Publications

Abstract

We outline an algorithm capable of generating varied but natural sounding sequences of argument NPs in subordinate clauses of German, a semi-free word order language. In order to attain the right level of output flexibility, the algorithm considers (1) the relevant lexical properties of the head verb (not only transitivity type but also reflexivity, thematic relations expressed by the NPs, etc.), and (2) the animacy and definiteness values of the arguments, and their length. The relevant statistical data were extracted from the NEGRA–II treebank and from hand-coded features for animacy and definiteness. The algorithm maps the relevant properties onto “primary” versus “secondary” placement options in the generator. The algorithm is restricted in that it does not take into account linear order determinants related to the sentence’s information structure and its discourse context (e.g. contrastiveness). These factors may modulate the above preferences or license “tertiary” linear orders beyond the primary and secondary options considered here.

Abstract

In a paper entitled “Against markedness (and what to replace it with)”, Haspelmath argues “that the term ‘markedness’ is superfluous”, and that frequency asymmetries often explain structural (un)markedness asymmetries (Haspelmath 2006). We investigate whether this argument applies to Object and Verb orders in main (VO, marked) and subordinate (OV, unmarked) clauses of spoken and written German and Dutch, using English (without VO/OV alternation) as control. Frequency counts from six treebanks (three languages, two output modalities) do not support Haspelmath’s proposal. However, they reveal an unexpected phenomenon, most prominently in spoken Dutch and German: a small set of extremely high-frequent finite verbs with unspecific meanings populates main clauses much more densely than subordinate clauses. We suggest these verbs accelerate the start-up of grammatical encoding, thus facilitating sentence-initial output fluency

Abstract

Why do languages have the categories they do? It has been argued that spatial terms in the world’s languages reflect categories that support highly informative communication, and that this accounts for the spatial categories found across languages. However, this proposal has been tested against only nine languages, and in a limited fashion. Here, we consider two new languages: Maijɨki, an under-documented language of Peruvian Amazonia, and English. We analyze spatial data from these two new languages and the original nine, using thorough and theoretically targeted computational tests. The results support the hypothesis that spatial terms across dissimilar languages enable near-optimally informative communication, over an influential competing hypothesis

Abstract

This task investigates the expression of “enter” and “exit” events, and is a supplement to the Motion Elicitation task (https://doi.org/10.17617/2.3003391). Consultants are asked to describe a series of animated clips where a man moves into or out of a house. The clips focus on contrasts to do with perspective (e.g., whether the man appears to move away or towards the viewer) and transitional movement (e.g., whether the man walks or “teleports” into his new location).

Abstract

The previous literature has suggested that the hand movement in co-speech gestures and signs consists of a series of phases with qualitatively different dynamic characteristics. In this paper, we propose a syntagmatic rule system for movement phases that applies to both co-speech gestures and signs. Descriptive criteria for the rule system were developed for the analysis video-recorded continuous production of signs and gesture. It involves segmenting a stream of body movement into phases and identifying different phase types. Two human coders used the criteria to analyze signs and cospeech gestures that are produced in natural discourse. It was found that the criteria yielded good inter-coder reliability. These criteria can be used for the technology of automatic recognition of signs and co-speech gestures in order to segment continuous production and identify the potentially meaningbearing phase.

Abstract

Do our hands 'speak the same language' across cultures? Gesture is the silent partner of spoken languages in face-to-face interaction, but we still have a lot to learn about gesture practices in different speech communities. The primary purpose of this task is to collect data in naturalistic settings that can be used to investigate the linguistic and cultural relativity of gesture performance, especially spatially indicative gestures. It involves video-recording pairs of speakers in both free conversation and more structured communication tasks (e.g., describing film plots).

Please note: the stimuli mentioned in this entry are available elsewhere: 'The Pear Story', a short film made at the University of California at Berkeley; "Frog, where are you?" from the original Mayer (1969) book, as published in the Appendix of Berman & Slobin (1994).

Abstract

The geographical region of Insular South East Asia and New Guinea is well-known as an
area of mega-biodiversity. Less well-known is the extreme linguistic diversity in this area:
over a quarter of the world’s 6,000 languages are spoken here. As small minority languages,
most of them will cease to be spoken in the coming few generations. The project described
here ensures the preservation of unique records of languages and the cultures encapsulated
by them in the region. The language resources were gathered by twenty linguists at,
or in collaboration with, Dutch universities over the last 40 years, and were compiled and
archived in collaboration with The Language Archive (TLA) at the Max Planck Institute in
Nijmegen. The resulting archive constitutes a collection ofmultimediamaterials and written
documents from 48 languages in Insular South East Asia and West New Guinea. At TLA,
the data was archived according to state-of-the-art standards (TLA holds the Data Seal of
Approval): the component metadata infrastructure CMDI was used; all metadata categories
as well as relevant units of annotation were linked to the ISO data category registry ISOcat.
This guaranteed proper integration of the language resources into the CLARIN framework.
Through the archive, future speaker communities and researchers will be able to extensively
search thematerials for answers to their own questions, even if they do not themselves know the language, and even if the language dies.

Abstract

It is usually assumed that the language spoken by a human community is independent of the community's genetic makeup, an assumption supported by an overwhelming amount of evidence. However, the possibility that language is influenced by its speakers' genes cannot be ruled out a priori, and a recently discovered correlation between the geographic distribution of tone languages and two human genes seems to point to a genetically influenced bias affecting language. This entry describes this specific correlation and highlights its major implications. Voice pitch has a variety of communicative functions. Some of these are probably universal, such as conveying information about the speaker's sex, age, and emotional state. In many languages, including the European languages, voice pitch also conveys certain sentence-level meanings such as signaling that an utterance is a question or an exclamation; these uses of pitch are known as intonation. Some languages, however, known as tone languages, nian ...

Abstract

Using real-time eye-movement measures, we asked how a fantastical discourse context competes with stored representations of semantic and world knowledge to influence children's and adults' moment-by-moment interpretation of a story. Seven-year- olds were less effective at bypassing stored semantic and world knowledge during real-time interpretation than adults. Nevertheless, an effect of discourse context on comprehension was still apparent.

Abstract

Research in body language with use of gesture recognition and speech analysis has gained much attention in the recent times, influencing disciplines related to image and speech processing.

This study aims to design the Media Query Language (MQL) (Lenkiewicz, et al. 2012) combined with the Linguistic Media Query Interface (LMQI) for Elan (Wittenburg, et al. 2006). The system integrated with the new achievements in audio-video recognition will allow querying media files with predefined gesture phases (or motion primitives) and speech characteristics as well as combinations of both. For the purpose of this work the predefined motions and speech characteristics are called patterns for atomic elements and actions for a sequence of patterns. The main assumption is that a user-customized library of patterns and actions and automated media annotation with LMQI will reduce annotation time, hence decreasing costs of creation of annotated corpora. Increase of the number of annotated data should influence the speed and number of possible research in disciplines in which human multimodal interaction is a subject of interest and where annotated corpora are required.

Abstract

It has been hypothesised that human reasoning has a non-linguistic foundation, but is nevertheless influenced by the formal means available in a language. For example, Western logic is transparently related to European sentential connectives (e.g., and, if … then, or, not), some of which cannot be unambiguously expressed in other languages. The questionnaire explores reasoning tools and practices through investigating translation equivalents of English sentential connectives and collecting examples of “reasoned arguments”.

Abstract

Since the core matrix for language use is interaction, the main job of language
is not to express propositions or abstract meanings, but to deliver actions.
For in order to respond in interaction we have to ascribe to the prior turn
a primary ‘action’ – variously thought of as an ‘illocution’, ‘speech act’, ‘move’,
etc. – to which we then respond. The analysis of interaction also relies heavily
on attributing actions to turns, so that, e.g., sequences can be characterized in
terms of actions and responses. Yet the process of action ascription remains way
understudied. We don’t know much about how it is done, when it is done, nor even
what kind of inventory of possible actions might exist, or the degree to which they
are culturally variable.
The study of action ascription remains perhaps the primary unfulfilled task in
the study of language use, and it needs to be tackled from conversationanalytic,
psycholinguistic, cross-linguistic and anthropological perspectives.
In this talk I try to take stock of what we know, and derive a set of goals for and
constraints on an adequate theory. Such a theory is likely to employ, I will suggest,
a top-down plus bottom-up account of action perception, and a multi-level notion
of action which may resolve some of the puzzles that have repeatedly arisen.

Abstract

Given the diversity of languages, it is unlikely that the human capacity for language resides in rich universal syntactic machinery. More likely, it resides centrally in the capacity for vocal learning combined with a distinctive ethology for communicative interaction, which together (no doubt with other capacities) make diverse languages learnable. This chapter focuses on face-to-face communication, which is characterized by the mapping of sounds and multimodal signals onto speech acts and which can be deeply recursively embedded in interaction structure, suggesting an interactive origin for complex syntax. These actions are recognized through Gricean intention recognition, which is a kind of “ mirroring” or simulation distinct from the classic mirror neuron system. The multimodality of conversational interaction makes evident the involvement of body, hand, and mouth, where the burden on these can be shifted, as in the use of speech and gesture, or hands and face in sign languages. Such shifts having taken place during the course of human evolution. All this suggests a slightly different approach to the mystery of music, whose origins should also be sought in joint action, albeit with a shift from turn-taking to simultaneous expression, and with an affective quality that may tap ancient sources residual in primate vocalization. The deep connection of language to music can best be seen in the only universal form of music, namely song.

Abstract

Demonstratives are key items in understanding how a language constructs and interprets spatial relationships. They are also multi-functional, with applications to non-spatial deictic fields such as time, perception, person and discourse, and uses in anaphora and affect marking. This item consists of an overview of theoretical distinctions in demonstrative systems, followed by a set of practical queries and elicitation suggestions for demonstratives in “table top” space, wider spatial fields, and naturalistic data.

Abstract

The world’s languages encode a diverse range of topological relations. However, cross-linguistic investigation suggests that the relations IN, AT and ON are especially fundamental to the grammaticised expression of space. The purpose of this questionnaire is to collect information about adpositions, case markers, and spatial nominals that are involved in the expression of core IN/AT/ON meanings. The task explores the more general parts of a language’s topological system, with a view to testing certain hypotheses about the packaging of spatial concepts. The questionnaire consists of target translation sentences that focus on a number of dimensions including animacy, caused location and motion.

Abstract

Languages differ widely in terms of how they encode the fundamental concepts of location and position. For some languages, verbs have an important role to play in describing situations (e.g., whether a bottle is standing or lying on the table); for others, verbs are not used in describing location at all. This item outlines certain hypotheses concerning four “types” of languages: those that have verbless basic locatives; those that use a single verb; those that have several verbs available to express location; and those that use positional verbs. The document was originally published as an appendix to the 'Picture series for positional verbs' (https://doi.org/10.17617/2.2573831).

Abstract

The essential insight of speech act theory was that when we use language, we perform actions—in a more modern parlance, core language use in interaction is a form of joint action. Over the last thirty years, speech acts have been relatively neglected in linguistic pragmatics, although important work has been done especially in conversation analysis. Here we review the core issues—the identifying characteristics, the degree of universality, the problem of multiple functions, and the puzzle of speech act recognition. Special attention is drawn to the role of conversation structure, probabilistic linguistic cues, and plan or sequence inference in speech act recognition, and to the centrality of deep recursive structures in sequences of speech acts in conversation

Abstract

Previous research has shown that repeated interactions can cause iconicity in signals to reduce. However, data from several recent studies has shown the opposite trend: an increase in iconicity as the result of repeated interactions. Here, we discuss whether signals may become less or more iconic as a result of the modality used to produce them. We review several recent experimental results before presenting new data from multi-modal signals, where visual input creates audio feedback. Our results show that the growth in iconicity present in the audio information may come at a cost to iconicity in the visual information. Our results have implications for how we think about and measure iconicity in artificial signalling experiments. Further, we discuss how iconicity in real world speech may stem from auditory, kinetic or visual information, but iconicity in these different modalities may conflict.

Abstract

The human body is unique: it is both an object of perception and the source of human experience. Its universality makes it a perfect resource for asking questions about how cognition, brain and typology relate to one another. For example, we can ask how speakers of different languages segment and categorize the human body. A dominant view is that body parts are “given” by visual perceptual discontinuities, and that words are merely labels for these visually determined parts (e.g., Andersen, 1978; Brown, 1976; Lakoff, 1987). However, there are problems with this view. First it ignores other perceptual information, such as somatosensory and motoric representations. By looking at the neural representations of sesnsory representations, we can test how much of the categorization of the human body can be done through perception alone. Second, we can look at language typology to see how much universality and variation there is in body-part categories. A comparison of a range of typologically, genetically and areally diverse languages shows that the perceptual view has only limited applicability (Majid, Enfield & van Staden, in press). For example, using a “coloring-in” task, where speakers of seven different languages were given a line drawing of a human body and asked to color in various body parts, Majid & van Staden (in prep) show that languages vary substantially in body part segmentation. For example, Jahai (Mon-Khmer) makes a lexical distinction between upper arm, lower arm, and hand, but Lavukaleve (Papuan Isolate) has just one word to refer to arm, hand, and leg. This shows that body part categorization is not a straightforward mapping of words to visually determined perceptual parts.

Abstract

Many studies in cognitive science address how people categorize objects, but there has been comparatively little research on event categorization. This study investigated the categorization of events involving material destruction, such as “cutting” and “breaking”. Speakers of 28 typologically, genetically, and areally diverse languages described events shown in a set of video-clips. There was considerable cross-linguistic agreement in the dimensions along which the events were distinguished, but there was variation in the number of categories and the placement of their boundaries.

Abstract

The project that we describe in this chapter has the theme ‘Language of the senses’. This theme is
based on the research of Asifa Majid and her team regarding the influence of language and culture on
sensory perception. The chapter consists of two sections. Section 2.1 describes how different sensory
perceptions are spoken of in different languages. Teachers can use this section as substantive preparation
before they launch this theme in the classroom. Section 2.2 describes how teachers can handle
this theme in accordance with the seven phases of inquiry-based learning. Chapter 1, in which the
general guideline of the seven phases is described, forms the basis for this. We therefore recommend
the use of chapter 1 as the starting point for the execution of a project in the classroom. This chapter
provides the thematic additions.

Abstract

Since the cognitive revolution, a widely held assumption has been that—whereas content may vary across cultures—cognitive processes would be universal, especially those on the more basic levels. Even if scholars do not fully subscribe to this assumption, they often conceptualize, or tend to investigate, cognition as if it were universal (Henrich, Heine, & Norenzayan, 2010). The insight that universality must not be presupposed but scrutinized is now gaining ground, and cognitive diversity has become one of the hot (and controversial) topics in the field (Norenzayan & Heine, 2005). We argue that, for scrutinizing the cultural dimension of cognition, taking an anthropological perspective is invaluable, not only for the task itself, but for attenuating the home-field disadvantages that are inescapably linked to cross-cultural research (Medin, Bennis, & Chandler, 2010).

Abstract

Taal der zintuigen gaat over de invloed van taal en cultuur op zintuiglijke waarnemingen. Hoe omschrijf je wat je ziet, voelt, proeft of ruikt? In sommige culturen zijn er veel verschillende woorden voor kleur, in andere culturen juist weer heel weinig. Worden we geboren met deze verschillende kleurgroepen? En bepaalt hoe je ergens over praat ook wat je waarneemt?