Publications

Abstract

In lexical stress languages, phonemically identical syllables can differ suprasegmentally (in duration, amplitude, F0). Such stress
cues allow listeners to speed spoken-word recognition by rejecting mismatching competitors (e.g., unstressed set- in settee
rules out stressed set- in setting, setter, settle). Such processing effects have indeed been observed in Spanish, Dutch and German, but English listeners are known to largely ignore stress cues. Dutch and German listeners even outdo English listeners in distinguishing stressed versus unstressed English syllables. This has been attributed to the relative frequency across the stress languages of unstressed syllables with full vowels; in English most unstressed syllables contain schwa, instead, and stress cues on full vowels are thus least often informative in this language. If only informativeness matters, would English listeners who encounter situations where such cues would pay off for them (e.g., learning one of those other stress languages) then shift to using stress cues? Likewise, would stress cue users with English as L2, if mainly using English, shift away from
using the cues in English? Here we report tests of these two questions, with each receiving a yes answer. We propose that
English listeners’ disregard of stress cues is purely pragmatic.

Abstract

The term “uptalk” describes utterance-final pitch rises that carry no sentence-structural information. Uptalk is usually dialectal or sociolectal, and Australian English (AusEng) is particularly known for this attribute. We ask here whether experience with an uptalk variety affects listeners’ ability to categorise rising pitch contours on the basis of the timing and height of their onset and offset. Listeners were two groups of English-speakers (AusEng, and American English), and three groups of listeners with L2 English: one group with Mandarin as L1 and experience of listening to AusEng, one with German as L1 and experience of listening to AusEng, and one with German as L1 but no AusEng experience. They heard nouns (e.g. flower, piano) in the framework “Got a NOUN”, each ending with a pitch rise artificially manipulated on three contrasts: low vs. high rise onset, low vs. high rise offset and early vs. late rise onset. Their task was to categorise the tokens as “question” or “statement”, and we analysed the effect of the pitch contrasts on their judgements. Only the native AusEng listeners were able to use the pitch contrasts systematically in making these categorisations.

Abstract

Lexical stress is realised similarly in English, German, and
Dutch. On a suprasegmental level, stressed syllables tend to be
longer and more acoustically salient than unstressed syllables;
segmentally, vowels in unstressed syllables are often reduced.
The frequency of unreduced unstressed syllables (where only
the suprasegmental cues indicate lack of stress) however,
differs across the languages. The present studies test whether
listener behaviour is affected by these vocabulary differences,
by investigating German listeners’ use of suprasegmental cues
to lexical stress in German and English word recognition. In a
forced-choice identification task, German listeners correctly
assigned single-syllable fragments (e.g., Kon-) to one of two
words differing in stress (KONto, konZEPT). Thus, German
listeners can exploit suprasegmental information for
identifying words. German listeners also performed above
chance in a similar task in English (with, e.g., DIver, diVERT),
i.e., their sensitivity to these cues also transferred to a nonnative
language. An English listener group, in contrast, failed
in the English fragment task. These findings mirror vocabulary
patterns: German has more words with unreduced unstressed
syllables than English does.

Abstract

Same-different discrimination judgments for pairs of Korean stop consonants, or of Japanese syllables differing in phonetic segment length, were made by adult Korean adoptees in the Netherlands, by matched Dutch controls, and Korean controls. The adoptees did not outdo either control group on either task, although the same individuals had performed significantly better than matched controls on an identification learning task. This suggests that early exposure to multiple phonetic systems does not specifically improve acoustic-phonetic skills; rather, enhanced performance suggests retained language knowledge.

Abstract

Previous research has shown that listeners use the prosodic structure of utterances in a predictive fashion in sentence comprehension, to direct attention to accented words. Acoustically identical words spliced into sentence contexts arc responded to differently if the prosodic structure of the context is \ aricd: when the preceding prosody indicates that the word will he accented, responses are faster than when the preceding prosodv is inconsistent with accent occurring on that word. In the present series of experiments speech hybridisation techniques were first used to interchange the timing patterns within pairs of prosodic variants of utterances, independently of the pitch and intensity contours. The time-adjusted utterances could then serve as a basis lor the orthogonal manipulation of the three prosodic dimensions of pilch, intensity and rhythm. The overall pattern of results showed that when listeners use prosody to predict accent location, they do not simply rely on a single prosodic dimension, hut exploit the interaction between pitch, intensity and rhythm.