Publications

Abstract

The ECHO proposal aims to bring to life the cultural heritage of Europe, through internet technology that encourages collaboration across the Humanities disciplines which interpret it – at the same time making all this scholarship accessible to the citizens of Europe. An essential part of the cultural heritage of Europe is the diverse set of languages used on the continent, in their historical, literary and spoken forms. Amongst these are the ‘hidden languages’ used by minorities but of wide interest to the general public. We take the 18 Sign Languages of the EEC – the natural languages of the deaf - as an example. Little comparative information about these is available, despite their special scientific importance, the widespread public interest and the policy implications. We propose a research project on these languages based on placing fully annotated digitized moving images of each of these languages on the internet. This requires significant development of multi-media technology which would allow distributed annotation of a central corpus, together with the development of special search techniques. The technology would have widespread application to all cultural performances recorded as sound plus moving images. Such a project captures in microcosm the essence of the ECHO proposal: cultural heritage is nothing without the humanities research which contextualizes and gives it comparative assessment; by marrying information technology to humanities research, we can bring these materials to a wider public while simultaneously boosting Europe as a research area.

Abstract

As for 'Locally-anchored spatial gestures task, version 2', a major goal of this task is to elicit locally-anchored spatial gestures across different cultures. “Locally-anchored spatial gestures” are gestures that are roughly oriented to the actual geographical direction of referents. Rather than set up an interview situation, this task involves recording informal, animated narrative delivered to a native-speaker interlocutor. Locally-anchored gestures produced in such narrative are roughly comparable to those collected in the interview task. The data collected can also be used to investigate a wide range of other topics.

Abstract

Readers experience a number of sensations during reading. They do
not – or do not only – process words and sentences in a detached, abstract
manner. Instead they “perceive” what they read about. They see descriptions of
scenery, feel what characters feel, and hear the sounds in a story. These sensa-
tions tend to be grouped under the umbrella terms “mental simulation” and
“mental imagery.” This chapter provides an overview of empirical research on
the role of mental simulation during literary reading. Our chapter also discusses
what mental simulation is and how it relates to mental imagery. Moreover, it
explores how mental simulation plays a role in leading models of literary read-
ing and investigates under what circumstances mental simulation occurs dur-
ing literature reading. Finally, the effect of mental simulation on the literary
reader’s experience is discussed, and suggestions and unresolved issues in this
field are formulated.

Abstract

The human language processor is conceived as a system that consists of several interrelated subsystems. Each subsystem performs a specific task in the complex process of language comprehension and production. A subsystem receives a particular input, performs certain specific operations on this input and yields a particular output. The subsystems can be characterized in terms of the transformations that relate the input representations to the output representations. An important issue in describing the language processing system is to identify the subsystems and to specify the relations between the subsystems. These relations can be conceived in two different ways. In one conception the subsystems are autonomous. They are related to each other only by the input-output channels. The operations in one subsystem are not affected by another system. The subsystems are modular, that is they are independent. In the other conception, the different subsystems influence each other. A subsystem affects the processes in another subsystem. In this conception there is an interaction between the subsystems.

Abstract

Conversation analysis (CA) is an approach to the study of language and social interaction that puts at center stage its sequential development. The chain of initiating and responding actions that characterizes any interaction is a source of internal evidence for the meaning of social behavior as it exposes the understandings that participants themselves give of what one another is doing. Such an analysis requires the close and repeated inspection of audio and video recordings of naturally occurring interaction, supported by transcripts and other forms of annotation. Distributional regularities are complemented by a demonstration of participants' orientation to deviant behavior. CA has long maintained a constructive dialogue and reciprocal influence with linguistic anthropology. This includes a recent convergence on the cross-linguistic and cross-cultural study of social interaction.

Abstract

Natural human interaction involves the fast-paced exchange of speaker turns. Crucially, if a next speaker waited with planning their turn until the current speaker was finished, language production models would predict much longer turn transition times than what we observe. Next speakers must therefore prepare their turn in parallel to listening. Visual signals likely play a role in this process, for example by helping the next speaker to process the ongoing utterance and thus prepare an appropriately-timed response.

To understand how visual signals contribute to the timing of turn-taking, and to move beyond the mostly qualitative studies of gesture in conversation, we examined unconstrained, computer-mediated conversations between 20 pairs of participants while systematically manipulating speaker visibility. Using motion tracking and manual gesture annotation, we assessed 1) how visibility affected the timing of turn transitions, and 2) whether use of co-speech gestures and 3) the communicative kinematic features of these gestures were associated with changes in turn transition timing.

We found that 1) decreased visibility was associated with less tightly timed turn transitions, and 2) the presence of gestures was associated with more tightly timed turn transitions across visibility conditions. Finally, 3) structural and salient kinematics contributed to gesture’s facilitatory effect on turn transition times.

Our findings suggest that speaker visibility--and especially the presence and kinematic form of gestures--during conversation contributes to the temporal coordination of conversational turns in computer-mediated settings. Furthermore, our study demonstrates that it is possible to use naturalistic conversation and still obtain controlled results.

Abstract

The term “event” is a controversial concept, and the “same” activity or situation can be linguistically encoded in many different ways. The aim of this task is to explore features of event representation in the language of study, in particular, multi-verb constructions, event typicality, and event complexity. The task consists of a description and recollection task using film stimuli, and a subsequent re-enactment of certain scenes by other participants on the basis of these descriptions. The first part of the task collects elaborate and concise descriptions of complex events in order to examine how these are segmented into macro-events, what kind of information is expressed, and how the information is ordered. The re-enactment task is designed to examine what features of the scenes are stereotypically implied.

Abstract

When we want to describe a path through space, but do not share a common perceptual field with a conversation partner, language has to work doubly hard. This task investigates how people communicate the navigation of space in the absence of shared visual cues, as well as collecting data on motion verbs and the roles of symmetry and landmarks in route description. Two speakers (separated by a curtain or other barrier) are each given a model of a landscape, and one participant describes standard routes through this landscape for the other to match.

Abstract

The encoding of apparently ‘simple’ movement concepts such as ‘COME’ and ‘GO’ can differ widely across languages (e.g., in regard to specifying direction of motion relative to the speaker). This questionnaire is used to identify the range of use of basic motion verbs in a language, and investigate semantic parameters that are involved in high frequency ‘COME’ and ‘GO’-like terms.