Publications

Abstract

In natural communication, we typically both see and hear our conversation partner. Speech comprehension thus requires the integration of auditory and visual information from the speech signal. This is for instance evidenced by the Manual McGurk effect, where the perception of lexical stress is biased towards the syllable that has a beat gesture aligned to it. However, there is considerable individual variation in how heavily gestural timing is weighed as a cue to stress. To assess within-individualconsistency, this study investigated the test-retest reliability of the Manual McGurk effect. We reran an earlier Manual McGurk experiment with the same participants, over 1.5 years later. At the group level, we successfully replicated the Manual McGurk effect with a similar effect size. However, a correlation of the by-participant effect sizes in the two identical experiments indicated that there was only a weak correlation between both tests, suggesting that the weighing of gestural information in the perception of lexical stress is stable at the group level, but less so in individuals. Findings are discussed in comparison to other measures of audiovisual integration in speech perception. Index Terms: Audiovisual integration, beat gestures, lexical stress, test-retest reliability

Abstract

Human conversations are inherently multimodal, including auditory speech, visual articulatory cues, and hand gestures. Recent studies demonstrated that the timing of a simple up-and-down hand movement, known as a beat gesture, can affect speech perception. A beat gesture falling on the first syllable of a disyllabic word induces a bias to perceive a strong-weak stress pattern (i.e., “CONtent”), while a beat gesture falling on the second syllable combined with the same acoustics biases towards a weak-strong stress pattern (“conTENT”). This effect, termed the “manual McGurk effect”, has been studied in both in-lab and online studies, employing standard experimental sessions lasting approximately forty minutes. The present work tests whether the manual McGurk effect can be observed in an online short version (“mini-test”) of the original paradigm, lasting only ten minutes. Additionally, we employ two different response modalities, namely a two-alternative forced choice and a visual analog scale. A significant manual McGurk effect was observed with both response modalities. Overall, the present study demonstrates the feasibility of employing a ten-minute manual McGurk mini-test to obtain a measure of gesture-speech integration. As such, it may lend itself for inclusion in large-scale test batteries that aim to quantify individual variation in language processing.

Abstract

It has been shown that when speakers produce hand gestures, addressees are attentive towards these gestures, using them to facilitate speech processing. Even relatively simple “beat” gestures are taken into account to help process aspects of speech such as prosodic prominence. In fact, recent evidence suggests that the timing of a beat gesture can influence spoken word recognition. Termed the manual McGurk Effect, Dutch participants, when presented with lexical stress minimal pair continua in Dutch, were biased to hear lexical stress on the syllable that coincided with a beat gesture. However, little is known about how this manual McGurk effect would surface in languages other than Dutch, with different acoustic cues to prominence, and variable gestures. Therefore, this study tests the effect in Spanish where lexical stress is arguably even more important, being a contrastive cue in the regular verb conjugation system. Results from 24 participants corroborate the effect in Spanish, namely that when given the same auditory stimulus, participants were biased to perceive lexical stress on the syllable that visually co-occurred with a beat gesture. These findings extend the manual McGurk effect to a different language, emphasizing the impact of gestures' timing on prosody perception and spoken word recognition.

Abstract

Recent research on multimodal language production has revealed that prominence in speech and gesture go hand-in-hand. Specifically, peaks in gesture (i.e., the apex) seem to closely coordinate with peaks in fundamental frequency (F0). The nature of this relationship may also be bi-directional, as it has also been shown that the production of gesture directly affects speech acoustics. However, most studies on the topic have largely focused on stress-based languages, where fundamental frequency has a prominence-lending function. Less work has been carried out on lexical tone languages such as Mandarin, where F0 is lexically distinctive. In this study, four native Mandarin speakers were asked to produce single monosyllabic CV words, taken from minimal lexical tone triplets (e.g., /pi1/, /pi2/, /pi3/), either with or without a beat gesture. Our analyses of the timing of the gestures showed that the gesture apex most stably occurred near vowel onset, with consonantal duration being the strongest predictor of apex placement. Acoustic analyses revealed that words produced with gesture showed raised F0 contours, greater intensity, and shorter durations. These findings further our understanding of gesture-speech alignment in typologically diverse languages, and add to the discussion about multimodal prominence.

Abstract

The human brain deals with the infinite variability of speech through multiple mechanisms. Some of them rely solely on information in the speech input (i.e., signal-driven) whereas some rely on linguistic or real-world knowledge (i.e., knowledge-driven). Many signal-driven perceptual processes rely on the enhancement of acoustic differences between incoming speech sounds, producing contrastive adjustments. For instance, when an ambiguous voiceless fricative is preceded by a high fundamental frequency (f0) sentence, the fricative is perceived as having lower a spectral center of gravity (CoG). However, it is not clear whether knowledge of a talker’s typical f0 can lead to similar contrastive effects. This study investigated a possible talker f0 effect on fricative CoG perception. In the exposure phase, two groups of participants (N=16 each) heard the same talker at high or low f0 for 20 minutes. Later, in the test phase, participants rated fixed-f0 /?ɔk/ tokens as being /sɔk/ (i.e., high CoG) or /ʃɔk/ (i.e., low CoG), where /?/ represents a fricative from a 5-step /s/-/ʃ/ continuum. Surprisingly, the data revealed the opposite of our contrastive hypothesis, whereby hearing high f0 instead biased perception towards high CoG. Thus, we demonstrated that talker f0 information affects fricative CoG perception.

Abstract

Speech is perceived relative to the speech rate in the context. It is unclear, however, what information listeners use to compute speech rate. The present study examines whether listeners use the number of
syllables per unit time (i.e., syllable rate) as a measure of speech rate, as indexed by subsequent vowel perception. We ran two rate-normalization experiments in which participants heard duration-matched word lists that contained either monosyllabic
vs. bisyllabic words (Experiment 1), or monosyllabic vs. trisyllabic pseudowords (Experiment 2). The participants’ task was to categorize an /ɑ-aː/ continuum that followed the word lists. The monosyllabic condition was perceived as slower (i.e., fewer /aː/ responses) than the bisyllabic and
trisyllabic condition. However, no difference was observed between bisyllabic and trisyllabic contexts. Therefore, while syllable rate is used in perceiving speech rate, other factors, such as fast speech processes, mean F0, and intensity, must also influence rate normalization.

Abstract

Over the course of a conversation, interlocutors sound more and more like each other in a process called convergence. However, the automaticity and grain size of convergence are not well established. This study therefore examined whether female native Dutch speakers converge to large yet sub-phonemic shifts in the F2 of the vowel /e/. Participants first performed a short reading task to establish baseline F2s for the vowel /e/, then shadowed 120 target words (alongside 360 fillers) which contained one instance of a manipulated vowel /e/ where the F2 had been shifted down to that of the vowel /ø/. Consistent exposure to large (sub-phonemic) downward shifts in F2 did not result in convergence. The results raise issues for theories which view convergence as a product of automatic integration between perception and production.

Abstract

Producing lexical stress leads to visible changes on the face, such as longer duration and greater size of the opening of the mouth. Research suggests that these visual cues alone can inform participants about which syllable carries stress (i.e., lip-reading silent videos). This study aims to determine the influence of visual articulatory cues on lexical stress perception in more naturalistic audiovisual settings. Participants were presented with seven disyllabic, Dutch minimal stress pairs (e.g., VOORnaam [first name] & voorNAAM [respectable]) in audio-only (phonetic lexical stress continua without video), video-only (lip-reading silent videos), and audiovisual trials (e.g., phonetic lexical stress continua with video of talker saying VOORnaam or voorNAAM). Categorization data from video-only trials revealed that participants could distinguish the minimal pairs above chance from seeing the silent videos alone. However, responses in the audiovisual condition did not differ from the audio-only condition. We thus conclude that visual lexical stress information on the face, while clearly perceivable, does not play a major role in audiovisual speech perception. This study demonstrates that clear unimodal effects do not always generalize to more naturalistic multimodal communication, advocating that speech prosody is best considered in multimodal settings.

Abstract

The present study examined two acoustic cues in the production
of lexical stress in Dutch: spectral tilt and overall intensity.
Sluijter and Van Heuven (1996) reported that spectral tilt is a
more reliable cue to stress than intensity. However, that study
included only a small number of talkers (10) and only syllables
with the vowels /aː/ and /ɔ/.
The present study re-examined this issue in a larger and
more variable dataset. We recorded 38 native speakers of Dutch
(20 females) producing 744 tokens of Dutch segmentally
overlapping words (e.g., VOORnaam vs. voorNAAM, “first
name” vs. “respectable”), targeting 10 different vowels, in
variable sentence contexts. For each syllable, we measured
overall intensity and spectral tilt following Sluijter and Van
Heuven (1996).
Results from Linear Discriminant Analyses showed that,
for the vowel /aː/ alone, spectral tilt showed an advantage over
intensity, as evidenced by higher stressed/unstressed syllable
classification accuracy scores for spectral tilt. However, when
all vowels were included in the analysis, the advantage
disappeared.
These findings confirm that spectral tilt plays a larger role
in signaling stress in Dutch /aː/ but show that, for a larger
sample of Dutch vowels, overall intensity and spectral tilt are
equally important.

Abstract

Brain oscillations have been shown to track the slow amplitude fluctuations in speech during comprehension. Moreover, there is evidence that these stimulus-induced cortical rhythms may persist even after the driving stimulus has ceased. However, how exactly this neural entrainment shapes speech perception remains debated. This behavioral study investigated whether and how the frequency and phase of an entrained rhythm would influence the temporal sampling of subsequent speech. In two behavioral experiments, participants were presented with slow and fast isochronous tone sequences, followed by Dutch target words ambiguous between as /ɑs/ “ash” (with a short vowel) and aas /a:s/ “bait” (with a long vowel). Target words were presented at various phases of the entrained rhythm. Both experiments revealed effects of the frequency of the tone sequence on target word perception: fast sequences biased listeners to more long /a:s/ responses. However, no evidence for phase effects could be discerned. These findings show that an entrained rhythm’s frequency, but not phase, influences the temporal sampling of subsequent speech. These outcomes are compatible with theories suggesting that sensory timing is evaluated relative to entrained frequency. Furthermore, they suggest that phase tracking of (syllabic) rhythms by theta oscillations plays a limited role in speech parsing.

Abstract

Speech is an acoustic signal with inherent amplitude modulations in the 1-9 Hz range. Recent models of speech perception propose that this rhythmic nature of speech is central to speech recognition. Moreover, rhythmic amplitude modulations have been shown to have beneficial effects on language processing and the subjective impression listeners have of the speaker. This study investigated the role of amplitude modulations in the political arena by comparing the speech produced by Hillary Clinton and Donald Trump in the three presidential debates of 2016. Inspection of the modulation spectra, revealing the spectral content of the two speakers’ amplitude envelopes after matching for overall intensity, showed considerably greater power in Clinton’s modulation spectra (compared to Trump’s) across the three debates, particularly in the 1-9 Hz range. The findings suggest that Clinton’s speech had a more pronounced temporal envelope with rhythmic amplitude modulations below 9 Hz, with a preference for modulations around 3 Hz. This may be taken as evidence for a more structured temporal organization of syllables in Clinton’s speech, potentially due to more frequent use of preplanned utterances. Outcomes are interpreted in light of the potential beneficial effects of a rhythmic temporal envelope on intelligibility and speaker perception.

Abstract

Speech rate is known to modulate perception of temporally ambiguous speech sounds. For instance, a vowel may be perceived as short when the immediate speech context is slow, but as long when the context is fast. Yet, effects of long-term tracking of speech rate are largely unexplored. Two experiments tested whether long-term tracking of rate influences perception of the temporal Dutch vowel contrast /ɑ/-/a:/. In Experiment 1, one low-rate group listened to 'neutral' rate speech from talker A and to slow speech from talker B. Another high-rate group was exposed to the same neutral speech from A, but to fast speech from B. Between-group comparison of the 'neutral' trials revealed that the low-rate group reported a higher proportion of /a:/ in A's 'neutral' speech, indicating that A sounded faster when B was slow. Experiment 2 tested whether one's own speech rate also contributes to effects of long-term tracking of rate. Here, talker B's speech was replaced by playback of participants' own fast or slow speech. No evidence was found that one's own voice affected perception of talker A in larger speech contexts. These results carry implications for our understanding of the mechanisms involved in rate-dependent speech perception and of dialogue.

Abstract

During conversation, spoken utterances occur in rich acoustic contexts, including speech produced by our interlocutor(s) and speech we produced ourselves. Prosodic characteristics of the acoustic context have been known to influence speech perception in a contrastive fashion: for instance, a vowel presented in a fast context is perceived to have a longer duration than the same vowel in a slow context. Given the ubiquity of the sound of our own voice, it may be that our own speech rate - a common source of acoustic context - also influences our perception of the speech of others. Two experiments were designed to test this hypothesis. Experiment 1 replicated earlier contextual rate effects by showing that hearing pre-recorded fast or slow context sentences alters the perception of ambiguous Dutch target words. Experiment 2 then extended this finding by showing that talking at a fast or slow rate prior to the presentation of the target words also altered the perception of those words. These results suggest that between-talker variation in speech rate production may induce between-talker variation in speech perception, thus potentially explaining why interlocutors tend to converge on speech rate in dialogue settings.

Abstract

Disfluencies, such as uh and uhm, are known to help the listener in speech comprehension. For instance, disfluencies may elicit prediction of less accessible referents and may trigger listeners’ attention to the following word. However, recent work suggests differential processing of disfluencies in native and non-native speech. The current study investigated whether the beneficial effects of disfluencies on listeners’ attention are modulated by the (non-)native identity of the speaker. Using the Change Detection Paradigm, we investigated listeners’ recall accuracy for words presented in disfluent and fluent contexts, in native and non-native speech. We observed beneficial effects of both native and non-native disfluencies on listeners’ recall accuracy, suggesting that native and non-native disfluencies trigger listeners’ attention in a similar fashion.

Abstract

Speech perception involves a number of processes that deal with variation in the speech signal. One such process is normalization for speechrate: local temporal cues are perceived relative to the rate in the surrounding context. It is as yet unclear whether and how this perceptual effect interacts with higher level impressions of rate, such as a speaker’s nonnative identity. Nonnative speakers typically speak more slowly than natives, an experience that listeners take into account when explicitly judging the rate of nonnative speech. The present study investigated whether this is also reflected in implicit rate normalization. Results indicate that nonnative speech is implicitly perceived as faster than temporally-matched native speech, suggesting that the additional cognitive load of listening to an accent speeds up rate perception. Therefore, rate perception in speech is not dependent on syllable durations alone but also on the ease of processing of the temporal signal.

Abstract

Second language (L2) research often involves analyses of acoustic measures of fluency. The studies investigating fluency, however, have been difficult to compare because the measures of fluency that were used differed widely. One of the differences between studies concerns the lower cut-off point for silent pauses, which has been set anywhere between 100 ms and 1000 ms. The goal of this paper is to find an optimal cut-off point. We calculate acoustic measures of fluency using different pause thresholds and then relate these measures to a measure of L2 proficiency and to ratings on fluency.