Publications

Abstract

This paper provides a brief survey on various absolute frames of spatial reference that can be observed in a number of Austronesian languages – with an emphasis on languages of the Oceanic subgroup. It is based on research of conceptions of space and systems of spatial reference that was initiated by the “space project” of the Cognitive Anthropology Research Group (now the Department of Language and Cognition) at the Max Planck Institute for Psycholinguistics and by my anthology “Referring to Space” (Senft 1997a; see Keller 2002: 250). The examples illustrating these different absolute frames of spatial reference reveal once more that earlier generalizations within the domain of “SPACE” were strongly biased by research on Indo-European languages; they also reveal how complex some of these absolute frames of spatial reference found in these languages are. The paper ends with a summary of Wegener’s (2002) preliminary typology of these absolute frames of spatial reference.

Abstract

Trobriand children are breastfed until they can walk; then they are abruptly weaned and the parents dramatically reduce the pervasive loving care that their children experienced before. The children have to find a place within the children’s groups in their villages. They learn to behave according to their community’s rules and regulations which find their expression in forms of verbal and non-verbal behavior. They acquire their culture specific pragmatics under the control of older members of their groups. The children's “small republic” is the primary institution of verbal and cultural socialization. Attempts of parental education are confined to a minimum.

Abstract

Kilivila, the Austronesian language of the Trobriand Islanders of Papua New Guinea, has a rich inventory of terms - nouns, verbs, adjectives and idiomatic phrases and expressions - to precisely refer to, and to differentiate emotions and inner feelings. This paper describes how the Trobriand Islanders of Papua New Guinea deal with the public display of emotions. Forms of emotion control in public encounters are discussed and explained on the basis of ritual communication which pervades the Trobrianders' verbal and non-verbal behaviour. Especially highlighted is the Trobrianders' metalinguistic concept of "biga sopa" with its important role for emotion control in encounters that may run the risk of escalating from argument and conflict to aggression and violence.

Abstract

This volume presents five variants of the Imdeduya myth: two versions of the actual myth, a short story, a song and John Kasaipwalova’s English poem “Sail the Midnight Sun”. This poem draws heavily on the Trobriand myth which introduces the protagonists Imdeduya and Yolina and reports on Yolina’s intention to marry the girl so famous for her beauty, on his long journey to Imdeduya’s village and on their tragic love story. The texts are compared with each other with a final focus on the clash between orality and scripturality. Contrary to Kasaipwalova’s fixed poetic text, the oral Imdeduya versions reveal the variability characteristic for oral tradition. This variability opens up questions about traditional stability and destabilization of oral literature, especially questions about the changing role of myth – and magic – in the Trobriand Islanders' society which gets more and more integrated into the by now “literal” nation of Papua New Guinea. This e-book is available under the Creative Commons BY-NC-ND 4.0 license.

Abstract

This paper reports on the results of my research on the lexical means Kilivila offers its speakers to refer to emotions and inner feelings. Data were elicited with 18 “Ekman’s faces” in which photos of the faces of one woman and two men illustrate the allegedly universal basic emotions (anger, disgust, fear, happiness, sadness, surprise) and with film stimuli staging standard emotions. The data are discussed on the basis of the following research questions: * How “effable” are they or do we observe ineffability – the difficulty of putting experiences into words – within the domain of emotions? * Do consultants agree with one another in how they name emotions? * Are facial expressions or situations better cues for labeling?

Abstract

This paper deals with the dramatic environmental, social and cultural changes on the Trobriand Islands which I experienced during 16 long- and short-term fieldtrips from 1982 to 2012. I first report on the climate change I experienced there over the years and provide a survey about the demographic changes on the Trobriand Islands – highlighting the situation in Tauwema, my village of residence on Kaile’una Island. Finally I report on the social and cultural impact these dramatic changes have for the Trobriand Islanders and their culture.

Abstract

The Trobriand Islanders of Papua New Guinea differentiate and label in their language Kilivila genres and varieties or registers which are constituted by these genres. The documentation and analysis of these varieties and genres reveals how important it is to understand these metalinguistic differentiations. The cultural and verbal competence which is necessary to adequately interact with the Trobriander Islanders is based on the understanding of the indigenous text typology and the Trobriand Islanders' culture specific ways of speaking.

Abstract

How stable is the lexicon for perceptual experiences? This article presents results on how the Trobriand Islanders of Papua New Guinea talk about color and taste and whether this has changed over the years. Comparing the results of research on color terms conducted in 1983 with data collected in 2008 revealed that many English color terms have been integrated into the Kilivila lexicon. Members of the younger generation with school education have been the agents of this language change. However, today not all English color terms are produced correctly according to English lexical semantics. The traditional Kilivila color terms bwabwau ‘black’, pupwakau ‘white’, and bweyani ‘red’ are not affected by this change, probably because of the cultural importance of the art of coloring canoes, big yams houses, and bodies. Comparing the 1983 data on taste vocabulary with the results of my 2008 research revealed no substantial change. The conservatism of the Trobriand Islanders' taste vocabulary may be related to the conservatism of their palate. Moreover, they are more interested in displaying and exchanging food than in savoring it. Although English color terms are integrated into the lexicon, Kilivila provides evidence that traditional terms used for talking about color and terms used to refer to tastes have remained stable over time.

Abstract

The Trobriand Islanders' eschatological belief system explains what happens when someone dies. Bronislaw Malinowski described essentials of this eschatology in his articles "Baloma: the Spirits of the Dead in the Trobriand Islands" and "Myth in Primitive Psychology" There he also presented the Trobrianders' belief that a "baloma" can be reborn; he claimed that Trobrianders are unaware of the father's role as genitor. This volume presents a critical review of Malinowski's ethnography of Trobriand eschatology - finally settling the "virgin birth" controversy. It also documents the ritualized and highly poetic "wosi milamala" - the harvest festival songs. They are sung in an archaic variety of Kilivila called "biga baloma" - the baloma language. Malinowski briefly refers to these songs but does not mention that they codify many aspects of Trobriand eschatology. The songs are still sung at specific occasions; however, they are now moribund. With these songs Trobriand eschatology will vanish. The e-book is made available under a CC BY-NC-ND 4.0 license. http://creativecommons.org/licenses/by-nc-nd/4.0/

Abstract

Kilivila is one of the languages of the world that lacks dedicated reciprocal forms. After a short introduction the paper briefly shows how reciprocity is either not expressed at all, is only implicated in an utterance, or expressed periphrastically.

Abstract

This article provides a brief introduction into field research, its aims, its methods and the various phases of fieldwork.

Abstract

This paper presents a project which tests the hypothesis of the universality of facial expressions of emotions crossculturally and crosslinguistically. First results are presented which contradict the hypothesis.