Publications

Abstract

This paper provides a brief survey on various absolute frames of spatial reference that can be observed in a number of Austronesian languages – with an emphasis on languages of the Oceanic subgroup. It is based on research of conceptions of space and systems of spatial reference that was initiated by the “space project” of the Cognitive Anthropology Research Group (now the Department of Language and Cognition) at the Max Planck Institute for Psycholinguistics and by my anthology “Referring to Space” (Senft 1997a; see Keller 2002: 250). The examples illustrating these different absolute frames of spatial reference reveal once more that earlier generalizations within the domain of “SPACE” were strongly biased by research on Indo-European languages; they also reveal how complex some of these absolute frames of spatial reference found in these languages are. The paper ends with a summary of Wegener’s (2002) preliminary typology of these absolute frames of spatial reference.

Abstract

Trobriand children are breastfed until they can walk; then they are abruptly weaned and the parents dramatically reduce the pervasive loving care that their children experienced before. The children have to find a place within the children’s groups in their villages. They learn to behave according to their community’s rules and regulations which find their expression in forms of verbal and non-verbal behavior. They acquire their culture specific pragmatics under the control of older members of their groups. The children's “small republic” is the primary institution of verbal and cultural socialization. Attempts of parental education are confined to a minimum.

Abstract

Kilivila, the Austronesian language of the Trobriand Islanders of Papua New Guinea, has a rich inventory of terms - nouns, verbs, adjectives and idiomatic phrases and expressions - to precisely refer to, and to differentiate emotions and inner feelings. This paper describes how the Trobriand Islanders of Papua New Guinea deal with the public display of emotions. Forms of emotion control in public encounters are discussed and explained on the basis of ritual communication which pervades the Trobrianders' verbal and non-verbal behaviour. Especially highlighted is the Trobrianders' metalinguistic concept of "biga sopa" with its important role for emotion control in encounters that may run the risk of escalating from argument and conflict to aggression and violence.

Abstract

This volume presents five variants of the Imdeduya myth: two versions of the actual myth, a short story, a song and John Kasaipwalova’s English poem “Sail the Midnight Sun”. This poem draws heavily on the Trobriand myth which introduces the protagonists Imdeduya and Yolina and reports on Yolina’s intention to marry the girl so famous for her beauty, on his long journey to Imdeduya’s village and on their tragic love story. The texts are compared with each other with a final focus on the clash between orality and scripturality. Contrary to Kasaipwalova’s fixed poetic text, the oral Imdeduya versions reveal the variability characteristic for oral tradition. This variability opens up questions about traditional stability and destabilization of oral literature, especially questions about the changing role of myth – and magic – in the Trobriand Islanders' society which gets more and more integrated into the by now “literal” nation of Papua New Guinea. This e-book is available under the Creative Commons BY-NC-ND 4.0 license.

Abstract

This paper reports on the results of my research on the lexical means Kilivila offers its speakers to refer to emotions and inner feelings. Data were elicited with 18 “Ekman’s faces” in which photos of the faces of one woman and two men illustrate the allegedly universal basic emotions (anger, disgust, fear, happiness, sadness, surprise) and with film stimuli staging standard emotions. The data are discussed on the basis of the following research questions: * How “effable” are they or do we observe ineffability – the difficulty of putting experiences into words – within the domain of emotions? * Do consultants agree with one another in how they name emotions? * Are facial expressions or situations better cues for labeling?

Abstract

This paper deals with the dramatic environmental, social and cultural changes on the Trobriand Islands which I experienced during 16 long- and short-term fieldtrips from 1982 to 2012. I first report on the climate change I experienced there over the years and provide a survey about the demographic changes on the Trobriand Islands – highlighting the situation in Tauwema, my village of residence on Kaile’una Island. Finally I report on the social and cultural impact these dramatic changes have for the Trobriand Islanders and their culture.

Abstract

This article provides a brief introduction into field research, its aims, its methods and the various phases of fieldwork.

Abstract

This paper presents a project which tests the hypothesis of the universality of facial expressions of emotions crossculturally and crosslinguistically. First results are presented which contradict the hypothesis.

Abstract

(TMCD 9602). Taipei: Trees Music & Art, 12-1, Lane 10, Sec. 2, Hsin Yi Rd. Taipei, TAIWAN. Distributed by Sony Music Entertainment (Taiwan)Ltd.,6th fl. No 35 , Lane 11, Kwang-Fu N. Rd., Taipei TAIWAN (CD accompanied by a full color bucklet)

Abstract

Members of the MPI for Psycholinguistics are researching the interrelationship between language, cognition and the conceptualization of space in various languages. Research results show that there are three frames of spatial reference, the absolute, the relative, and the intrinsic frame of reference. This study first presents results of this research in general and then discusses the results for Kilivila. Speakers of this Austronesian language prefer the intrinsic frame of reference for the location of objects with respect to each other in a given spatial configuration. But they prefer an absolute frame of reference system in referring to the spatial orientation of objects in a given
spatial configuration. Moreover, the hypothesis is confirmed that languages seem to influence the choice and the kind of conceptual parameters their speakers use to solve non-verbal problems within the domain of space.

Abstract

The term “event” is a controversial concept, and the “same” activity or situation can be linguistically encoded in many different ways. The aim of this task is to explore features of event representation in the language of study, in particular, multi-verb constructions, event typicality, and event complexity. The task consists of a description and recollection task using film stimuli, and a subsequent re-enactment of certain scenes by other participants on the basis of these descriptions. The first part of the task collects elaborate and concise descriptions of complex events in order to examine how these are segmented into macro-events, what kind of information is expressed, and how the information is ordered. The re-enactment task is designed to examine what features of the scenes are stereotypically implied.

Abstract

What are the preferred ways to describe spatial relationships in different linguistic and cultural groups, and how does this interact with non-linguistic spatial awareness? This game was devised as an interactive supplement to several items that collect information on the encoding and understanding of spatial relationships, especially as relevant to “route descriptions”. This is a director-matcher task, where one consultant has access to stimulus materials that shows a “target” situation, and directs another consultant (who cannot see the target) to recreate this arrangement.