Publications

Abstract

In natural communication, we typically both see and hear our conversation partner. Speech comprehension thus requires the integration of auditory and visual information from the speech signal. This is for instance evidenced by the Manual McGurk effect, where the perception of lexical stress is biased towards the syllable that has a beat gesture aligned to it. However, there is considerable individual variation in how heavily gestural timing is weighed as a cue to stress. To assess within-individualconsistency, this study investigated the test-retest reliability of the Manual McGurk effect. We reran an earlier Manual McGurk experiment with the same participants, over 1.5 years later. At the group level, we successfully replicated the Manual McGurk effect with a similar effect size. However, a correlation of the by-participant effect sizes in the two identical experiments indicated that there was only a weak correlation between both tests, suggesting that the weighing of gestural information in the perception of lexical stress is stable at the group level, but less so in individuals. Findings are discussed in comparison to other measures of audiovisual integration in speech perception. Index Terms: Audiovisual integration, beat gestures, lexical stress, test-retest reliability

Abstract

Human conversations are inherently multimodal, including auditory speech, visual articulatory cues, and hand gestures. Recent studies demonstrated that the timing of a simple up-and-down hand movement, known as a beat gesture, can affect speech perception. A beat gesture falling on the first syllable of a disyllabic word induces a bias to perceive a strong-weak stress pattern (i.e., “CONtent”), while a beat gesture falling on the second syllable combined with the same acoustics biases towards a weak-strong stress pattern (“conTENT”). This effect, termed the “manual McGurk effect”, has been studied in both in-lab and online studies, employing standard experimental sessions lasting approximately forty minutes. The present work tests whether the manual McGurk effect can be observed in an online short version (“mini-test”) of the original paradigm, lasting only ten minutes. Additionally, we employ two different response modalities, namely a two-alternative forced choice and a visual analog scale. A significant manual McGurk effect was observed with both response modalities. Overall, the present study demonstrates the feasibility of employing a ten-minute manual McGurk mini-test to obtain a measure of gesture-speech integration. As such, it may lend itself for inclusion in large-scale test batteries that aim to quantify individual variation in language processing.

Abstract

* These two authors contributed equally to this study
Statistical learning – the ability to extract distributional regularities from input – is suggested to be key to language acquisition. Yet, evidence for the human capacity for statistical learning comes mainly from studies conducted in carefully controlled settings without auditory distraction. While such conditions permit careful examination of learning, they do not reflect the naturalistic language learning experience, which is replete with auditory distraction – including competing talkers. Here, we examine how statistical language learning proceeds in a virtual cocktail party environment, where the to-be-learned input is presented alongside a competing speech stream with its own distributional regularities. During exposure, participants in the Dual Talker group concurrently heard two novel languages, one produced by a female talker and one by a male talker, with each talker virtually positioned at opposite sides of the listener (left/right) using binaural acoustic manipulations. Selective attention was manipulated by instructing participants to attend to only one of the two talkers. At test, participants were asked to distinguish words from part-words for both the attended and the unattended languages. Results indicated that participants’ accuracy was significantly higher for trials from the attended vs. unattended
language. Further, the performance of this Dual Talker group was no different compared to a control group who heard only one language from a single talker (Single Talker group). We thus conclude that statistical learning is modulated by selective attention, being relatively robust against the additional cognitive load provided by competing speech, emphasizing its efficiency in naturalistic language learning situations.

Abstract

It has been shown that when speakers produce hand gestures, addressees are attentive towards these gestures, using them to facilitate speech processing. Even relatively simple “beat” gestures are taken into account to help process aspects of speech such as prosodic prominence. In fact, recent evidence suggests that the timing of a beat gesture can influence spoken word recognition. Termed the manual McGurk Effect, Dutch participants, when presented with lexical stress minimal pair continua in Dutch, were biased to hear lexical stress on the syllable that coincided with a beat gesture. However, little is known about how this manual McGurk effect would surface in languages other than Dutch, with different acoustic cues to prominence, and variable gestures. Therefore, this study tests the effect in Spanish where lexical stress is arguably even more important, being a contrastive cue in the regular verb conjugation system. Results from 24 participants corroborate the effect in Spanish, namely that when given the same auditory stimulus, participants were biased to perceive lexical stress on the syllable that visually co-occurred with a beat gesture. These findings extend the manual McGurk effect to a different language, emphasizing the impact of gestures' timing on prosody perception and spoken word recognition.

Abstract

Recent research on multimodal language production has revealed that prominence in speech and gesture go hand-in-hand. Specifically, peaks in gesture (i.e., the apex) seem to closely coordinate with peaks in fundamental frequency (F0). The nature of this relationship may also be bi-directional, as it has also been shown that the production of gesture directly affects speech acoustics. However, most studies on the topic have largely focused on stress-based languages, where fundamental frequency has a prominence-lending function. Less work has been carried out on lexical tone languages such as Mandarin, where F0 is lexically distinctive. In this study, four native Mandarin speakers were asked to produce single monosyllabic CV words, taken from minimal lexical tone triplets (e.g., /pi1/, /pi2/, /pi3/), either with or without a beat gesture. Our analyses of the timing of the gestures showed that the gesture apex most stably occurred near vowel onset, with consonantal duration being the strongest predictor of apex placement. Acoustic analyses revealed that words produced with gesture showed raised F0 contours, greater intensity, and shorter durations. These findings further our understanding of gesture-speech alignment in typologically diverse languages, and add to the discussion about multimodal prominence.

Abstract

Different talkers speak differently, even within the same homogeneous group. These differences lead to acoustic variability in speech, causing challenges for correct perception of the intended message. Because previous descriptions of this acoustic variability have focused mostly on segments, talker variability in prosodic structures is not yet well documented. The present study therefore examined acoustic between-talker variability in word stress in Dutch. We recorded 40 native Dutch talkers from a participant sample with minimal dialectal variation and balanced gender, producing segmentally overlapping words (e.g., VOORnaam vs. voorNAAM; ‘first name’ vs. ‘respectable’, capitalization indicates lexical stress), and measured different acoustic cues to stress. Each individual participant’s acoustic measurements were analyzed using Linear Discriminant Analyses, which provide coefficients for each cue, reflecting the strength of each cue in a talker’s productions. On average, talkers primarily used mean F0, intensity, and duration. Moreover, each participant also employed a unique combination of cues, illustrating large prosodic variability between talkers. In fact, classes of cue-weighting tendencies emerged, differing in which cue was used as the main cue. These results offer the most comprehensive acoustic description, to date, of word stress in Dutch, and illustrate that large prosodic variability is present between individual talkers.

Abstract

The human brain deals with the infinite variability of speech through multiple mechanisms. Some of them rely solely on information in the speech input (i.e., signal-driven) whereas some rely on linguistic or real-world knowledge (i.e., knowledge-driven). Many signal-driven perceptual processes rely on the enhancement of acoustic differences between incoming speech sounds, producing contrastive adjustments. For instance, when an ambiguous voiceless fricative is preceded by a high fundamental frequency (f0) sentence, the fricative is perceived as having lower a spectral center of gravity (CoG). However, it is not clear whether knowledge of a talker’s typical f0 can lead to similar contrastive effects. This study investigated a possible talker f0 effect on fricative CoG perception. In the exposure phase, two groups of participants (N=16 each) heard the same talker at high or low f0 for 20 minutes. Later, in the test phase, participants rated fixed-f0 /?ɔk/ tokens as being /sɔk/ (i.e., high CoG) or /ʃɔk/ (i.e., low CoG), where /?/ represents a fricative from a 5-step /s/-/ʃ/ continuum. Surprisingly, the data revealed the opposite of our contrastive hypothesis, whereby hearing high f0 instead biased perception towards high CoG. Thus, we demonstrated that talker f0 information affects fricative CoG perception.

Abstract

This psychoacoustic study provides behavioral evidence that neural entrainment in the theta range (3-9 Hz) causally shapes speech perception. Adopting the ‘rate normalization’ paradigm (presenting compressed carrier sentences followed by uncompressed target words), we show that uniform compression of a speech carrier to syllable rates inside the theta range influences perception of subsequent uncompressed targets, but compression outside theta range does not. However, the influence of carriers – compressed outside theta range – on target perception is salvaged when carriers are ‘repackaged’ to have a packet rate inside theta. This suggests that the brain can only successfully entrain to syllable/packet rates within theta range, with a causal influence on the perception of subsequent speech, in line with recent neuroimaging data. Thus, this study points to a central role for sustained theta entrainment in rate normalization and contributes to our understanding of the functional role of brain oscillations in speech perception.

Abstract

Recently, the world’s attention was caught by an audio clip that was perceived as “Laurel” or “Yanny”. Opinions were sharply split: many could not believe others heard something different from their perception. However, a crowd-source experiment with >500 participants shows that it is possible to make people hear Laurel, where they previously heard Yanny, by manipulating preceding acoustic context. This study is not only the first to reveal within-listener variation in Laurel/Yanny percepts, but also to demonstrate contrast effects for global spectral information in larger frequency regions. Thus, it highlights the intricacies of human perception underlying these social media phenomena.

Abstract

Speakers adjust their voice when talking in noise (known as Lombard speech), facilitating speech comprehension. Recent neurobiological models of speech perception emphasize the role of amplitude modulations in speech-in-noise comprehension, helping neural oscillators to ‘track’ the attended speech. This study tested whether talkers produce more pronounced amplitude modulations in noise. Across four different corpora, modulation spectra showed greater power in amplitude modulations below 4 Hz in Lombard speech compared to matching plain speech. This suggests that noise-induced speech contains more pronounced amplitude modulations, potentially helping the listening brain to entrain to the attended talker, aiding comprehension.

Abstract

Low-frequency neural entrainment to rhythmic input
has been hypothesized as a canonical mechanism
that shapes sensory perception in time. Neural
entrainment is deemed particularly relevant for
speech analysis, as it would contribute to the extraction
of discrete linguistic elements from continuous
acoustic signals. However, its causal influence in
speech perception has been difficult to establish.
Here, we provide evidence that oscillations build temporal
predictions about the duration of speech tokens
that affect perception. Using magnetoencephalography
(MEG), we studied neural dynamics during
listening to sentences that changed in speech rate.
Weobserved neural entrainment to preceding speech
rhythms persisting for several cycles after the change
in rate. The sustained entrainment was associated
with changes in the perceived duration of the last
word’s vowel, resulting in the perception of words
with different meanings. These findings support oscillatory
models of speech processing, suggesting that
neural oscillations actively shape speech perception.

Abstract

Listeners are known to use adjacent contextual speech rate in processing temporally ambiguous speech sounds. For instance, an ambiguous vowel between short /A/ and long /a:/ in Dutch sounds relatively long (i.e., as /a:/) embedded in a fast precursor sentence, but short in a slow sentence. Besides the local speech rate, listeners also track talker-specific global speech rates. However, it is yet unclear whether other talkers' global rates are encoded with reference to a listener's self-produced rate. Three experiments addressed this question. In Experiment 1, one group of participants was instructed to speak fast, whereas another group had to speak slowly. The groups were compared on their perception of ambiguous /A/-/a:/ vowels embedded in neutral rate speech from another talker. In Experiment 2, the same participants listened to playback of their own speech and again evaluated target vowels in neutral rate speech. Neither of these experiments provided support for the involvement of self-produced speech in perception of another talker's speech rate. Experiment 3 repeated Experiment 2 but with a new participant sample that was unfamiliar with the participants from Experiment 2. This experiment revealed fewer /a:/ responses in neutral speech in the group also listening to a fast rate, suggesting that neutral speech sounds slow in the presence of a fast talker and vice versa. Taken together, the findings show that self-produced speech is processed differently from speech produced by others. They carry implications for our understanding of the perceptual and cognitive mechanisms involved in rate-dependent speech perception in dialogue settings.

Abstract

Interpersonal discourse particles (DPs), such as Dutch inderdaad (≈‘indeed’) and eigenlijk (≈‘actually’) are highly frequent in everyday conversational interaction. Despite extensive theoretical descriptions of their polyfunctionality, little is known about how they are used by language comprehenders. In two visual world eye-tracking experiments involving an online dialogue completion task, we asked to what extent inderdaad, confirming an inferred expectation, and eigenlijk, contrasting with an inferred expectation, influence real-time understanding of dialogues. Answers in the dialogues contained a DP or a control adverb, and a critical discourse referent was replaced by a beep; participants chose the most likely dialogue completion by clicking on one of four referents in a display. Results show that listeners make rapid and fine-grained situation-specific inferences about the use of DPs, modulating their expectations about how the dialogue will unfold. Findings further specify and constrain theories about the conversation-managing function and polyfunctionality of DPs.

Abstract

The perception of temporal contrasts in speech is known to be influenced by the speech rate in the surrounding context. This rate-dependent perception is suggested to involve general auditory processes since it is also elicited by non-speech contexts, such as pure tone sequences. Two general auditory mechanisms have been proposed to underlie rate-dependent perception: durational contrast and neural entrainment. The present study compares the predictions of these two accounts of rate-dependent speech perception by means of four experiments in which participants heard tone sequences followed by Dutch target words ambiguous between /ɑs/ “ash” and /a:s/ “bait”. Tone sequences varied in the duration of tones (short vs. long) and in the presentation rate of the tones (fast vs. slow). Results show that the duration of preceding tones did not influence target perception in any of the experiments, thus challenging durational contrast as explanatory mechanism behind rate-dependent perception. Instead, the presentation rate consistently elicited a category boundary shift, with faster presentation rates inducing more /a:s/ responses, but only if the tone sequence was isochronous. Therefore, this study proposes an alternative, neurobiologically plausible, account of rate-dependent perception involving neural entrainment of endogenous oscillations to the rate of a rhythmic stimulus.

Abstract

In natural situations, speech perception often takes place during the concurrent execution of other cognitive tasks, such as listening while viewing a visual scene. The execution of a dual task typically has detrimental effects on concurrent speech perception, but how exactly cognitive load disrupts speech encoding is still unclear. The detrimental effect on speech representations may consist of either a general reduction in the robustness of processing of the speech signal (‘noisy encoding’), or, alternatively it may specifically influence the temporal sampling of the sensory input, with listeners missing temporal pulses, thus underestimating segmental durations (‘shrinking of time’). The present study investigated whether and how spectral and temporal cues in a precursor sentence that has been processed under high vs. low cognitive load influence the perception of a subsequent target word. If cognitive load effects are implemented through ‘noisy encoding’, increasing cognitive load during the precursor should attenuate the encoding of both its temporal and spectral cues, and hence reduce the contextual effect that these cues can have on subsequent target sound perception. However, if cognitive load effects are expressed as ‘shrinking of time’, context effects should not be modulated by load, but a main effect would be expected on the perceived duration of the speech signal. Results from two experiments indicate that increasing cognitive load (manipulated through a secondary visual search task) did not modulate temporal (Experiment 1) or spectral context effects (Experiment 2). However, a consistent main effect of cognitive load was found: increasing cognitive load during the precursor induced a perceptual increase in its perceived speech rate, biasing the perception of a following target word towards longer durations. This finding suggests that cognitive load effects in speech perception are implemented via ‘shrinking of time’, in line with a temporal sampling framework. In addition, we argue that our results align with a model in which early (spectral and temporal) normalization is unaffected by attention but later adjustments may be attention-dependent.

Abstract

Brain oscillations have been shown to track the slow amplitude fluctuations in speech during comprehension. Moreover, there is evidence that these stimulus-induced cortical rhythms may persist even after the driving stimulus has ceased. However, how exactly this neural entrainment shapes speech perception remains debated. This behavioral study investigated whether and how the frequency and phase of an entrained rhythm would influence the temporal sampling of subsequent speech. In two behavioral experiments, participants were presented with slow and fast isochronous tone sequences, followed by Dutch target words ambiguous between as /ɑs/ “ash” (with a short vowel) and aas /a:s/ “bait” (with a long vowel). Target words were presented at various phases of the entrained rhythm. Both experiments revealed effects of the frequency of the tone sequence on target word perception: fast sequences biased listeners to more long /a:s/ responses. However, no evidence for phase effects could be discerned. These findings show that an entrained rhythm’s frequency, but not phase, influences the temporal sampling of subsequent speech. These outcomes are compatible with theories suggesting that sensory timing is evaluated relative to entrained frequency. Furthermore, they suggest that phase tracking of (syllabic) rhythms by theta oscillations plays a limited role in speech parsing.

Abstract

Anecdotal evidence suggests that unfamiliar languages sound faster than one’s native language. Empirical evidence for this impression has, so far, come from explicit rate judgments. The aim of the present study was to test whether such perceived rate differences between native and foreign languages have effects on implicit speech processing. Our measure of implicit rate perception was “normalization for speaking rate”: an ambiguous vowel between short /a/ and long /a:/ is interpreted as /a:/ following a fast but as /a/ following a slow carrier sentence. That is, listeners did not judge speech rate itself; instead, they categorized ambiguous vowels whose perception was implicitly affected by the rate of the context. We asked whether a bias towards long /a:/ might be observed when the context is not actually faster but simply spoken in a foreign language. A fully symmetrical experimental design was used: Dutch and German participants listened to rate matched (fast and slow) sentences in both languages spoken by the same bilingual speaker. Sentences were followed by nonwords that contained vowels from an /a-a:/ duration continuum. Results from Experiments 1 and 2 showed a consistent effect of rate normalization for both listener groups. Moreover, for German listeners, across the two experiments, foreign sentences triggered more /a:/ responses than (rate matched) native sentences, suggesting that foreign sentences were indeed perceived as faster. Moreover, this Foreign Language effect was modulated by participants’ ability to understand the foreign language: those participants that scored higher on a foreign language translation task showed less of a Foreign Language effect. However, opposite effects were found for the Dutch listeners. For them, their native rather than the foreign language induced more /a:/ responses. Nevertheless, this reversed effect could be reduced when additional spectral properties of the context were controlled for. Experiment 3, using explicit rate judgments, replicated the effect for German but not Dutch listeners. We therefore conclude that the subjective impression that foreign languages sound fast may have an effect on implicit speech processing, with implications for how language learners perceive spoken segments in a foreign language.

Abstract

In conversation, our own speech and that of others follow each other in rapid succession. Effects of the surrounding context on speech perception are well documented but, despite the ubiquity of the sound of our own voice, it is unknown whether our own speech also influences our perception of other talkers. This study investigated context effects induced by our own speech through six experiments, specifically targeting rate normalization (i.e., perceiving phonetic segments relative to surrounding speech rate). Experiment 1 revealed that hearing pre-recorded fast or slow context sentences altered the perception of ambiguous vowels, replicating earlier work. Experiment 2 demonstrated that talking at a fast or slow rate prior to target presentation also altered target perception, though the effect of preceding speech rate was reduced. Experiment 3 showed that silent talking (i.e., inner speech) at fast or slow rates did not modulate the perception of others, suggesting that the effect of self-produced speech rate in Experiment 2 arose through monitoring of the external speech signal. Experiment 4 demonstrated that, when participants were played back their own (fast/slow) speech, no reduction of the effect of preceding speech rate was observed, suggesting that the additional task of speech production may be responsible for the reduced effect in Experiment 2. Finally, Experiments 5 and 6 replicate Experiments 2 and 3 with new participant samples. Taken together, these results suggest that variation in speech production may induce variation in speech perception, thus carrying implications for our understanding of spoken communication in dialogue settings.

Abstract

Speech is an acoustic signal with inherent amplitude modulations in the 1-9 Hz range. Recent models of speech perception propose that this rhythmic nature of speech is central to speech recognition. Moreover, rhythmic amplitude modulations have been shown to have beneficial effects on language processing and the subjective impression listeners have of the speaker. This study investigated the role of amplitude modulations in the political arena by comparing the speech produced by Hillary Clinton and Donald Trump in the three presidential debates of 2016. Inspection of the modulation spectra, revealing the spectral content of the two speakers’ amplitude envelopes after matching for overall intensity, showed considerably greater power in Clinton’s modulation spectra (compared to Trump’s) across the three debates, particularly in the 1-9 Hz range. The findings suggest that Clinton’s speech had a more pronounced temporal envelope with rhythmic amplitude modulations below 9 Hz, with a preference for modulations around 3 Hz. This may be taken as evidence for a more structured temporal organization of syllables in Clinton’s speech, potentially due to more frequent use of preplanned utterances. Outcomes are interpreted in light of the potential beneficial effects of a rhythmic temporal envelope on intelligibility and speaker perception.

Abstract

Speech rate is known to modulate perception of temporally ambiguous speech sounds. For instance, a vowel may be perceived as short when the immediate speech context is slow, but as long when the context is fast. Yet, effects of long-term tracking of speech rate are largely unexplored. Two experiments tested whether long-term tracking of rate influences perception of the temporal Dutch vowel contrast /ɑ/-/a:/. In Experiment 1, one low-rate group listened to 'neutral' rate speech from talker A and to slow speech from talker B. Another high-rate group was exposed to the same neutral speech from A, but to fast speech from B. Between-group comparison of the 'neutral' trials revealed that the low-rate group reported a higher proportion of /a:/ in A's 'neutral' speech, indicating that A sounded faster when B was slow. Experiment 2 tested whether one's own speech rate also contributes to effects of long-term tracking of rate. Here, talker B's speech was replaced by playback of participants' own fast or slow speech. No evidence was found that one's own voice affected perception of talker A in larger speech contexts. These results carry implications for our understanding of the mechanisms involved in rate-dependent speech perception and of dialogue.