Publications

Abstract

A series of experiments was carried out investigating the time course of phonological encoding in language production, i.e., the question of whether all parts of the phonological form of a word are created in parallel, or whether they are created in a specific order. a speech production task was used in which the subjects in each test trial had to say one out of three or five response words as quickly as possible. In one condition, information was provided about part of the forms of the words to be uttered, in another condition this was not the case. The production of disyllabic words was speeded by information about their first syllable, but not by information about their second syllable. Experiments using trisyllabic words showed that a facilitatory effect could be obtained from information about the second syllable of the words, provided that the first syllable was also known. These findings suggest that the syllables of a word must be encoded strictly sequentially, according to their order in the word.

Abstract

According to certain theories of language production, lexical access to a content word consists of two independent and serially ordered stages. In the first, semantically driven stage, so-called lemmas are retrieved, i.e., lexical items that are specified with respect to syntactic and semantic properties, but not with respect to phonological characteristics. In the second stage, the corresponding wordforms, the so-called lexemes, are retrieved. This implies that the access to a content word involves an early stage of exclusively semantic activation and a later stage of exclusively phonological activation. This seriality assumption was tested experimentally, using a picture-word interference paradigm in which the interfering words were presented auditorily. The results show an interference effect of semantically related words on picture naming latencies at an early SOA (− 150 ms), and a facilitatory effect of phonologically related words at later SOAs (0 ms, + 150 ms). On the basis of these results it can be concluded that there is indeed a stage of lexical access to a content word where only its meaning is activated, followed by a stage where only its form is activated. These findings can be seen as empirical support for a two-stage model of lexical access, or, alternatively, as putting constraints on the parameters in a network model of lexical access, such as the model proposed by Dell and Reich.

Abstract

In his paper ‘On Horn's dilemma: presupposition and negation’ Burton-Roberts (1989a) presents an ambitious programme, formulated right at the outset. He seeks to establish three points: (i) Under the ‘standard logical definition of presupposition’ a pre-suppositional semantics is INCOMPATIBLE with a SEMANTICALLY AMBIGUOUS NEGATION operator (SAN), on pain of the theory being rendered ‘empirically empty and theoretically trivial’,. (ii) From this it follows that the one unambiguous negation is presupposition preserving. Cases that have been identified as presupposition-cancelling negation should be re-analysed as ‘instances of a pragmatic phenomenon’, not unlike what has been proposed in Horn (1985), that is as METALINGUISTIC NEGATION (MN). (iii) This pragmatic analysis of MN ‘itself implies a presuppositional semantics’, that is to say ‘a presuppositional theory of truth-value gaps’.

Abstract

An introductory study of the perception of stochastically specified events is reported. The initial problem was to determine whether the perceiver can split visual input data of this kind into random and determined components. The inability of subjects to do so with the stimulus material used (a filmlike sequence of dot patterns), led to the more general question of how subjects code this kind of visual material. To meet the difficulty of defining the subjects' responses, two experiments were designed. In both, patterns were presented as a rapid sequence of dots on a screen. The patterns were more or less disturbed by “noise,” i.e. the dots did not appear exactly at their proper places. In the first experiment the response was a rating on a semantic scale, in the second an identification from among a set of alternative patterns. The results of these experiments give some insight in the coding systems adopted by the subjects. First, noise appears to be detrimental to pattern recognition, especially to patterns with little spread. Second, this shows connections with the factors obtained from analysis of the semantic ratings, e.g. easily disturbed patterns show a large drop in the semantic regularity factor, when only a little noise is added.

Abstract

Van den Broeck (1977, 1980) heeft een pragmatische interpretatie voorgesteld voor de verschillende wijzen waarop leden van hogere en lagere sociaal-economische klassen hun taaluitingen syntaktisch struktureren. Ter ondersteuning hiervan presenteerde hij gegevens m.b.t. gemiddelde zinscomplexiteit bij sprekers uit twee sociaal- conomische klassen in formele en informele gesprekssituaties. Het in dit artikel gerapporteerde onderzoek slaagt er niet in van den Broeck's uitkomsten te repliceren. Waarschijnlijk berusten ze op een contaminatie van gesprekssituatie met taalkeuze (standaardtaal vs. lokaal dialekt). Mede op basis van de nieuwe gegevens wordt i.p.v. de pragmatische interpretatie een vaardigheidsinterpretatie voorgesteld. T.g.v. vooropleiding en beroep beschikken leden van verschillende sociaal- economische klassen over uiteenlopende vaardigheidsniveaus in verhalend (narrative) en verklarend (expository) taalgebruik. Dit uit zich in het gebruik van connectieven: funktiewoorden die logischsemantische relaties tussen proposities uitdrukken.

Abstract

As a preliminary to further research on musical consonance an explanatory investigation was made on the different modes of judgment of musical intervals. This was done by way of a semantic differential. Subjects rated 23 intervals against 10 scales. In a factor analysis three factors appeared: pitch, evaluation and fusion. The relation between these factors and some physical characteristics has been investigated. The scale consonant-dissonant showed to be purely evaluative (in opposition to Stumpf's theory). This evaluative connotation is not in accordance with the musicological meaning of consonance. Suggestions to account for this difference have been given.