Publications

Abstract

It is an important feature of the human sentence production system that semantic and syntactic processes may overlap in time and do not proceed strictly serially. That is, the process of building the syntactic form of an utterance does not always wait until the complete semantic content for that utterance has been decided upon. On the contrary, speakers will often start pronouncing the first words of a sentence while still working on further details of its semantic content. An important advantage is memory economy. Semantic and syntactic fragments do not have to occupy working memory until complete semantic and syntactic structures for an utterance have been computed. Instead, each semantic and syntactic fragment is processed as soon as possible and is kept in working memory for a minimum period of time. This raises the question of how the sentence production system can maintain syntactic coherence across syntactic fragments. Presumably there are processes of "syntactic bookkeeping" which (1) store in working memory those syntactic properties of a fragmentary sentence which are needed to eliminate ungrammatical continuations, and (2) check whether a prospective continuation is indeed compatible with the sentence constructed so far. In reaction time experiments where subjects described, under time pressure, simple static pictures of an action performed by an actor, the second aspect of syntactic bookkeeping could be demonstrated. This evidence is used for modelling bookkeeping processes as part of a computational sentence generator which aims at simulating the syntactic operations people carry out during spontaneous speech.

Abstract

This task investigates the expression of “enter” and “exit” events, and is a supplement to the Motion Elicitation task (https://doi.org/10.17617/2.3003391). Consultants are asked to describe a series of animated clips where a man moves into or out of a house. The clips focus on contrasts to do with perspective (e.g., whether the man appears to move away or towards the viewer) and transitional movement (e.g., whether the man walks or “teleports” into his new location).

Abstract

Do our hands 'speak the same language' across cultures? Gesture is the silent partner of spoken languages in face-to-face interaction, but we still have a lot to learn about gesture practices in different speech communities. The primary purpose of this task is to collect data in naturalistic settings that can be used to investigate the linguistic and cultural relativity of gesture performance, especially spatially indicative gestures. It involves video-recording pairs of speakers in both free conversation and more structured communication tasks (e.g., describing film plots).

Please note: the stimuli mentioned in this entry are available elsewhere: 'The Pear Story', a short film made at the University of California at Berkeley; "Frog, where are you?" from the original Mayer (1969) book, as published in the Appendix of Berman & Slobin (1994).

Abstract

It is usually assumed that the language spoken by a human community is independent of the community's genetic makeup, an assumption supported by an overwhelming amount of evidence. However, the possibility that language is influenced by its speakers' genes cannot be ruled out a priori, and a recently discovered correlation between the geographic distribution of tone languages and two human genes seems to point to a genetically influenced bias affecting language. This entry describes this specific correlation and highlights its major implications. Voice pitch has a variety of communicative functions. Some of these are probably universal, such as conveying information about the speaker's sex, age, and emotional state. In many languages, including the European languages, voice pitch also conveys certain sentence-level meanings such as signaling that an utterance is a question or an exclamation; these uses of pitch are known as intonation. Some languages, however, known as tone languages, nian ...

Abstract

The topic of this paper is the way in which speakers order information in discourse. I will refer to this issue with the term "linearization", and will begin with two types of general remarks. The first one concerns the scope and relevance of the problem with reference to some existing literature. The second set of general remarks will be about the place of linearization in a theory of the speaker. The following, and main part of this paper, will be a summary report of research of linearization in a limited, but well-defined domain of discourse, namely the description of spatial networks.

Abstract

It is argued that the dominantly successive nature of language is largely mode-independent and holds equally for sign and for spoken language. A preliminary distinction is made between what is simultaneous or successive in the signal, and what is in the process; these need not coincide, and it is the successiveness of the process that is at stake. It is then discussed extensively for the word/sign level, and in a more preliminary fashion for the clause and discourse level that online processes are parallel in that they can simultaneously draw on various sources of knowledge (syntactic, semantic, pragmatic), but successive in that they can work at the interpretation of only one unit at a time. This seems to hold for both sign and spoken language. In the final section, conjectures are made about possible evolutionary explanations for these properties of language processing.

Abstract

It has been hypothesised that human reasoning has a non-linguistic foundation, but is nevertheless influenced by the formal means available in a language. For example, Western logic is transparently related to European sentential connectives (e.g., and, if … then, or, not), some of which cannot be unambiguously expressed in other languages. The questionnaire explores reasoning tools and practices through investigating translation equivalents of English sentential connectives and collecting examples of “reasoned arguments”.

Abstract

Since the core matrix for language use is interaction, the main job of language
is not to express propositions or abstract meanings, but to deliver actions.
For in order to respond in interaction we have to ascribe to the prior turn
a primary ‘action’ – variously thought of as an ‘illocution’, ‘speech act’, ‘move’,
etc. – to which we then respond. The analysis of interaction also relies heavily
on attributing actions to turns, so that, e.g., sequences can be characterized in
terms of actions and responses. Yet the process of action ascription remains way
understudied. We don’t know much about how it is done, when it is done, nor even
what kind of inventory of possible actions might exist, or the degree to which they
are culturally variable.
The study of action ascription remains perhaps the primary unfulfilled task in
the study of language use, and it needs to be tackled from conversationanalytic,
psycholinguistic, cross-linguistic and anthropological perspectives.
In this talk I try to take stock of what we know, and derive a set of goals for and
constraints on an adequate theory. Such a theory is likely to employ, I will suggest,
a top-down plus bottom-up account of action perception, and a multi-level notion
of action which may resolve some of the puzzles that have repeatedly arisen.

Abstract

Given the diversity of languages, it is unlikely that the human capacity for language resides in rich universal syntactic machinery. More likely, it resides centrally in the capacity for vocal learning combined with a distinctive ethology for communicative interaction, which together (no doubt with other capacities) make diverse languages learnable. This chapter focuses on face-to-face communication, which is characterized by the mapping of sounds and multimodal signals onto speech acts and which can be deeply recursively embedded in interaction structure, suggesting an interactive origin for complex syntax. These actions are recognized through Gricean intention recognition, which is a kind of “ mirroring” or simulation distinct from the classic mirror neuron system. The multimodality of conversational interaction makes evident the involvement of body, hand, and mouth, where the burden on these can be shifted, as in the use of speech and gesture, or hands and face in sign languages. Such shifts having taken place during the course of human evolution. All this suggests a slightly different approach to the mystery of music, whose origins should also be sought in joint action, albeit with a shift from turn-taking to simultaneous expression, and with an affective quality that may tap ancient sources residual in primate vocalization. The deep connection of language to music can best be seen in the only universal form of music, namely song.

Abstract

Demonstratives are key items in understanding how a language constructs and interprets spatial relationships. They are also multi-functional, with applications to non-spatial deictic fields such as time, perception, person and discourse, and uses in anaphora and affect marking. This item consists of an overview of theoretical distinctions in demonstrative systems, followed by a set of practical queries and elicitation suggestions for demonstratives in “table top” space, wider spatial fields, and naturalistic data.

Abstract

The world’s languages encode a diverse range of topological relations. However, cross-linguistic investigation suggests that the relations IN, AT and ON are especially fundamental to the grammaticised expression of space. The purpose of this questionnaire is to collect information about adpositions, case markers, and spatial nominals that are involved in the expression of core IN/AT/ON meanings. The task explores the more general parts of a language’s topological system, with a view to testing certain hypotheses about the packaging of spatial concepts. The questionnaire consists of target translation sentences that focus on a number of dimensions including animacy, caused location and motion.

Abstract

Languages differ widely in terms of how they encode the fundamental concepts of location and position. For some languages, verbs have an important role to play in describing situations (e.g., whether a bottle is standing or lying on the table); for others, verbs are not used in describing location at all. This item outlines certain hypotheses concerning four “types” of languages: those that have verbless basic locatives; those that use a single verb; those that have several verbs available to express location; and those that use positional verbs. The document was originally published as an appendix to the 'Picture series for positional verbs' (https://doi.org/10.17617/2.2573831).

Abstract

Recent eye-tracking research has revealed that spoken language can guide eye gaze very rapidly (and closely time-locked to the unfolding speech) toward referents in the visual world. We discuss whether, and to what extent, such language-mediated eye movements are automatic rather than subject to conscious and controlled decision-making. We consider whether language-mediated eye movements adhere to four main criteria of automatic behavior, namely, whether they are fast and efficient, unintentional, unconscious, and overlearned (i.e., arrived at through extensive practice). Current evidence indicates that language-driven oculomotor behavior is fast but not necessarily always efficient. It seems largely unintentional though there is also some evidence that participants can actively use the information in working memory to avoid distraction in search. Language-mediated eye movements appear to be for the most part unconscious and have all the hallmarks of an overlearned behavior. These data are suggestive of automatic mechanisms linking language to potentially referred-to visual objects, but more comprehensive and rigorous testing of this hypothesis is needed.

Abstract

We lezen en horen dagelijks duizenden woorden zonder dat het ons enige moeite lijkt te kosten. Toch speelt zich in ons brein ondertussen een complex mentaal proces af, waarbij tal van andere woorden dan het aangeboden woord, ook actief worden. Dit gebeurt met name wanneer die andere woorden overeenkomen met de feitelijk aangeboden woorden in spelling, uitspraak of betekenis. Deze activatie als gevolg van gelijkenis strekt zich zelfs uit tot andere talen: ook daarin worden gelijkende woorden actief. Waar liggen de grenzen van dit activatieproces? Activeer je bij het verwerken van het Engelse woord 'steam' ook het Nederlandse woord 'stram'(een zogenaamd 'buurwoord)? En activeer je bij 'clock' zowel 'clockwork' als 'klokhuis' ( twee morfolologische familieleden uit verschillende talen)? Kimberley Mulder onderzocht hoe het leesproces van Nederlands-Engelse tweetaligen wordt beïnvloed door zulke relaties. In meerdere experimentele studies vond ze dat tweetaligen niet alleen morfologische familieleden en orthografische buren activeren uit de taal waarin ze op dat moment lezen, maar ook uit de andere taal die ze kennen. Het lezen van een woord beperkt zich dus geenszins tot wat je eigenlijk ziet, maar activeert een heel netwerk van woorden in je brein.

Abstract

The human language processor is conceived as a system that consists of several interrelated subsystems. Each subsystem performs a specific task in the complex process of language comprehension and production. A subsystem receives a particular input, performs certain specific operations on this input and yields a particular output. The subsystems can be characterized in terms of the transformations that relate the input representations to the output representations. An important issue in describing the language processing system is to identify the subsystems and to specify the relations between the subsystems. These relations can be conceived in two different ways. In one conception the subsystems are autonomous. They are related to each other only by the input-output channels. The operations in one subsystem are not affected by another system. The subsystems are modular, that is they are independent. In the other conception, the different subsystems influence each other. A subsystem affects the processes in another subsystem. In this conception there is an interaction between the subsystems.

Abstract

The phonological system of a sign language comprises meaningless sub-lexical units that define the structure of a sign. A number of studies have examined how learners of a sign language as a first language (L1) acquire these components. However, little is understood about the mechanism by which hearing adults develop visual phonological categories when learning a sign language as a second language (L2). Developmental studies have shown that sign complexity and iconicity, the clear mapping between the form of a sign and its referent, shape in different ways the order of emergence of a visual phonology. The aim of the present dissertation was to investigate how these two factors affect the development of a visual phonology in hearing adults learning a sign language as L2. The empirical data gathered in this dissertation confirms that sign structure and iconicity are important factors that determine L2 phonological development. Non-signers perform better at discriminating the contrastive features of phonologically simple signs than signs with multiple elements. Handshape was the parameter most difficult to learn, followed by movement, then orientation and finally location which is the same order of acquisition reported in L1 sign acquisition. In addition, the ability to access the iconic properties of signs had a detrimental effect in phonological development because iconic signs were consistently articulated less accurately than arbitrary signs. Participants tended to retain the iconic elements of signs but disregarded their exact phonetic structure. Further, non-signers appeared to process iconic signs as iconic gestures at least at the early stages of sign language acquisition. The empirical data presented in this dissertation suggest that non-signers exploit their gestural system as scaffolding of the new manual linguistic system and that sign L2 phonological development is strongly influenced by the structural complexity of a sign and its degree of iconicity.

Abstract

"Event realisation" refers to the normal final state of the affected entity of an activity described by a verb. For example, the sentence John killed the mosquito entails that the mosquito is afterwards dead – this is the full realisation of a killing event. By contrast, a sentence such as John hit the mosquito does not entail the mosquito’s death (even though we might assume this to be a likely result). In using a certain verb, which features of event realisation are entailed and which are just likely? This questionnaire supports cross-linguistic exploration of event realisation for a range of event types.

Abstract

This chapter contains sections titled: Introduction Background: The Gaze “Machinery” Gaze “Machinery” in Social Interaction Future Directions