Publications

Abstract

Gesture is an integral part of face-to-face communication, and provides a rich area for cross-cultural comparison. “Locally-anchored spatial gestures” are gestures that are roughly oriented to the actual geographical direction of referents. For example, such gestures may point to a location or a thing, trace the shape of a path, or indicate the direction of a particular area. The goal of this task is to elicit locally-anchored spatial gestures across different cultures. The task follows an interview format, where one participant prompts another to talk in detail about a specific area that the main speaker knows well. The data can be used for additional purposes such as the investigation of demonstratives.

Abstract

It is usually assumed that the language spoken by a human community is independent of the community's genetic makeup, an assumption supported by an overwhelming amount of evidence. However, the possibility that language is influenced by its speakers' genes cannot be ruled out a priori, and a recently discovered correlation between the geographic distribution of tone languages and two human genes seems to point to a genetically influenced bias affecting language. This entry describes this specific correlation and highlights its major implications. Voice pitch has a variety of communicative functions. Some of these are probably universal, such as conveying information about the speaker's sex, age, and emotional state. In many languages, including the European languages, voice pitch also conveys certain sentence-level meanings such as signaling that an utterance is a question or an exclamation; these uses of pitch are known as intonation. Some languages, however, known as tone languages, nian ...

Abstract

Presentation of the official opening of the Jerome Bruner Library, January 8th, 2020

Abstract

How do languages express ideas of movement, and how do they package different components of this domain, such as manner and path of motion? This task uses one large set of stimuli to gain knowledge of certain key aspects of motion verb meanings in the target language, and expands the investigation beyond simple verbs (e.g., go) to include the semantics of motion predications complete with adjuncts (e.g., go across something). Consultants are asked to view and briefly describe 96 animations of a few seconds each. The task is designed to get linguistic elicitations of motion predications under contrastive comparison with other animations in the same set. Unlike earlier tasks, the stimuli focus on inanimate moving items or “figures” (in this case, a ball).

Abstract

Since the core matrix for language use is interaction, the main job of language
is not to express propositions or abstract meanings, but to deliver actions.
For in order to respond in interaction we have to ascribe to the prior turn
a primary ‘action’ – variously thought of as an ‘illocution’, ‘speech act’, ‘move’,
etc. – to which we then respond. The analysis of interaction also relies heavily
on attributing actions to turns, so that, e.g., sequences can be characterized in
terms of actions and responses. Yet the process of action ascription remains way
understudied. We don’t know much about how it is done, when it is done, nor even
what kind of inventory of possible actions might exist, or the degree to which they
are culturally variable.
The study of action ascription remains perhaps the primary unfulfilled task in
the study of language use, and it needs to be tackled from conversationanalytic,
psycholinguistic, cross-linguistic and anthropological perspectives.
In this talk I try to take stock of what we know, and derive a set of goals for and
constraints on an adequate theory. Such a theory is likely to employ, I will suggest,
a top-down plus bottom-up account of action perception, and a multi-level notion
of action which may resolve some of the puzzles that have repeatedly arisen.

Abstract

Given the diversity of languages, it is unlikely that the human capacity for language resides in rich universal syntactic machinery. More likely, it resides centrally in the capacity for vocal learning combined with a distinctive ethology for communicative interaction, which together (no doubt with other capacities) make diverse languages learnable. This chapter focuses on face-to-face communication, which is characterized by the mapping of sounds and multimodal signals onto speech acts and which can be deeply recursively embedded in interaction structure, suggesting an interactive origin for complex syntax. These actions are recognized through Gricean intention recognition, which is a kind of “ mirroring” or simulation distinct from the classic mirror neuron system. The multimodality of conversational interaction makes evident the involvement of body, hand, and mouth, where the burden on these can be shifted, as in the use of speech and gesture, or hands and face in sign languages. Such shifts having taken place during the course of human evolution. All this suggests a slightly different approach to the mystery of music, whose origins should also be sought in joint action, albeit with a shift from turn-taking to simultaneous expression, and with an affective quality that may tap ancient sources residual in primate vocalization. The deep connection of language to music can best be seen in the only universal form of music, namely song.

Abstract

Demonstratives (e.g., words such as this and that in English) pivot on relationships between the item being talked about, and features of the speech act situation (e.g., where the speaker and addressee are standing or looking). However, they are only rarely investigated multi-modally, in natural language contexts. This task is designed to build a video corpus of cross-linguistically comparable discourse data for the study of “deixis in action”, while simultaneously supporting the investigation of joint attention as a factor in speaker selection of demonstratives. In the task, two or more speakers are asked to discuss and evaluate a group of similar items (e.g., examples of local handicrafts, tools, produce) that are placed within a relatively defined space (e.g., on a table). The task can additionally provide material for comparison of pointing gesture practices.

Abstract

This entry contains: 1. An invitation to think about to what extent the grammar of space and time share lexical and morphosyntactic resources − the suggestions here are only prompts, since it would take a long questionnaire to fully explore this; 2. A suggestion about how to collect gestural data that might show us to what extent the spatial and temporal domains, have a psychological continuity. This is really the goal − but you need to do the linguistic work first or in addition. The goal of this task is to explore the extent to which time is conceptualised on a spatial basis.

Abstract

The ECHO proposal aims to bring to life the cultural heritage of Europe, through internet technology that encourages collaboration across the Humanities disciplines which interpret it – at the same time making all this scholarship accessible to the citizens of Europe. An essential part of the cultural heritage of Europe is the diverse set of languages used on the continent, in their historical, literary and spoken forms. Amongst these are the ‘hidden languages’ used by minorities but of wide interest to the general public. We take the 18 Sign Languages of the EEC – the natural languages of the deaf - as an example. Little comparative information about these is available, despite their special scientific importance, the widespread public interest and the policy implications. We propose a research project on these languages based on placing fully annotated digitized moving images of each of these languages on the internet. This requires significant development of multi-media technology which would allow distributed annotation of a central corpus, together with the development of special search techniques. The technology would have widespread application to all cultural performances recorded as sound plus moving images. Such a project captures in microcosm the essence of the ECHO proposal: cultural heritage is nothing without the humanities research which contextualizes and gives it comparative assessment; by marrying information technology to humanities research, we can bring these materials to a wider public while simultaneously boosting Europe as a research area.

Abstract

As for 'Locally-anchored spatial gestures task, version 2', a major goal of this task is to elicit locally-anchored spatial gestures across different cultures. “Locally-anchored spatial gestures” are gestures that are roughly oriented to the actual geographical direction of referents. Rather than set up an interview situation, this task involves recording informal, animated narrative delivered to a native-speaker interlocutor. Locally-anchored gestures produced in such narrative are roughly comparable to those collected in the interview task. The data collected can also be used to investigate a wide range of other topics.

Abstract

This chapter outlines a Bayesian model of spoken-word recognition and reviews how
prosody is part of that model. The review focuses on the information that assists the lis­
tener in recognizing the prosodic structure of an utterance and on how spoken-word
recognition is also constrained by prior knowledge about prosodic structure. Recognition
is argued to be a process of perceptual inference that ensures that listening is robust to
variability in the speech signal. In essence, the listener makes inferences about the seg­
mental content of each utterance, about its prosodic structure (simultaneously at differ­
ent levels in the prosodic hierarchy), and about the words it contains, and uses these in­
ferences to form an utterance interpretation. Four characteristics of the proposed
prosody-enriched recognition model are discussed: parallel uptake of different informa­
tion types, high contextual dependency, adaptive processing, and phonological abstrac­
tion. The next steps that should be taken to develop the model are also discussed.

Abstract

Recent eye-tracking research has revealed that spoken language can guide eye gaze very rapidly (and closely time-locked to the unfolding speech) toward referents in the visual world. We discuss whether, and to what extent, such language-mediated eye movements are automatic rather than subject to conscious and controlled decision-making. We consider whether language-mediated eye movements adhere to four main criteria of automatic behavior, namely, whether they are fast and efficient, unintentional, unconscious, and overlearned (i.e., arrived at through extensive practice). Current evidence indicates that language-driven oculomotor behavior is fast but not necessarily always efficient. It seems largely unintentional though there is also some evidence that participants can actively use the information in working memory to avoid distraction in search. Language-mediated eye movements appear to be for the most part unconscious and have all the hallmarks of an overlearned behavior. These data are suggestive of automatic mechanisms linking language to potentially referred-to visual objects, but more comprehensive and rigorous testing of this hypothesis is needed.

Abstract

We lezen en horen dagelijks duizenden woorden zonder dat het ons enige moeite lijkt te kosten. Toch speelt zich in ons brein ondertussen een complex mentaal proces af, waarbij tal van andere woorden dan het aangeboden woord, ook actief worden. Dit gebeurt met name wanneer die andere woorden overeenkomen met de feitelijk aangeboden woorden in spelling, uitspraak of betekenis. Deze activatie als gevolg van gelijkenis strekt zich zelfs uit tot andere talen: ook daarin worden gelijkende woorden actief. Waar liggen de grenzen van dit activatieproces? Activeer je bij het verwerken van het Engelse woord 'steam' ook het Nederlandse woord 'stram'(een zogenaamd 'buurwoord)? En activeer je bij 'clock' zowel 'clockwork' als 'klokhuis' ( twee morfolologische familieleden uit verschillende talen)? Kimberley Mulder onderzocht hoe het leesproces van Nederlands-Engelse tweetaligen wordt beïnvloed door zulke relaties. In meerdere experimentele studies vond ze dat tweetaligen niet alleen morfologische familieleden en orthografische buren activeren uit de taal waarin ze op dat moment lezen, maar ook uit de andere taal die ze kennen. Het lezen van een woord beperkt zich dus geenszins tot wat je eigenlijk ziet, maar activeert een heel netwerk van woorden in je brein.

Abstract

The human language processor is conceived as a system that consists of several interrelated subsystems. Each subsystem performs a specific task in the complex process of language comprehension and production. A subsystem receives a particular input, performs certain specific operations on this input and yields a particular output. The subsystems can be characterized in terms of the transformations that relate the input representations to the output representations. An important issue in describing the language processing system is to identify the subsystems and to specify the relations between the subsystems. These relations can be conceived in two different ways. In one conception the subsystems are autonomous. They are related to each other only by the input-output channels. The operations in one subsystem are not affected by another system. The subsystems are modular, that is they are independent. In the other conception, the different subsystems influence each other. A subsystem affects the processes in another subsystem. In this conception there is an interaction between the subsystems.

Abstract

The phonological system of a sign language comprises meaningless sub-lexical units that define the structure of a sign. A number of studies have examined how learners of a sign language as a first language (L1) acquire these components. However, little is understood about the mechanism by which hearing adults develop visual phonological categories when learning a sign language as a second language (L2). Developmental studies have shown that sign complexity and iconicity, the clear mapping between the form of a sign and its referent, shape in different ways the order of emergence of a visual phonology. The aim of the present dissertation was to investigate how these two factors affect the development of a visual phonology in hearing adults learning a sign language as L2. The empirical data gathered in this dissertation confirms that sign structure and iconicity are important factors that determine L2 phonological development. Non-signers perform better at discriminating the contrastive features of phonologically simple signs than signs with multiple elements. Handshape was the parameter most difficult to learn, followed by movement, then orientation and finally location which is the same order of acquisition reported in L1 sign acquisition. In addition, the ability to access the iconic properties of signs had a detrimental effect in phonological development because iconic signs were consistently articulated less accurately than arbitrary signs. Participants tended to retain the iconic elements of signs but disregarded their exact phonetic structure. Further, non-signers appeared to process iconic signs as iconic gestures at least at the early stages of sign language acquisition. The empirical data presented in this dissertation suggest that non-signers exploit their gestural system as scaffolding of the new manual linguistic system and that sign L2 phonological development is strongly influenced by the structural complexity of a sign and its degree of iconicity.

Abstract

This chapter contains sections titled: Introduction Background: The Gaze “Machinery” Gaze “Machinery” in Social Interaction Future Directions

Abstract

In this chapter we present material on the acquisition of ergative marking on noun phrases in three languages of Papua New Guinea: Kaluli, Ku Waru, and Duna. The expression of ergativity in all the languages is broadly similar, but sensitive to language-specific features, and this pattern of similarity and difference is reflected in the available acquisition data. Children acquire adult-like ergative marking at about the same pace, reaching similar levels of mastery by 3;00 despite considerable differences in morphological complexity of ergative marking among the languages. What may be more important – as a factor in accounting for the relative uniformity of acquisition in this respect – are the similarities in patterns of interactional scaffolding that emerge from a comparison of the three cases.

Abstract

In sign languages, where space is often used to talk about space, expressions of spatial relations (e.g., ON, IN, UNDER, BEHIND) may rely on analogue mappings of real space onto signing space. In contrast, spoken languages express space in mostly categorical ways (e.g. adpositions). This raises interesting questions about the role of language modality in the acquisition of expressions of spatial relations. However, whether and to what extent modality influences the acquisition of spatial language is controversial – mostly due to the lack of direct comparisons of Deaf children to Deaf adults and to age-matched hearing children in similar tasks. Furthermore, the previous studies have taken English as the only model for spoken language development of spatial relations.
Therefore, we present a balanced study in which spatial expressions by deaf and hearing children in two different age-matched groups (preschool children and school-age children) are systematically compared, as well as compared to the spatial expressions of adults. All participants performed the same tasks, describing angular (LEFT, RIGHT, FRONT, BEHIND) and non-angular spatial configurations (IN, ON, UNDER) of different objects (e.g. apple in box; car behind box).
The analysis of the descriptions with non-angular spatial relations does not show an effect of modality on the development of
locative expressions in TİD and Turkish. However, preliminary results of the analysis of expressions of angular spatial relations suggest that signers provide angular information in their spatial descriptions
more frequently than Turkish speakers in all three age groups, and thus showing a potentially different developmental pattern in this domain. Implications of the findings with regard to the development of relations in spatial language and cognition will be discussed.

Abstract

A forum devoted to the relationship between music and language begins with an implicit assumption: There is at least one common principle that is central to all human musical systems and all languages, but that is not characteristic of (most) other domains. Why else should these two categories be paired together for analysis? We propose that one candidate for a common principle is their structure. In this chapter, we explore the nature of that structure—and its consequences for psychological and neurological processing mechanisms—within and across these two domains.

Abstract

Contrary to the Gricean maxims of Quantity (Grice, 1975), it has been repeatedly shown that speakers often include redundant information in their utterances (over- specifications). Previous research on referential communication has long debated whether this redundancy is the result of speaker-internal or addressee-oriented processes, while it is also unclear whether referential redundancy hinders or facilitates comprehension. We present a bounded-rational account of referential redundancy, according to which any word in an utterance, even if it is redundant, can be beneficial to comprehension, to the extent that it facilitates the reduction of listeners’ uncertainty regarding the target referent in a co-present visual scene. Information-theoretic metrics, such as Shannon’s entropy (Shannon, 1948), were employed in order to quantify this uncertainty in bits of information, and gain an estimate of the cognitive effort related to referential processing. Under this account, speakers may, therefore, utilise redundant adjectives in order to reduce the visually-determined entropy (and thereby their listeners’ cognitive effort) more uniformly across their utterances. In a series of experiments, we examined both the comprehension and the production of over-specifications in complex visual contexts. Our findings are in line with the bounded-rational account. Specifically, we present evidence that: (a) in view of complex visual scenes, listeners’ processing and identification of the target referent may be facilitated by the use of redundant adjectives, as well as by a more uniform reduction of uncertainty across the utterance, and (b) that, while both speaker-internal and addressee-oriented processes are at play in the production of over-specifications, listeners’ processing concerns may also influence the encoding of redundant adjectives, at least for some speakers, who encode redundant adjectives more frequently when these adjectives contribute to a more uniform reduction of referential entropy.