Publications

Abstract

In this work we perform multimodal detection and classification
of head movements from face to face video conversation data.
We have experimented with different models and feature sets
and provided some insight on the effect of independent features,
but also how their interaction can enhance a head movement
classifier. Used features include nose, neck and mid hip position
coordinates and their derivatives together with acoustic features,
namely, intensity and pitch of the speaker on focus. Results
show that when input features are sufficiently processed by in-
teracting with each other, a linear classifier can reach a similar
performance to a more complex non-linear neural model with
several hidden layers. Our best models achieve state-of-the-art
performance in the detection task, measured by macro-averaged
F1 score.

Abstract

The Romance counting system is numerical – with residues of earlier systems whereby each commodity had its own unit of quantification – and decimal. Numeral formations beyond ‘10’ are compounds, combining two or more numerals that are in an arithmetical relation, typically that of addition and multiplication. Formal variation across the (standard) Romance languages and dialects and across historical stages involves the relative sequence of the composing elements, absence or presence of connectors, their synthetic vs. analytic nature, and the degree of grammatical marking. A number of ‘deviant’ numeral formations raise the question of borrowing vs independent development, such as vigesimals (featuring a base ‘20’ instead ‘10’) in certain Romance varieties and the teen and decad formations in Romanian. The other types of numeral in Romance, which derive from the unmarked and consistent cardinals, feature a significantly higher degree of formal complexity and variation involving Latin formants and tend toward analyticity. While Latin features prominently in the Romance counting system as a source of numeral formations and suffixes, it is only in Romance that the inherited decimal system reached its full potential, illustrating its increasing prominence, reflected not only in numerals, but also in language acquisition, sign language, and post-Revolution measuring systems.

Abstract

Reprinted from: Bowerman, M. (1981). The child's expression of meaning: Expanding relationships among lexicon, syntax, and morphology. In H. Winitz (Ed.), Native language and foreign language acquisition (pp. 172 189). New York: New York Academy of Sciences.

Abstract

In this paper I take up the idea that human thinking is systematically biased in the direction of interactive thinking (E. Goody's anticipatory interactive planning), that is, that humans are peculiarly good at, and inordinately prone to, attributing intentions and goals to one other (as well as to non-humans), and that they routinely orient to presumptions about each other's intentions in what they say and do. I explore the implications of that idea for an understanding of politeness in interaction, taking as a starting point the Brown and Levinson (1987) model of politeness, which assumes interactive thinking, a notion implicit in the formulation of politeness as strategic orientation to face. Drawing on an analysis of the phenomenon of conventionalized ‘irony’ in Tzeltal, I emphasize that politeness does not inhere in linguistic form per se but is a matter of conveying a polite intention, and argue that Tzeltal irony provides a prime example of one way in which humans' highly-developed intellectual machinery for inferring alter's intentions is put to the service of social relationships.

Abstract

In lexical stress languages, phonemically identical syllables can differ suprasegmentally (in duration, amplitude, F0). Such stress
cues allow listeners to speed spoken-word recognition by rejecting mismatching competitors (e.g., unstressed set- in settee
rules out stressed set- in setting, setter, settle). Such processing effects have indeed been observed in Spanish, Dutch and German, but English listeners are known to largely ignore stress cues. Dutch and German listeners even outdo English listeners in distinguishing stressed versus unstressed English syllables. This has been attributed to the relative frequency across the stress languages of unstressed syllables with full vowels; in English most unstressed syllables contain schwa, instead, and stress cues on full vowels are thus least often informative in this language. If only informativeness matters, would English listeners who encounter situations where such cues would pay off for them (e.g., learning one of those other stress languages) then shift to using stress cues? Likewise, would stress cue users with English as L2, if mainly using English, shift away from
using the cues in English? Here we report tests of these two questions, with each receiving a yes answer. We propose that
English listeners’ disregard of stress cues is purely pragmatic.

Abstract

Producing lexical stress leads to visible changes on the face, such as longer duration and greater size of the opening of the mouth. Research suggests that these visual cues alone can inform participants about which syllable carries stress (i.e., lip-reading silent videos). This study aims to determine the influence of visual articulatory cues on lexical stress perception in more naturalistic audiovisual settings. Participants were presented with seven disyllabic, Dutch minimal stress pairs (e.g., VOORnaam [first name] & voorNAAM [respectable]) in audio-only (phonetic lexical stress continua without video), video-only (lip-reading silent videos), and audiovisual trials (e.g., phonetic lexical stress continua with video of talker saying VOORnaam or voorNAAM). Categorization data from video-only trials revealed that participants could distinguish the minimal pairs above chance from seeing the silent videos alone. However, responses in the audiovisual condition did not differ from the audio-only condition. We thus conclude that visual lexical stress information on the face, while clearly perceivable, does not play a major role in audiovisual speech perception. This study demonstrates that clear unimodal effects do not always generalize to more naturalistic multimodal communication, advocating that speech prosody is best considered in multimodal settings.

Abstract

This chapter provides an introduction to the handbook. It succintly overviews the key questions in the field of L3/Ln acquisition and summarizes the scope of all the chapters included. The chapter ends by raising some outstanding questions that the field needs to address.

Abstract

In order to understand early word learning we need to better understand and quantify properties of the input that young children receive. We extended the human simulation paradigm (HSP) using egocentric videos taken from infant head-mounted cameras. The videos were further annotated with gaze information indicating in-the-moment visual attention from the infant. Our new HSP prompted participants for two types of responses, thus differentiating referential from semantic ambiguity in the learning input. Consistent with findings on visual attention in word learning, we find a strongly bimodal distribution over HSP accuracy. Even in this open-ended task, most videos only lead to a small handful of common responses. What's more, referential ambiguity was the key bottleneck to performance: participants can nearly always recover the exact word that was said if they identify the correct referent. Finally, analysis shows that adult learners relied on particular, multimodal behavioral cues to infer those target referents.

Abstract

The current study presents an agent-based model which simulates the innovation and
competition among lexical items in cases of language contact. It is inspired by relatively
recent historical cases in which the linguistic ecology and sociohistorical context are highly complex. Pidgin and creole genesis offers an opportunity to obtain linguistic facts, social dynamics, and historical demography in a highly segregated society. This provides a solid ground for researching the interaction of populations with different pre-existing language systems, and how different factors contribute to the genesis of the lexicon of a newly generated mixed language. We take into consideration the population dynamics and structures, as well as a distribution of word frequencies related to language use, in order to study how social factors may affect the developmental trajectory of languages. Focusing on the case of Sranan in Suriname, our study shows that it is possible to account for the
composition of its core lexicon in relation to different social groups, contact patterns, and
large population movements.

Abstract

In this study, we analyze one French signing and one French speaking family’s interaction during dinner. The families composed of two parents and two children aged 3 to 11 were filmed with three cameras to capture all family members’ behaviors. The three videos per dinner were synchronized and coded on ELAN. We annotated all participants’ acting, and languaging.
Our quantitative analyses show how family members collaboratively manage multiple streams of activity through the embodied performances of dining and interacting. We uncover different profiles according to participants’ modality of expression and status (focusing on the mother and the younger child). The hearing participants’ co-activity management illustrates their monitoring of dining and conversing and how they progressively master the affordances of the visual and vocal channels to maintain the simultaneity of the two activities. The deaf mother skillfully manages to alternate smoothly between dining and interacting. The deaf younger child manifests how she is in the process of developing her skills to manage multi-activity. Our qualitative analyses focus on the ecology of visual-gestural and audio-vocal languaging in the context of co-activity according to language and participant. We open new perspectives on the management of gaze and body parts in multimodal languaging.

Abstract

During dialog, interlocutors take turns at speaking with little gap or overlap between their contributions. But language production in monolog is comparatively slow. Theories of dialog tend to agree that interlocutors manage these timing demands by planning a response early, before the current speaker reaches the end of their turn. In the first half of this chapter, I review experimental research supporting these theories. But this research also suggests that planning a response early, while simultaneously comprehending, is difficult. Does response planning need to be this difficult during dialog? In other words, is early-planning always necessary? In the second half of this chapter, I discuss research that suggests the answer to this question is no. In particular, corpora of natural conversation demonstrate that speakers do not directly respond to the immediately preceding utterance of their partner—instead, they continue an utterance they produced earlier. This parallel talk likely occurs because speakers are highly incremental and plan only part of their utterance before speaking, leading to pauses, hesitations, and disfluencies. As a result, speakers do not need to engage in extensive advance planning. Thus, laboratory studies do not provide a full picture of language production in dialog, and further research using naturalistic tasks is needed.

Abstract

Most psycholinguistic studies on morphological processing have examined the role of morphological structure in the visual modality. This chapter discusses morphological processing in the auditory modality, which is an area of research that has only recently received more attention. It first discusses why results in the visual modality cannot straightforwardly be applied to the processing of spoken words, stressing the importance of acknowledging potential modality effects. It then gives a brief overview of the existing research on the role of morphology in the auditory modality, for which an increasing number of studies report that listeners show sensitivity to morphological structure. Finally, the chapter highlights insights gained by looking at morphological processing not only in reading, but also in listening, and it discusses directions for future research

Abstract

This paper emphasizes the need for empirical research and objective discovery procedures in semantics, and illustrates a method by which these goals may be obtained. The aim of the methodology described is to provide a description of the internal structure of a semantic field by eliciting the description--in an objective, standardized manner--from a representative group of native speakers. This would produce results that would be equally obtainable by any linguist using the same method under the same conditions with a similarly representative set of informants. The standardized method suggested by the author is the Semantic Differential developed by C. E. Osgood in the 1950's. Applying this method to semantic research, it is further hypothesized that, should different members of a semantic field be employed as concepts on a Semantic Differential task, a factor analysis of the results would reveal the dimensions operative within the body of data. The author demonstrates the use of the Semantic Differential and factor analysis in an actual experiment.

Abstract

Two lexical decision experiments in Cantonese are described in which the recognition of spoken target words as a function of phonological similarity to a preceding prime is investigated. Phonological similaritv in first syllables produced inhibition, while similarity in second syllables led to facilitation. Differences between syllables in tonal and segmental structure had generally similar effects.

Abstract

This chapter highlights that most language behavior consists of speaking and listening. The chapter also reveals differences and similarities between speaking and listening. The laboratory study of word production raises formidable problems; ensuring that a particular word is produced may subvert the spontaneous production process. Word production is investigated via slips and tip-of-the-tongue (TOT), primarily via instances of processing failure and via the technique of via the picture-naming task. The methodology of word production is explained in the chapter. The chapter also explains the phenomenon of interaction between various stages of word production and the process of speech recognition. In this context, it explores the difference between sound and meaning and examines whether or not the comparisons are appropriate between the processes of recognition and production of spoken words. It also describes the similarities and differences in the structure of the recognition and production systems. Finally, the chapter highlights the common issues in recognition and production research, which include the nuances of frequency of occurrence, morphological structure, and phonological structure.

Abstract

Different linguistic structures allow us to highlight distinct aspects of a situation. The aim of this survey is to investigate similarities and differences in the expression of situations or events as “stative” (maintaining a state), “inchoative” (adopting a state) and “agentive” (causing something to be in a state). The questionnaire focuses on the encoding of stative, inchoative and agentive possibilities for the translation equivalents of a set of English verbs.

Abstract

Expressions of human activities and states are a rich area for cross-linguistic comparison. Some languages of the world treat human posture verbs (e.g., sit, lie, kneel) as a special class of predicates, with distinct formal properties. This survey examines lexical, semantic and grammatical patterns for posture verbs, with special reference to contrasts between “stative” (maintaining a posture), “inchoative” (adopting a posture), and “agentive” (causing something to adopt a posture) constructions. The enquiry is thematically linked to the more general questionnaire 'Intransitive Predicate Form Class Survey'.

Abstract

Continuers —words like mm, mmhm, uhum and the like— are among the most frequent types of responses in conversation. They play a key role in joint action coordination by showing positive evidence of understanding and scaffolding narrative delivery. Here we investigate the hypothesis that their functional importance along with their conversational ecology places selective pressures on their form and may lead to cross-linguistic similarities through convergent cultural evolution. We compare continuer tokens in linguistically diverse conversational corpora and find languages make available highly similar forms. We then approach the causal mechanism of convergent cultural evolution using exemplar modelling, simulating the process by which a combination of effort minimization and functional specialization may push continuers to a particular region of phonological possibility space. By combining comparative linguistics and computational modelling we shed new light on the question of how language structure is shaped by and for social interaction.

Abstract

Informal social interaction is the primordial home of human language. Linguistically diverse conversational corpora are an important and largely untapped resource for computational linguistics and language technology. Through the efforts of a worldwide language documentation movement, such corpora are increasingly becoming available. We show how interactional data from 63 languages (26 families) harbours insights about turn-taking, timing, sequential structure and social action, with implications for language technology, natural language understanding, and the design of conversational interfaces. Harnessing linguistically diverse conversational corpora will provide the empirical foundations for flexible, localizable, humane language technologies of the future.

Abstract

Many of the world’s languages feature an open lexical class of ideophones, words whose marked forms and sensory meanings invite iconic associations. Ideophones (also known as mimetics or expressives) are well-known from languages in Asia, Africa and the Americas, where they often form a class on the same order of magnitude as other major word classes and take up a considerable functional load as modifying expressions or predicates. Across languages, commonalities in the morphosyntactic behaviour of ideophones can be related to their nature and origin as vocal depictions. At the same time there is ample room for linguistic diversity, raising the need for fine-grained grammatical description of ideophone systems. As vocal depictions, ideophones often form a distinct lexical stratum seemingly conjured out of thin air; but as conventionalized words, they inevitably grow roots in local linguistic systems, showing relations to adverbs, adjectives, verbs and other linguistic resources devoted to modification and predication

Abstract

No class of words has better claims to universality than interjections. At the same time, no category has more variable content than this one, traditionally the catch-all basket for linguistic items that bear a complicated relation to sentential syntax. Interjections are a mirror reflecting methodological and theoretical assumptions more than a coherent linguistic category that affords unitary treatment. This chapter focuses on linguistic items that typically function as free-standing utterances, and on some of the conceptual, methodological, and theoretical questions generated by such items. A key move is to study these items in the setting of conversational sequences, rather than from the “flatland” of sequential syntax. This makes visible how some of the most frequent interjections streamline everyday language use and scaffold complex language. Approaching interjections in terms of their sequential positions and interactional functions has the potential to reveal and explain patterns of universality and diversity in interjections.

Abstract

How do neural oscillations support human audiovisual language and communication? Considering the rhythmic nature of audiovisual language, in which stimuli from different sensory modalities unfold over time, neural oscillations represent an ideal candidate to investigate how audiovisual language is processed in the brain. Modulations of oscillatory phase and power are thought to support audiovisual language and communication in multiple ways. Neural oscillations synchronize by tracking external rhythmic stimuli or by re-setting their phase to presentation of relevant stimuli, resulting in perceptual benefits. In particular, synchronized neural oscillations have been shown to subserve the processing and the integration of auditory speech, visual speech, and hand gestures. Furthermore, synchronized oscillatory modulations have been studied and reported between brains during social interaction, suggesting that their contribution to audiovisual communication goes beyond the processing of single stimuli and applies to natural, face-to-face communication.

There are still some outstanding questions that need to be answered to reach a better understanding of the neural processes supporting audiovisual language and communication. In particular, it is not entirely clear yet how the multitude of signals encountered during audiovisual communication are combined into a coherent percept and how this is affected during real-world dyadic interactions. In order to address these outstanding questions, it is fundamental to consider language as a multimodal phenomenon, involving the processing of multiple stimuli unfolding at different rhythms over time, and to study language in its natural context: social interaction. Other outstanding questions could be addressed by implementing novel techniques (such as rapid invisible frequency tagging, dual-electroencephalography, or multi-brain stimulation) and analysis methods (e.g., using temporal response functions) to better understand the relationship between oscillatory dynamics and efficient audiovisual communication.

Abstract

Acquiring a second language (L2) requires newly learned information to be integrated with existing knowledge. It has been proposed that several memory systems work together to enable this process of rapidly encoding new information and then slowly incorporating it with existing knowledge, such that it is consolidated and integrated into the language network without catastrophic interference. This chapter focuses on consolidation of L2 vocabulary. First, the complementary learning systems model is outlined, along with the model’s predictions regarding lexical consolidation. Next, word learning studies in first language (L1) that investigate the factors playing a role in consolidation, and the neural mechanisms underlying this, are reviewed. Using the L1 memory consolidation literature as background, the chapter then presents what is currently known about memory consolidation in L2 word learning. Finally, considering what is already known about L1 but not about L2, future research investigating memory consolidation in L2 neurocognition is proposed.

Abstract

The most basic question for the study of morphology and the mental lexicon is whether or not words are _decomposed_: informally, this is the question of whether words are represented (and processed) in terms of some kind of smaller units; that is, broken down into constituent parts. Formally, what it means to represent or process a word as decomposed or not turns out to be quite complex. One of the basic lines of division in the field classifies approaches according to whether they decompose all “complex” words (“Full Decomposition”), or none (“Full Listing”), or some but not all, according to some criterion (typical of “Dual-Route” models). However, if we are correct, there are at least three senses in which an approach might be said to be decompositional or not, with the result that ongoing discussions of what appears to be a single large issue might not always be addressing the same distinction. Put slightly differently, there is no single question of decomposition. Instead, there are independent but related questions that define current research. Our goal here is to identify this finer-grained set of questions, as they are the ones that should assume a central place in the study of morphological and lexical representation.

Abstract

The study presented here focuses on two pragmatic gestures:
the hand flip (Ferré, 2011), a gesture of the Palm Up Open
Hand/PUOH family (Müller, 2004) and the closed hand which
can be considered as the opposite kind of movement to the open-
ing of the hands present in the PUOH gesture. Whereas one of
the functions of the hand flip has been described as presenting
a new point in speech (Cienki, 2021), the closed hand gesture
has not yet been described in the literature to the best of our
knowledge. It can however be conceived of as having the oppo-
site function of announcing the end of a point in discourse. The
object of the present study is therefore to determine, with the
study of prosodic features, if the two gestures are found in the
same type of speech units and what their respective scope is.
Drawing from a corpus of three TED Talks in French the
prosodic characteristics of the speech that accompanies the two
gestures will be examined. The hypothesis developed in the
present paper is that their scope should be reflected in the
prosody of accompanying speech, especially pitch key, tone,
and relative pitch range. The prediction is that hand flips and
closing hand gestures are expected to be located at the periph-
ery of Intonation Phrases (IPs), Inter-Pausal Units (IPUs) or
more conversational Turn Constructional Units (TCUs), and are
likely to be co-occurrent with pauses in speech. But because of
the natural slope of intonation in speech, the speech that accom-
pany early gestures in Intonation Phrases should reveal different
features from the speech at the end of intonational units. Tones
should be different as well, considering the prosodic structure
of spoken French.

Abstract

Like many Indigenous Australian languages, Murrinhpatha has flexible word order with no apparent configurational syntax. We analyzed an experimental corpus of Murrinhpatha utterances for associations between different thematic role orders, intonational phrasing patterns and pitch downtrends. We found that initial constituents (Agents or Patients) tend to carry the highest pitch targets (HiF0), followed by patterns of downstep and declination. Sentence-final verbs always have lower Hif0 values than either initial or medial Agents or Patients. Thematic role order does not influence intonational
patterns, with the results suggesting that Murrinhpatha has positional prosody, although final nominals can disrupt global
pitch downtrends regardless of thematic role.

Abstract

Lesion symptom mapping has revolutionized our understanding of the functioning of the human brain. Associating damaged voxels in the brain with loss of function has created a map of the brain that identifies critical areas. While these methods have significantly advanced our understanding, recent improvements have identified the need for multivariate and multimodal methods to map hidden lesions and damage to white matter networks beyond the lesion voxels. This article reviews the evolution of lesion-symptom mapping from single case studies to the human disconnectome.

Abstract

Large pretrained language models (PreLMs) are rev-olutionizing natural language processing across all benchmarks. However, their sheer size is prohibitive for small laboratories or for deployment on mobile devices. Approaches like pruning and distillation reduce the model size but typically retain the same model architecture. In contrast, we explore distilling PreLMs into a different, more efficient architecture, Continual Multiplication of Words (CMOW), which embeds each word as a matrix and uses matrix multiplication to encode sequences. We extend the CMOW architecture and its CMOW/CBOW-Hybrid variant with a bidirectional component for more expressive power, per-token representations for a general (task-agnostic) distillation during pretraining, and a two-sequence encoding scheme that facilitates downstream tasks on sentence pairs, such as sentence similarity and natural language inference. Our matrix-based bidirectional CMOW/CBOW-Hybrid model is competitive to DistilBERT on question similarity and recognizing textual entailment, but uses only half of the number of parameters and is three times faster in terms of inference speed. We match or exceed the scores of ELMo for all tasks of the GLUE benchmark except for the sentiment analysis task SST-2 and the linguistic acceptability task CoLA. However, compared to previous cross-architecture distillation approaches, we demonstrate a doubling of the scores on detecting linguistic acceptability. This shows that matrix-based embeddings can be used to distill large PreLM into competitive models and motivates further research in this direction.

Abstract

Rhythm is a fundamental feature characterizing communicative displays, and recent studies showed that primate songs encompass categorical rhythms falling on small integer ratios observed in humans. We individually assessed the presence and sexual dimorphism of rhythmic categories, analyzing songs emitted by 39 wild indris. Considering the intervals between the units given during each song, we extracted 13556 interval ratios and found three peaks (at around 0.33, 0.47, and 0.70). Two peaks indicated rhythmic categories corresponding to small integer ratios (1:1, 2:1). All individuals showed a peak at 0.70, and
most showed those at 0.47 and 0.33. In addition, we found sex differences in the peak at 0.47 only, with males showing lower values than females. This work investigates the presence of individual rhythmic categories in a non-human species; further research may highlight the significance of rhythmicity and untie selective pressures that guided its evolution across species, including humans.

Abstract

The last few years have revealed that several species may share the building blocks of Musicality with humans. The recognition of these building blocks (e.g., rhythm, frequency variation) was a necessary impetus for a new round of studies investigating rhythmic variation in animal vocal displays. Singing primates are a small group of primate species that produce modulated songs ranging from tens to thousands of vocal units. Previous studies showed that the indri, the only singing lemur, is currently the only known species that perform duet and choruses showing multiple rhythmic categories, as seen in human music. Rhythmic categories occur when temporal intervals between note onsets are not uniformly distributed, and rhythms with a small integer ratio between these intervals are typical of human music. Besides indris, white-handed gibbons and three crested gibbon species showed a prominent rhythmic category corresponding to a single small integer ratio, isochrony. This study reviews previous evidence on the co-occurrence of rhythmic categories in primates and focuses on the prospects for a comparative, multimodal study of rhythmicity in this clade.

Abstract

Despite the early emergence of pointing, children are generally not documented to produce iconic gestures until later in development. Although research has described this developmental trajectory and the types of iconic gestures that emerge first, there has been limited focus on iconic gestures within interactional contexts. This study identified the first 10 iconic gestures produced by five monolingual English-speaking children in a naturalistic longitudinal video corpus and analysed the interactional contexts. We found children produced their first iconic gesture between 12 and 20 months and that gestural types varied. Although 34% of gestures could have been imitated or derived from adult or child actions in the preceding context, the majority were produced independently of any observed model. In these cases, adults often led the interaction in a direction where iconic gesture was an appropriate response. Overall, we find infants can represent a referent symbolically and possess a greater capacity for innovation than previously assumed. In order to develop our understanding of how children learn to produce iconic gestures, it is important to consider the immediate interactional context. Conducting naturalistic corpus analyses could be a more ecologically valid approach to understanding how children learn to produce iconic gestures in real life contexts.

Abstract

Humans differ greatly in their ability to use language. Contemporary psycholinguistic theories assume that individual differences in language skills arise from variability in linguistic experience and in general cognitive skills. While much previous research has tested the involvement of select verbal and non-verbal variables in select domains of linguistic processing, comprehensive characterizations of the relationships among the skills underlying language use are rare. We contribute to such a research program by re-analyzing a publicly available set of data from 112 young adults tested on 35 behavioral tests. The tests assessed nine key constructs reflecting linguistic processing skills, linguistic experience and general cognitive skills. Correlation and hierarchical clustering analyses of the test scores showed that most of the tests assumed to measure the same construct correlated moderately to strongly and largely clustered together. Furthermore, the results suggest important roles of processing speed in comprehension, and of linguistic experience in production.

Abstract

Most bioacoustics software is used to analyse the already collected acoustics data in batch, i.e., after the data-collecting phase of a scientific study. However, experiments based on animal training require immediate and precise reactions from the experimenter, and thus do not easily dovetail with a typical bioacoustics workflow. Bridging this methodological gap, we have developed a custom application to live-monitor the vocal development of harbour seals in a behavioural experiment. In each trial, the application records and automatically detects an animal's call, and immediately measures duration and acoustic measures such as intensity, fundamental frequency, or formant frequencies. It then displays a spectrogram of the recording and the acoustic measurements, allowing the experimenter to instantly evaluate whether or not to reinforce the animal's vocalisation. From a technical perspective, the rapid and easy development of this custom software was made possible by combining multiple open-source software projects. Here, we integrated the acoustic analyses from Parselmouth, a Python library for Praat, together with PyAudio and Matplotlib's recording and plotting functionality, into a custom graphical user interface created with PyQt. This flexible recombination of different open-source Python libraries allows the whole program to be written in a mere couple of hundred lines of code

Abstract

This paper compares the focus marking systems and the focus size that can be expressed by the different focus markings in four Mande and three Atlantic languages and varieties, namely: Bambara, Dyula, Kakabe, Soninke (Mande), Wolof, Jóola Foñy and Jóola Karon (Atlantic). All of these languages are known to mark focus morphosyntactically, rather than prosodically, as the more well-studied Germanic languages do. However, the Mande languages under discussion use only morphology, in the form of a particle that follows the focus, while the Atlantic ones use a more complex morphosyntactic system in which focus is marked by morphology in the verbal complex and movement of the focused term. It is shown that while there are some syntactic restrictions to how many different focus sizes can be marked in a distinct way, there is also a certain degree of arbitrariness as to which focus sizes are marked in the same way as each other.

Abstract

Sign language is a rich form of communication, uniquely conveying meaning through a combination of gestures, facial expressions, and body movements. Existing research in sign language generation has predominantly focused on text-to-sign pose generation, while speech-to-sign pose generation remains relatively underexplored. Speech-to-sign language generation models can facilitate effective communication between the deaf and hearing communities. In this paper, we propose an architecture that utilises prosodic information from speech audio and semantic context from text to generate sign pose sequences. In our approach, we adopt a multi-tasking strategy that involves an additional task of predicting Facial Action Units (FAUs). FAUs capture the intricate facial muscle movements that play a crucial role in conveying specific facial expressions during sign language generation. We train our models on an existing Indian Sign language dataset that contains sign language videos with audio and text translations. To evaluate our models, we report Dynamic Time Warping (DTW) and Probability of Correct Keypoints (PCK) scores. We find that combining prosody and text as input, along with incorporating facial action unit prediction as an additional task, outperforms previous models in both DTW and PCK scores. We also discuss the challenges and limitations of speech-to-sign pose generation models to encourage future research in this domain. We release our models, results and code to foster reproducibility and encourage future research1.

Abstract

Day-to-day interpretations of “space” are enmeshed in specific cultural and linguistic practices. For example, many cultures have an association between vertical height and social standing; more powerful people may be placed literally higher than others at social gatherings, and be spoken of as having higher status. This questionnaire is a guide for exploring relationships between space, language, and social structure. The goal is to better understand how space is organised in the focus community, and to investigate the extent to which space is used as a model for reproducing social forms.

Abstract

This task investigates the expression of “enter” and “exit” events, and is a supplement to the Motion Elicitation task (https://doi.org/10.17617/2.3003391). Consultants are asked to describe a series of animated clips where a man moves into or out of a house. The clips focus on contrasts to do with perspective (e.g., whether the man appears to move away or towards the viewer) and transitional movement (e.g., whether the man walks or “teleports” into his new location).

Abstract

Do our hands 'speak the same language' across cultures? Gesture is the silent partner of spoken languages in face-to-face interaction, but we still have a lot to learn about gesture practices in different speech communities. The primary purpose of this task is to collect data in naturalistic settings that can be used to investigate the linguistic and cultural relativity of gesture performance, especially spatially indicative gestures. It involves video-recording pairs of speakers in both free conversation and more structured communication tasks (e.g., describing film plots).

Please note: the stimuli mentioned in this entry are available elsewhere: 'The Pear Story', a short film made at the University of California at Berkeley; "Frog, where are you?" from the original Mayer (1969) book, as published in the Appendix of Berman & Slobin (1994).

Abstract

Interpreting the meaning of co-speech gesture often involves
identifying a gesture’s ‘lexical affiliate’, the word or phrase to
which it most closely relates (Schegloff 1984). Though there is
work within gesture studies that resists this simplex mapping of
meaning from speech to gesture (e.g. de Ruiter 2000; Kendon
2014; Parrill 2008), including an evolving body of literature on
recurrent gesture and gesture families (e.g. Fricke et al. 2014; Müller 2017), it is still the lexical affiliate model that is most ap-
parent in formal linguistic models of multimodal meaning(e.g.
Alahverdzhieva et al. 2017; Lascarides and Stone 2009; Puste-
jovsky and Krishnaswamy 2021; Schlenker 2020). In this work,
I argue that the lexical affiliate should be carefully reconsidered
in the further development of such models.
In place of the lexical affiliate, I suggest a further shift
toward a frame-based, action schematic approach to gestural
meaning in line with that proposed in, for example, Parrill and
Sweetser (2004) and Müller (2017). To demonstrate the utility
of this approach I present three types of compositional gesture
sequences which I call spatial contrast, spatial embedding, and
cooperative abstract deixis. All three rely on gestural context,
rather than gesture-speech alignment, to convey interactive (i.e.
pragmatic) meaning. The centrality of gestural context to ges-
ture meaning in these examples demonstrates the necessity of
developing a model of gestural meaning independent of its in-
tegration with speech.