments, participants were presented with slow and fast isochronous tone sequences, followed by Dutch target words ambiguous between as /ɑs/ “ash” (with a short vowel) and aas /a:s/ “bait” (with a long vowel). Target words were presented at various phases of the entrained rhythm. Both experiments revealed effects of the frequency of the tone sequence on target word perception: fast sequences biased listeners to more long /a:s/ responses. However, no evidence for phase effects could be discerned. These findings show that an entrained rhythm’s frequency, but not phase, influences the temporal sampling of subsequent speech. These outcomes are compatible with theories suggesting that sensory timing is evaluated relative to entrained frequency. Furthermore, they suggest that phase tracking of (syllabic) rhythms by theta oscillations plays a limited role in speech parsing.

Abstract

One of the most daunting tasks of a listener is to map a
continuous auditory stream onto known speech sound
categories and lexical items. A major issue with this mapping
problem is the variability in the acoustic realizations of sound
categories, both within and across speakers. Past research has
suggested listeners may use visual information (e.g., lipreading)
to calibrate these speech categories to the current
speaker. Previous studies have focused on audiovisual
recalibration of consonant categories. The present study
explores whether vowel categorization, which is known to show
less sharply defined category boundaries, also benefit from
visual cues.
Participants were exposed to videos of a speaker
pronouncing one out of two vowels, paired with audio that was
ambiguous between the two vowels. After exposure, it was
found that participants had recalibrated their vowel categories.
In addition, individual variability in audiovisual recalibration is
discussed. It is suggested that listeners’ category sharpness may
be related to the weight they assign to visual information in
audiovisual speech perception. Specifically, listeners with less
sharp categories assign more weight to visual information
during audiovisual speech recognition.