Publications

Displaying 1 - 9 of 9
  • Bowerman, M. (1975). Commentary on L. Bloom, P. Lightbown, & L. Hood, “Structure and variation in child language”. Monographs of the Society for Research in Child Development, 40(2), 80-90. Retrieved from http://www.jstor.org/stable/1165986.
  • Cutler, A., & Fay, D. (1975). You have a Dictionary in your Head, not a Thesaurus. Texas Linguistic Forum, 1, 27-40.
  • Kempen, G. (1975). De taalgebruiker in de mens: Schets van zijn bouw en funktie, toepassingen op moedertaal en vreemde taal verwerving. Forum der Letteren, 16, 132-158.
  • Kempen, G. (1975). Theoretiseren en experimenteren in de cognitieve psychologie. Gedrag: Tijdschrift voor Psychologie, 6, 341-347.
  • Klein, W. (1975). Eine Theorie der Wortstellungsveränderung: Einige kritische Bemerkungen zu Vennemanns Theorie der Sprachentwicklung. Linguistische Berichte, 37(75), 46-57.
  • Klein, W. (1975). Einleitung. Zeitschrift für Literaturwissenschaft und Linguistik; Metzler, Stuttgart, 5(18), 7-8.
  • Klein, W. (Ed.). (1975). Sprache ausländischer Arbeiter [Special Issue]. Zeitschrift für Literaturwissenschaft und Linguistik, (18).
  • Klein, W. (1975). Zur Sprache ausländischer Arbeiter: Syntaktische Analysen und Aspekte des kommunikativen Verhaltens. Zeitschrift für Literaturwissenschaft und Linguistik, 18, 78-121.
  • Van de Geer, J. P., Levelt, W. J. M., & Plomp, R. (1962). The connotation of musical consonance. Acta Psychologica, 20, 308-319.

    Abstract

    As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.

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