Publications

Abstract

Numerous experiments show that space and musical pitch are
closely linked in people's minds. However, the exact nature of
space-pitch associations and their neuronal underpinnings are
not well understood. In an fMRI experiment we investigated
different types of spatial representations that may underlie
musical pitch. Participants judged stimuli that varied in
spatial height in both the visual and tactile modalities, as well
as auditory stimuli that varied in pitch height. In order to
distinguish between unimodal and multimodal spatial bases of
musical pitch, we examined whether pitch activations were
present in modality-specific (visual or tactile) versus
multimodal (visual and tactile) regions active during spatial
height processing. Judgments of musical pitch were found to
activate unimodal visual areas, suggesting that space-pitch
associations may involve modality-specific spatial
representations, supporting a key assumption of embodied
theories of metaphorical mental representation.

Abstract

The use of virtual reality (VR) as a methodological tool is
becoming increasingly popular in behavioural research due
to its seemingly limitless possibilities. This new method has
not been used frequently in the field of psycholinguistics,
however, possibly due to the assumption that humancomputer
interaction does not accurately reflect human-human
interaction. In the current study we compare participants’
language behaviour in a syntactic priming task with human
versus avatar partners. Our study shows comparable priming
effects between human and avatar partners (Human: 12.3%;
Avatar: 12.6% for passive sentences) suggesting that VR is a
valid platform for conducting language research and studying
dialogue interactions.

Abstract

Spatial congruity effects have often been interpreted as evidence for metaphorical thinking, but an alternative markedness-based account challenges this view. In two experiments, we directly compared metaphor and markedness explanations for spatial congruity effects, using musical pitch as a testbed. English speakers who talk about pitch in terms of spatial height were tested in speeded space-pitch compatibility tasks. To determine whether space-pitch congruency effects could be elicited by any marked spatial continuum, participants were asked to classify high- and low-frequency pitches as 'high' and 'low' or as 'front' and 'back' (both pairs of terms constitute cases of marked continuums). We found congruency effects in high/low conditions but not in front/back conditions, indicating that markedness is not sufficient to account for congruity effects (Experiment 1). A second experiment showed that congruency effects were specific to spatial words that cued a vertical schema (tall/short), and that congruity effects were not an artifact of polysemy (e.g., 'high' referring both to space and pitch). Together, these results suggest that congruency effects reveal metaphorical uses of spatial schemas, not markedness effects.

Abstract

How are space and time related in the brain? This study contrasts two proposals that make different predictions about the interaction between spatial and temporal magnitudes. Whereas ATOM implies that space and time are symmetrically related, Metaphor Theory claims they are asymmetrically related. Here we investigated whether space and time activate the same neural structures in the inferior parietal cortex (IPC) and whether the activation is symmetric or asymmetric across domains. We measured participants’ neural activity while they made temporal and spatial judgments on the same visual stimuli. The behavioral results replicated earlier observations of a space-time asymmetry: Temporal judgments were more strongly influenced by irrelevant spatial information than vice versa. The BOLD fMRI data indicated that space and time activated overlapping clusters in the IPC and that, consistent with Metaphor Theory, this activation was asymmetric: The shared region of IPC was activated more strongly during temporal judgments than during spatial judgments. We consider three possible interpretations of this neural asymmetry, based on 3 possible functions of IPC.

Abstract

In human face-to-face communication, language comprehension is a multi-modal, situated activity. However, little is known about how we combine information from these different modalities, and how perceived communicative intentions, often signaled through visual signals, such as eye
gaze, may influence this processing. We address this question by simulating a triadic communication context in which a
speaker alternated her gaze between two different recipients. Participants thus viewed speech-only or speech+gesture
object-related utterances when being addressed (direct gaze) or unaddressed (averted gaze). Two object images followed
each message and participants’ task was to choose the object that matched the message. Unaddressed recipients responded significantly slower than addressees for speech-only
utterances. However, perceiving the same speech accompanied by gestures sped them up to a level identical to
that of addressees. That is, when speech processing suffers due to not being addressed, gesture processing remains intact and enhances the comprehension of a speaker’s message

Abstract

Natural sign languages and gestures are complex communicative systems that allow the incorporation of features of a referent into their structure. They differ, however, in that signs are more conventionalised because they consist of meaningless phonological parameters. There is some evidence that despite non-signers finding iconic signs more memorable they can have more difficulty at articulating their exact phonological components. In the present study, hearing non-signers took part in a sign repetition task in which they had to imitate as accurately as possible a set of iconic and arbitrary signs. Their renditions showed that iconic signs were articulated significantly less accurately than arbitrary signs. Participants were recalled six months later to take part in a sign generation task. In this task, participants were shown the English translation of the iconic signs they imitated six months prior. For each word, participants were asked to generate a sign (i.e., an iconic gesture). The handshapes produced in the sign repetition and sign generation tasks were compared to detect instances in which both renditions presented the same configuration. There was a significant correlation between articulation accuracy in the sign repetition task and handshape overlap. These results suggest some form of gestural interference in the production of iconic signs by hearing non-signers. We also suggest that in some instances non-signers may deploy their own conventionalised gesture when producing some iconic signs. These findings are interpreted as evidence that non-signers process iconic signs as gestures and that in production, only when sign and gesture have overlapping features will they be capable of producing the phonological components of signs accurately.

Abstract

In everyday communication, people not only use speech but
also hand gestures to convey information. One intriguing
question in gesture research has been why gestures take the
specific form they do. Previous research has identified the
speaker-gesturer’s communicative intent as one factor
shaping the form of iconic gestures. Here we investigate
whether communicative intent also shapes the form of
pointing gestures. In an experimental setting, twenty-four
participants produced pointing gestures identifying a referent
for an addressee. The communicative intent of the speakergesturer
was manipulated by varying the informativeness of
the pointing gesture. A second independent variable was the
presence or absence of concurrent speech. As a function of their communicative intent and irrespective of the presence of speech, participants varied the durations of the stroke and the post-stroke hold-phase of their gesture. These findings add to our understanding of how the communicative context influences the form that a gesture takes.

Abstract

A fundamental ability of speakers is to
quickly retrieve words from long-term memory. According to a prominent theory, concepts activate multiple associated words, which enter into competition for selection. Previous electrophysiological studies have provided evidence for the activation of multiple alternative words, but did not identify brain responses refl ecting competition. We report a magnetoencephalography study examining the timing and neural substrates of lexical activation and competition. The degree of activation of competing words was
manipulated by presenting pictures (e.g., dog) simultaneously with distractor
words. The distractors were semantically related to the picture name (cat), unrelated (pin), or identical (dog). Semantic distractors are stronger competitors to the picture name, because they receive additional activation from the picture, whereas unrelated distractors do not. Picture naming times were longer with semantic than with unrelated and identical distractors. The patterns of phase-locked and non-phase-locked activity were distinct
but temporally overlapping. Phase-locked activity in left middle temporal
gyrus, peaking at 400 ms, was larger on unrelated than semantic and identical trials, suggesting differential effort in processing the alternative words activated by the picture-word stimuli. Non-phase-locked activity in the 4-10 Hz range between 400-650 ms in left superior frontal gyrus was larger on semantic than unrelated and identical trials, suggesting different
degrees of effort in resolving the competition among the alternatives
words, as refl ected in the naming times. These findings characterize distinct
patterns of brain activity associated with lexical activation and competition
respectively, and their temporal relation, supporting the theory that words are selected by competition.

Abstract

Spontaneous gestures play an important role in spatial problem solving. We investigated the functional role and underlying mechanism of spontaneous gestures in spatial problem solving. In Experiment 1, 132 participants were required to solve a mental rotation task (see Figure 1) without speaking. Participants gestured more frequently in difficult trials than in easy trials. In Experiment 2, 66 new participants were given two identical sets of mental rotation tasks problems, as the one used in experiment 1. Participants who were encouraged to gesture in the first set of mental rotation task problemssolved more problems correctly than those who were allowed to gesture or those who were prohibited from gesturing both in the first set and in the second set in which all participants were prohibited from gesturing. The gestures produced by the gestureencouraged group and the gesture-allowed group were not qualitatively different. In Experiment 3, 32 new participants were first given a set of mental rotation problems and then a second set of nongesturing paper folding problems. The gesture-encouraged group solved more problems correctly in the first set of mental rotation problems and the second set of non-gesturing paper folding problems. We concluded that gesture improves spatial problem solving. Furthermore, gesture has a lasting beneficial effect even when gesture is not available and the beneficial effect is problem-general.We suggested that gesture enhances spatial problem solving by provide a rich sensori-motor representation of the physical world and pick up information that is less readily available to visuo-spatial processes.

Abstract

The nature of the connection between musical and spatial processing is controversial. While pitch may be described in spatial terms such as “high” or “low”, it is unclear whether pitch and space are associated but separate dimensions or whether they share representational and processing resources. In the present study, we asked participants to judge whether a target vocal note was the same as (or different from) a preceding cue note. Importantly, target trials were presented as video clips where a singer sometimes gestured upward or downward while singing that target note, thus providing an alternative, concurrent source of spatial information. Our results show that pitch discrimination was significantly biased by the spatial movement in gesture. These effects were eliminated by spatial memory load but preserved under verbal memory load conditions. Together, our findings suggest that pitch and space have a shared representation such that the mental representation of pitch is audiospatial in nature.

Abstract

publication expected April 2012

Abstract

People often talk about musical pitch in terms of spatial metaphors. In English, for instance, pitches can be high or low, whereas in other languages pitches are described as thick or thin. According to psychophysical studies, metaphors in language can also shape people’s nonlinguistic space-pitch representations. But does language establish mappings between space and pitch in the first place or does it modify preexisting associations? Here we tested 4-month-old Dutch infants’ sensitivity to height-pitch and thickness-pitch mappings in two preferential looking tasks. Dutch infants looked significantly longer at cross-modally congruent stimuli in both experiments, indicating that infants are sensitive to space-pitch associations prior to language. This early presence of space-pitch mappings suggests that these associations do not originate from language. Rather, language may build upon pre-existing mappings and change them gradually via some form of competitive associative learning.

Abstract

In many languages the future is in front and the past behind, but in some cultures (like Aymara) the past is in front. Is it possible to find this mapping as an alternative conceptualization of time in other cultures? If so, what are the factors that affect its choice out of the set of available alternatives? In a paper and pencil task, participants placed future or past events either in front or behind a character (a schematic head viewed from above). A sample of 24 Islamic participants (whose language also places the future in front and the past behind) tended to locate the past event in the front box more often than Spanish participants. This result might be due to the greater cultural value assigned to tradition in Islamic culture. The same pattern was found in a sample of Spanish elders (N = 58), what may support that conclusion. Alternatively, the crucial factor may be the amount of attention paid to the past. In a final study, young Spanish adults (N = 200) who had just answered a set of questions about their past showed the past-in-front pattern, whereas questions about their future exacerbated the future-in-front pattern. Thus, the attentional explanation was supported: attended events are mapped to front space in agreement with the experiential connection between attending and seeing. When attention is paid to the past, it tends to occupy the front location in spite of available alternative mappings in the language-culture.

Abstract

Co-speech gestures are an integral part of human face-to-face communication, but little is known about how pragmatic factors influence our comprehension of those gestures. The present study investigates how different types of recipients process iconic gestures in a triadic communicative situation. Participants (N = 32) took on the role of one of two recipients in a triad and were presented with 160 video clips of an actor speaking, or speaking and gesturing. Crucially, the actor’s eye gaze was manipulated in that she alternated her gaze between the two recipients. Participants thus perceived some messages in the role of addressed recipient and some in the role of unaddressed recipient. In these roles, participants were asked to make judgements concerning the speaker’s messages. Their reaction times showed that unaddressed recipients did comprehend speaker’s gestures differently to addressees. The findings are discussed with respect to automatic and controlled processes involved in gesture comprehension.