Publications

Abstract

To examine the relative roles of language-specific and language-universal mechanisms in the production of prosodic focus, we compared production of five different types of focus by native speakers of English and Mandarin. Two comparable dialogues were constructed for each language, with the same words appearing in focused and unfocused position; 24 speakers recorded each dialogue in each language. Duration, F0 (mean, maximum, range), and rms-intensity (mean, maximum) of all critical word tokens were measured. Across the different types of focus, cross-language differences were observed in the degree to which English versus Mandarin speakers use the different prosodic parameters to mark focus, suggesting that while prosody may be universally available for expressing focus, the means of its employment may be considerably language-specific

Abstract

In Korean, focus is expressed in accentual phrasing. To ascertain whether words focused in this manner enjoy a processing advantage analogous to that conferred by focus as expressed in, e.g, English and Dutch, we devised sentences with target words in one of four conditions: prosodic focus, syntactic focus, prosodic + syntactic focus, and no focus as a control. 32 native speakers of Korean listened to blocks of 10 sentences, then were presented visually with words and asked whether or not they had heard them. Overall, words with focus were recognised significantly faster and more accurately than unfocused words. In addition, words with syntactic focus or syntactic + prosodic focus were recognised faster than words with prosodic focus alone. As for other languages, Korean focus confers processing advantage on the words carrying it. While prosodic focus does provide an advantage, however, syntactic focus appears to provide the greater beneficial effect for recognition memory

Abstract

Language-specific procedures which are efficient for listening to the L1 may be applied to non-native spoken input, often to the detriment of successful listening. However, such misapplications of L1-based listening do not always happen. We propose, based on the results from two experiments in which Japanese listeners detected target sequences in spoken Korean, that an L1 procedure is only triggered if requisite L1 features are present in the input.

Abstract

Experiments have revealed differences across languages in listeners’ use of stress information in recognising spoken words. Previous comparisons of the vocabulary of Spanish and English had suggested that the explanation of this asymmetry might lie in the extent to which considering stress in spokenword recognition allows rejection of unwanted competition from words embedded in other words. This hypothesis was tested on the vocabularies of Dutch and German, for which word recognition results resemble those from Spanish more than those from English. The vocabulary statistics likewise revealed that in each language, the reduction of embeddings resulting from taking stress into account is more similar to the reduction achieved in Spanish than in English.

Abstract

In German, word-initial lax fricatives may be produced with substantially reduced glottal vibration after voiceless obstruents. This assimilation occurs more frequently and to a larger extent across prosodic word boundaries than across phrase boundaries. Assimilatory devoicing makes the fricatives more similar to their tense counterparts and could thus hinder word recognition. The present study investigates how listeners cope with assimilatory devoicing. Results of a cross-modal priming experiment indicate that listeners compensate for assimilation in appropriate contexts. Prosodic structure moderates compensation for assimilation: Compensation occurs especially after phrase boundaries, where devoiced fricatives are sufficiently long to be confused with their tense counterparts.

Abstract

Two lexical decision experiments in Cantonese are described in which the recognition of spoken target words as a function of phonological similarity to a preceding prime is investigated. Phonological similaritv in first syllables produced inhibition, while similarity in second syllables led to facilitation. Differences between syllables in tonal and segmental structure had generally similar effects.

Abstract

Japanese, British English and American English listeners were presented with spoken words in their native language, and asked to mark on a written transcript of each word the first natural division point in the word. The results showed clear and strong patterns of consensus, indicating that listeners have available to them conscious representations of within-word structure. Orthography did not play a strongly deciding role in the results. The patterns of response were at variance with results from on-line studies of speech segmentation, suggesting that the present task taps not those representations used in on-line listening, but levels of representation which may involve much richer knowledge of word-internal structure.

Abstract

Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.