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Verga, L., D’Este, G., Cassani, S., Leitner, C., Kotz, S. A., Ferini-Strambi, L., & Galbiati, A. (2023). Sleeping with time in mind? A literature review and a proposal for a screening questionnaire on self-awakening. PLoS One, 18(3): e0283221. doi:10.1371/journal.pone.0283221.
Abstract
Some people report being able to spontaneously “time” the end of their sleep. This ability to self-awaken challenges the idea of sleep as a passive cognitive state. Yet, current evidence on this phenomenon is limited, partly because of the varied definitions of self-awakening and experimental approaches used to study it. Here, we provide a review of the literature on self-awakening. Our aim is to i) contextualise the phenomenon, ii) propose an operating definition, and iii) summarise the scientific approaches used so far. The literature review identified 17 studies on self-awakening. Most of them adopted an objective sleep evaluation (76%), targeted nocturnal sleep (76%), and used a single criterion to define the success of awakening (82%); for most studies, this corresponded to awakening occurring in a time window of 30 minutes around the expected awakening time. Out of 715 total participants, 125 (17%) reported to be self-awakeners, with an average age of 23.24 years and a slight predominance of males compared to females. These results reveal self-awakening as a relatively rare phenomenon. To facilitate the study of self-awakening, and based on the results of the literature review, we propose a quick paper-and-pencil screening questionnaire for self-awakeners and provide an initial validation for it. Taken together, the combined results of the literature review and the proposed questionnaire help in characterising a theoretical framework for self-awakenings, while providing a useful tool and empirical suggestions for future experimental studies, which should ideally employ objective measurements.Additional information
additional results, details, and SAQ, Italian version -
Verga, L., Kotz, S. A., & Ravignani, A. (2023). The evolution of social timing. Physics of Life Reviews, 46, 131-151. doi:10.1016/j.plrev.2023.06.006.
Abstract
Sociality and timing are tightly interrelated in human interaction as seen in turn-taking or synchronised dance movements. Sociality and timing also show in communicative acts of other species that might be pleasurable, but also necessary for survival. Sociality and timing often co-occur, but their shared phylogenetic trajectory is unknown: How, when, and why did they become so tightly linked? Answering these questions is complicated by several constraints; these include the use of divergent operational definitions across fields and species, the focus on diverse mechanistic explanations (e.g., physiological, neural, or cognitive), and the frequent adoption of anthropocentric theories and methodologies in comparative research. These limitations hinder the development of an integrative framework on the evolutionary trajectory of social timing and make comparative studies not as fruitful as they could be. Here, we outline a theoretical and empirical framework to test contrasting hypotheses on the evolution of social timing with species-appropriate paradigms and consistent definitions. To facilitate future research, we introduce an initial set of representative species and empirical hypotheses. The proposed framework aims at building and contrasting evolutionary trees of social timing toward and beyond the crucial branch represented by our own lineage. Given the integration of cross-species and quantitative approaches, this research line might lead to an integrated empirical-theoretical paradigm and, as a long-term goal, explain why humans are such socially coordinated animals. -
Verga, L., Schwartze, M., & Kotz, S. A. (2023). Neurophysiology of language pathologies. In M. Grimaldi, E. Brattico, & Y. Shtyrov (
Eds. ), Language Electrified: Neuromethods (pp. 753-776). New York, NY: Springer US. doi:10.1007/978-1-0716-3263-5_24.Abstract
Language- and speech-related disorders are among the most frequent consequences of developmental and acquired pathologies. While classical approaches to the study of these disorders typically employed the lesion method to unveil one-to-one correspondence between locations, the extent of the brain damage, and corresponding symptoms, recent advances advocate the use of online methods of investigation. For example, the use of electrophysiology or magnetoencephalography—especially when combined with anatomical measures—allows for in vivo tracking of real-time language and speech events, and thus represents a particularly promising venue for future research targeting rehabilitative interventions. In this chapter, we provide a comprehensive overview of language and speech pathologies arising from cortical and/or subcortical damage, and their corresponding neurophysiological and pathological symptoms. Building upon the reviewed evidence and literature, we aim at providing a description of how the neurophysiology of the language network changes as a result of brain damage. We will conclude by summarizing the evidence presented in this chapter, while suggesting directions for future research. -
Spada, D., Verga, L., Iadanza, A., Tettamanti, M., & Perani, D. (2014). The auditory scene: An fMRI study on melody and accompaniment in professional pianists. NeuroImage, 102(2), 764-775. doi:10.1016/j.neuroimage.2014.08.036.
Abstract
The auditory scene is a mental representation of individual sounds extracted from the summed sound waveform reaching the ears of the listeners. Musical contexts represent particularly complex cases of auditory scenes. In such a scenario, melody may be seen as the main object moving on a background represented by the accompaniment. Both melody and accompaniment vary in time according to harmonic rules, forming a typical texture with melody in the most prominent, salient voice. In the present sparse acquisition functional magnetic resonance imaging study, we investigated the interplay between melody and accompaniment in trained pianists, by observing the activation responses elicited by processing: (1) melody placed in the upper and lower texture voices, leading to, respectively, a higher and lower auditory salience; (2) harmonic violations occurring in either the melody, the accompaniment, or both. The results indicated that the neural activation elicited by the processing of polyphonic compositions in expert musicians depends upon the upper versus lower position of the melodic line in the texture, and showed an overall greater activation for the harmonic processing of melody over accompaniment. Both these two predominant effects were characterized by the involvement of the posterior cingulate cortex and precuneus, among other associative brain regions. We discuss the prominent role of the posterior medial cortex in the processing of melodic and harmonic information in the auditory stream, and propose to frame this processing in relation to the cognitive construction of complex multimodal sensory imagery scenes.
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