Publications

Abstract

Interest in iconicity (the resemblance-based mapping between aspects of form and meaning) is in the midst of a resurgence, and a prominent focus in the field has been the possible role of iconicity in language learning. Here we critically review theory and empirical findings in this domain. We distinguish local learning enhancement (where the iconicity of certain lexical items influences the learning of those items) and general learning enhancement (where the iconicity of certain lexical items influences the later learning of non-iconic items or systems). We find that evidence for local learning enhancement is quite strong, though not as clear cut as it is often described and based on a limited sample of languages. Despite common claims about broader facilitatory effects of iconicity on learning, we find that current evidence for general learning enhancement is lacking. We suggest a number of productive avenues for future research and specify what types of evidence would be required to show a role for iconicity in general learning enhancement. We also review evidence for functions of iconicity beyond word learning: iconicity enhances comprehension by providing complementary representations, supports communication about sensory imagery, and expresses affective meanings. Even if learning benefits may be modest or cross-linguistically varied, on balance, iconicity emerges as a vital aspect of language.

Abstract

Silent gestures consist of complex multi-articulatory movements but are now primarily studied through categorical coding of the referential gesture content. The relation of categorical linguistic content with continuous kinematics is therefore poorly understood. Here, we reanalyzed the video data from a gestural evolution experiment (Motamedi, Schouwstra, Smith, Culbertson, & Kirby, 2019), which showed increases in the systematicity of gesture content over time. We applied computer vision techniques to quantify the kinematics of the original data. Our kinematic analyses demonstrated that gestures become more efficient and less complex in their kinematics over generations of learners. We further detect the systematicity of gesture form on the level of thegesture kinematic interrelations, which directly scales with the systematicity obtained on semantic coding of the gestures. Thus, from continuous kinematics alone, we can tap into linguistic aspects that were previously only approachable through categorical coding of meaning. Finally, going beyond issues of systematicity, we show how unique gesture kinematic dialects emerged over generations as isolated chains of participants gradually diverged over iterations from other chains. We, thereby, conclude that gestures can come to embody the linguistic system at the level of interrelationships between communicative tokens, which should calibrate our theories about form and linguistic content.

Abstract

The Mawu people of eastern Ghana make common use of ideophones: marked words that depict sensory imagery. Ideophones have been described as “poetry in ordinary language,” yet the shadow of Lévy-Bruhl, who assigned such words to the realm of primitivity, has loomed large over linguistics and literary theory alike. The poet Ezra Pound is a case in point: while his fascination with Chinese characters spawned the ideogrammic method, the mimicry and gestures of the “primitive languages in Africa” were never more than a mere curiosity to him. This paper imagines Pound transposed into the linguaculture of the Mawu. What would have struck him about their ways of ‘charging language’ with imagery? I juxtapose Pound’s views of the poetic image with an analysis of how different layers of iconicity in ideophones combine to depict sensory imagery. This exercise illuminates aspects of what one might call ‘the ideophonic

Abstract

This article explores language, culture, and the perceptual world as reflected in a particular linguistic device: ideophones, marked words that depict sensory imagery. Data from a range of elicitation tasks shows that ideophones are a key resource in talking about sensory perception in Siwu. Their use in everyday conversations underlines their communicative versatility while at the same time showing that people delight in their expressiveness. In ideophones, we have an expressive resource that combines sheer playfulness with extraordinary precision