Publications

Abstract

In his famous introduction to his monograph “Argonauts of the Western Pacific” Bronislaw
Malinowski (1922: 24f.) points out that a “collection of ethnographic statements, characteristic
narratives, typical utterances, items of folk-lore and magical formulae has to be given as a corpus
inscriptionum, as documents of native mentality”. This is one of the prerequisites to “grasp the
native's point of view, his relation to life, to realize his vision of his world”. Malinowski managed
to document a “Corpus Inscriptionum Agriculturae Quriviniensis” in his second volume of “Coral
Gardens and their Magic” (1935 Vol II: 79-342). But he himself did not manage to come up with a
holistic corpus inscriptionum for the Trobriand Islanders. One of the main aims I have been pursuing
in my research on the Trobriand Islanders' language, culture, and cognition has been to fill this
ethnolinguistic niche. In this essay, I report what I had to do to carry out this complex and ambitious
project, what forms and kinds of linguistic and cultural competence I had to acquire, and how I
planned my data collection during 16 long- and short-term field trips to the Trobriand Islands
between 1982 and 2012. The paper ends with a critical assessment of my Trobriand endeavor.

Abstract

This article provides a brief introduction into field research, its aims, its methods and the various phases of fieldwork.

Abstract

This paper presents a project which tests the hypothesis of the universality of facial expressions of emotions crossculturally and crosslinguistically. First results are presented which contradict the hypothesis.

Abstract

Visiting the Trobriand Islands is advertised as being the highlight of a trip for tourists to Papua New Guinea who want, and can afford, to experience this 'ultimate adventure' with 'expeditionary cruises aboard the luxurious Melanesian Discoverer. The advertisements also promise that the tourists can 'meet the friendly people' and 'observe their unique culture, dances, and art'. During my research in Kaibola and Nuwebila, two neighbouring villages on the northern tip of Kiriwina Island, I studied and analysed the encounters of tourists with Trobriand Islanders, who sing and dance for the Europeans. The analyses of the islanders' tourist performances are based on Erving Goffman's now classic study The Presentation of Self in Everyday Life, which was first published in 1959. In this study Goffmann analyses the structures of social encounters from the perspective of the dramatic performance. The situational context within which the encounter between tourists and Trobriand Islanders takes place frames the tourists as the audience and the Trobriand Islanders as a team of performers. The inherent structure of the parts of the overall performance presented in the two villages can be summarized - within the framework of Goffman's approach - in analogy with the structure of drama. We find parts that constitute the 'exposition', the 'complication', and the 'resolution' of a drama; we even observe an equivalent to the importance of the 'Second Act Curtain' in modern drama theory. Deeper analyses of this encounter show that the motives of the performers and their 'art of impression management' are to control the impression their audience receives in this encounter situation. This analysis reveals that the Trobriand Islanders sell their customers the expected images of what Malinowski (1929) once termed the '...Life of Savages in North-Western Melanesia' in a staged 'illusion'. With the conscious realization of the part they as performers play in this encounter, the Trobriand Islanders are in a position that is superior to that of their audience. Their merchandise or commodity is 'not real', as it is sold 'out of its true cultural context'. It is staged - and thus cannot be taken by any customer whatsoever because it (re)presents just an 'illusion'. The Trobriand Islanders know that neither they nor the core aspects of their culture will suffer any damage within a tourist encounter that is defined by the structure and the kind of their performance. Their pride and self-confidence enable them to bring their superior position into play in their dealings with tourists. With their indigenous humour, they even use this encounter for ridiculing their visitors. It turns out that the encounter is another manifestation of the Trobriand Islanders' self-consciousness, self-confidence, and pride with which they manage to protect core aspects of their cultural identity, while at the same time using and 'selling' parts of their culture as a kind of commodity to tourists.

Abstract

What are the preferred ways to describe spatial relationships in different linguistic and cultural groups, and how does this interact with non-linguistic spatial awareness? This game was devised as an interactive supplement to several items that collect information on the encoding and understanding of spatial relationships, especially as relevant to “route descriptions”. This is a director-matcher task, where one consultant has access to stimulus materials that shows a “target” situation, and directs another consultant (who cannot see the target) to recreate this arrangement.