Publications

Abstract

Speech input causes listeners to activate multiple
candidate words which then compete with one
another. These include onset competitors, that share a
beginning (bumper, butter), but also, counterintuitively,
rhyme competitors, sharing an ending
(bumper, jumper). In L1, competition is typically
stronger for onset than for rhyme. In L2, onset
competition has been attested but rhyme competition
has heretofore remained largely unexamined. We
assessed L1 (Dutch) and L2 (English) word
recognition by the same late-bilingual individuals. In
each language, eye gaze was recorded as listeners
heard sentences and viewed sets of drawings: three
unrelated, one depicting an onset or rhyme competitor
of a word in the input. Activation patterns revealed
substantial onset competition but no significant
rhyme competition in either L1 or L2. Rhyme
competition may thus be a “luxury” feature of
maximally efficient listening, to be abandoned when
resources are scarcer, as in listening by late
bilinguals, in either language.

Abstract

Part of the remarkable efficiency of listening is
accommodation to unfamiliar talkers’ specific
pronunciations by retuning of phonemic intercategory
boundaries. Such retuning occurs in second
(L2) as well as first language (L1); however, recent
research with emigrés revealed successful adaptation
in the environmental L2 but, unprecedentedly, not in
L1 despite continuing L1 use. A possible explanation
involving relative exposure to novel talkers is here
tested in heritage language users with Mandarin as
family L1 and English as environmental language. In
English, exposure to an ambiguous sound in
disambiguating word contexts prompted the expected
adjustment of phonemic boundaries in subsequent
categorisation. However, no adjustment occurred in
Mandarin, again despite regular use. Participants
reported highly asymmetric interlocutor counts in the
two languages. We conclude that successful retuning
ability requires regular exposure to novel talkers in
the language in question, a criterion not met for the
emigrés’ or for these heritage users’ L1.

Abstract

This study investigates effects of prosodic factors (prominence, boundary) on coarticulatory Vnasalization in Australian English (AusE) in CVN and NVC in comparison to those in American English
(AmE). As in AmE, prominence was found to
lengthen N, but to reduce V-nasalization, enhancing N’s nasality and V’s orality, respectively (paradigmatic contrast enhancement). But the prominence effect in CVN was more robust than that in AmE. Again similar to findings in AmE, boundary
induced a reduction of N-duration and V-nasalization phrase-initially (syntagmatic contrast enhancement), and increased the nasality of both C and V phrasefinally.
But AusE showed some differences in terms
of the magnitude of V nasalization and N duration. The results suggest that the linguistic contrast enhancements underlie prosodic-structure modulation of coarticulatory V-nasalization in
comparable ways across dialects, while the fine phonetic detail indicates that the phonetics-prosody interplay is internalized in the individual dialect’s phonetic grammar.

Abstract

Vocabularies contain hundreds of thousands of words built from only a handful of phonemes, so that inevitably longer words tend to contain shorter ones. In many languages (but not all) such embedded words occur more often word-initially than word-finally, and this asymmetry, if present, has farreaching consequences for spoken-word recognition. Prior research had ascribed the asymmetry to suffixing or to effects of stress (in particular, final syllables containing the vowel schwa). Analyses of the standard French vocabulary here reveal an effect of suffixing, as predicted by this account, and further analyses of an artificial variety of French reveal that extensive final schwa has an independent and additive effect in promoting the embedding asymmetry.

Abstract

It has been claimed that Dutch listeners use suprasegmental cues (duration, spectral tilt) more than English listeners in distinguishing English word stress. We tested whether this asymmetry also holds in production, comparing the realization of English word stress by native English speakers and Dutch speakers. Results confirmed that English speakers centralize unstressed vowels more, while Dutch speakers of English make more use of suprasegmental differences.

Abstract

Sentences with contrastive intonation are assumed to presuppose contextual alternatives to the accented elements. Two cross-modal priming experiments tested in Dutch whether such contextual alternatives are automatically available to listeners. Contrastive associates – but not non- contrastive associates - were facilitated only when primes were produced in sentences with contrastive intonation, indicating that contrastive intonation makes unmentioned contextual alternatives immediately available. Possibly, contrastive contours trigger a “presupposition resolution mechanism” by which these alternatives become salient.

Abstract

Listeners heard an ambiguous /f-s/ in nonword contexts where only one of /f/ or /s/ was legal (e.g., frul/*srul or *fnud/snud). In later categorisation of a phonetic continuum from /f/ to /s/, their category boundaries had shifted; hearing -rul led to expanded /f/ categories, -nud expanded /s/. Thus phonotactic sequence information alone induces perceptual retuning of phoneme category boundaries; lexical access is not required.

Abstract

Two lexical decision experiments in Cantonese are described in which the recognition of spoken target words as a function of phonological similarity to a preceding prime is investigated. Phonological similaritv in first syllables produced inhibition, while similarity in second syllables led to facilitation. Differences between syllables in tonal and segmental structure had generally similar effects.

Abstract

This chapter highlights that most language behavior consists of speaking and listening. The chapter also reveals differences and similarities between speaking and listening. The laboratory study of word production raises formidable problems; ensuring that a particular word is produced may subvert the spontaneous production process. Word production is investigated via slips and tip-of-the-tongue (TOT), primarily via instances of processing failure and via the technique of via the picture-naming task. The methodology of word production is explained in the chapter. The chapter also explains the phenomenon of interaction between various stages of word production and the process of speech recognition. In this context, it explores the difference between sound and meaning and examines whether or not the comparisons are appropriate between the processes of recognition and production of spoken words. It also describes the similarities and differences in the structure of the recognition and production systems. Finally, the chapter highlights the common issues in recognition and production research, which include the nuances of frequency of occurrence, morphological structure, and phonological structure.

Abstract

Japanese, British English and American English listeners were presented with spoken words in their native language, and asked to mark on a written transcript of each word the first natural division point in the word. The results showed clear and strong patterns of consensus, indicating that listeners have available to them conscious representations of within-word structure. Orthography did not play a strongly deciding role in the results. The patterns of response were at variance with results from on-line studies of speech segmentation, suggesting that the present task taps not those representations used in on-line listening, but levels of representation which may involve much richer knowledge of word-internal structure.

Abstract

Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.

Abstract

Speech production is constrained at all levels by the demands of speech perception. The speaker's primary aim is successful communication, and to this end semantic, syntactic and lexical choices are directed by the needs of the listener. Even at the articulatory level, some aspects of production appear to be perceptually constrained, for example the blocking of phonological distortions under certain conditions. An apparent exception to this pattern is word boundary information, which ought to be extremely useful to listeners, but which is not reliably coded in speech. It is argued that the solution to this apparent problem lies in rethinking the concept of the boundary of the lexical access unit. Speech rhythm provides clear information about the location of stressed syllables, and listeners do make use of this information. If stressed syllables can serve as the determinants of word lexical access codes, then once again speakers are providing precisely the necessary form of speech information to facilitate perception.