Publications

Abstract

It is argued that the dominantly successive nature of language is largely mode-independent and holds equally for sign and for spoken language. A preliminary distinction is made between what is simultaneous or successive in the signal, and what is in the process; these need not coincide, and it is the successiveness of the process that is at stake. It is then discussed extensively for the word/sign level, and in a more preliminary fashion for the clause and discourse level that online processes are parallel in that they can simultaneously draw on various sources of knowledge (syntactic, semantic, pragmatic), but successive in that they can work at the interpretation of only one unit at a time. This seems to hold for both sign and spoken language. In the final section, conjectures are made about possible evolutionary explanations for these properties of language processing.

Abstract

How do languages express ideas of movement, and how do they package different components of this domain, such as manner and path of motion? This task uses one large set of stimuli to gain knowledge of certain key aspects of motion verb meanings in the target language, and expands the investigation beyond simple verbs (e.g., go) to include the semantics of motion predications complete with adjuncts (e.g., go across something). Consultants are asked to view and briefly describe 96 animations of a few seconds each. The task is designed to get linguistic elicitations of motion predications under contrastive comparison with other animations in the same set. Unlike earlier tasks, the stimuli focus on inanimate moving items or “figures” (in this case, a ball).

Abstract

Demonstratives (e.g., words such as this and that in English) pivot on relationships between the item being talked about, and features of the speech act situation (e.g., where the speaker and addressee are standing or looking). However, they are only rarely investigated multi-modally, in natural language contexts. This task is designed to build a video corpus of cross-linguistically comparable discourse data for the study of “deixis in action”, while simultaneously supporting the investigation of joint attention as a factor in speaker selection of demonstratives. In the task, two or more speakers are asked to discuss and evaluate a group of similar items (e.g., examples of local handicrafts, tools, produce) that are placed within a relatively defined space (e.g., on a table). The task can additionally provide material for comparison of pointing gesture practices.

Abstract

This entry contains: 1. An invitation to think about to what extent the grammar of space and time share lexical and morphosyntactic resources − the suggestions here are only prompts, since it would take a long questionnaire to fully explore this; 2. A suggestion about how to collect gestural data that might show us to what extent the spatial and temporal domains, have a psychological continuity. This is really the goal − but you need to do the linguistic work first or in addition. The goal of this task is to explore the extent to which time is conceptualised on a spatial basis.

Abstract

The ECHO proposal aims to bring to life the cultural heritage of Europe, through internet technology that encourages collaboration across the Humanities disciplines which interpret it – at the same time making all this scholarship accessible to the citizens of Europe. An essential part of the cultural heritage of Europe is the diverse set of languages used on the continent, in their historical, literary and spoken forms. Amongst these are the ‘hidden languages’ used by minorities but of wide interest to the general public. We take the 18 Sign Languages of the EEC – the natural languages of the deaf - as an example. Little comparative information about these is available, despite their special scientific importance, the widespread public interest and the policy implications. We propose a research project on these languages based on placing fully annotated digitized moving images of each of these languages on the internet. This requires significant development of multi-media technology which would allow distributed annotation of a central corpus, together with the development of special search techniques. The technology would have widespread application to all cultural performances recorded as sound plus moving images. Such a project captures in microcosm the essence of the ECHO proposal: cultural heritage is nothing without the humanities research which contextualizes and gives it comparative assessment; by marrying information technology to humanities research, we can bring these materials to a wider public while simultaneously boosting Europe as a research area.

Abstract

As for 'Locally-anchored spatial gestures task, version 2', a major goal of this task is to elicit locally-anchored spatial gestures across different cultures. “Locally-anchored spatial gestures” are gestures that are roughly oriented to the actual geographical direction of referents. Rather than set up an interview situation, this task involves recording informal, animated narrative delivered to a native-speaker interlocutor. Locally-anchored gestures produced in such narrative are roughly comparable to those collected in the interview task. The data collected can also be used to investigate a wide range of other topics.

Abstract

The human language processor is conceived as a system that consists of several interrelated subsystems. Each subsystem performs a specific task in the complex process of language comprehension and production. A subsystem receives a particular input, performs certain specific operations on this input and yields a particular output. The subsystems can be characterized in terms of the transformations that relate the input representations to the output representations. An important issue in describing the language processing system is to identify the subsystems and to specify the relations between the subsystems. These relations can be conceived in two different ways. In one conception the subsystems are autonomous. They are related to each other only by the input-output channels. The operations in one subsystem are not affected by another system. The subsystems are modular, that is they are independent. In the other conception, the different subsystems influence each other. A subsystem affects the processes in another subsystem. In this conception there is an interaction between the subsystems.

Abstract

No idea is older in the history of linguistics than the thought that there is, somehow hidden underneath the surface of sentences, a form or a structure which provides a semantic analysis and lays bare their logical structure. In Plato’s Cratylus the theory was proposed, deriving from Heraclitus’ theory of explanatory underlying structure in physical nature, that words contain within themselves bits of syntactic structure giving their meanings. The Stoics held the same view and maintained moreover that every sentence has an underlying logical structure, which for them was the Aristotelian subject- predicate form. They even proposed transformational processes to derive the surface from the deep structure. The idea of a semantically analytic logical form underlying the sentences of every language kept reappearing in various guises at various times. Quite recently it re-emerged under the name of generative semantics.

Abstract

The term “event” is a controversial concept, and the “same” activity or situation can be linguistically encoded in many different ways. The aim of this task is to explore features of event representation in the language of study, in particular, multi-verb constructions, event typicality, and event complexity. The task consists of a description and recollection task using film stimuli, and a subsequent re-enactment of certain scenes by other participants on the basis of these descriptions. The first part of the task collects elaborate and concise descriptions of complex events in order to examine how these are segmented into macro-events, what kind of information is expressed, and how the information is ordered. The re-enactment task is designed to examine what features of the scenes are stereotypically implied.