Publications

Abstract

Rhythm is a fundamental feature characterizing communicative displays, and recent studies showed that primate songs encompass categorical rhythms falling on small integer ratios observed in humans. We individually assessed the presence and sexual dimorphism of rhythmic categories, analyzing songs emitted by 39 wild indris. Considering the intervals between the units given during each song, we extracted 13556 interval ratios and found three peaks (at around 0.33, 0.47, and 0.70). Two peaks indicated rhythmic categories corresponding to small integer ratios (1:1, 2:1). All individuals showed a peak at 0.70, and
most showed those at 0.47 and 0.33. In addition, we found sex differences in the peak at 0.47 only, with males showing lower values than females. This work investigates the presence of individual rhythmic categories in a non-human species; further research may highlight the significance of rhythmicity and untie selective pressures that guided its evolution across species, including humans.

Abstract

Models are a flourishing and indispensable area of research in language evolution. Here we
highlight critical issues in using and interpreting models, and suggest viable approaches. First,
contrasting models can explain the same data and similar modelling techniques can lead to
diverging conclusions. This should act as a reminder to use the extreme malleability of
modelling parsimoniously when interpreting results. Second, quantitative techniques similar to
those used in modelling language evolution have proven themselves inadequate in other
disciplines. Cross-disciplinary fertilization is crucial to avoid mistakes which have previously
occurred in other areas. Finally, experimental validation is necessary both to sharpen models'
hypotheses, and to support their conclusions. Our belief is that models should be interpreted as
quantitative demonstrations of logical possibilities, rather than as direct sources of evidence.
Only an integration of theoretical principles, quantitative proofs and empirical validation can
allow research in the evolution of language to progress.

Abstract

Music is a pervasive phenomenon in human culture, and musical
rhythm is virtually present in all musical traditions. Research
on the evolution and cognitive underpinnings of rhythm
can benefit from a number of approaches. We outline key concepts
and definitions, allowing fine-grained analysis of rhythmic
cognition in experimental studies. We advocate comparative
animal research as a useful approach to answer questions
about human music cognition and review experimental evidence
from different species. Finally, we suggest future directions
for research on the cognitive basis of rhythm. Apart from
research in semi-natural setups, possibly allowed by “drum set
for chimpanzees” prototypes presented here for the first time,
mathematical modeling and systematic use of circular statistics
may allow promising advances.

Abstract

Cognitive research is often focused on experimental condition-driven reactions. Ethological studies frequently
rely on the observation of naturally occurring specific behaviors. In both cases, subjects are filmed during the
study, so that afterwards behaviors can be coded on video. Coding should typically be blind to experimental
conditions, but often requires more information than that present on video. We introduce a method for blindcoding
of behavioral videos that takes care of both issues via three main innovations. First, of particular
significance for playback studies, it allows creation of a “soundtrack” of the study, that is, a track composed of
synthesized sounds representing different aspects of the experimental conditions, or other events, over time.
Second, it facilitates coding behavior using this audio track, together with the possibly muted original video.
This enables coding blindly to conditions as required, but not ignoring other relevant events. Third, our method
makes use of freely available, multi-platform software, including scripts we developed.