Publications

Abstract

Most objects have well-defined affordances. Investigating perception of affordances of objects that were not created for a specific purpose would provide insight into how affordances are perceived. In addition, comparison of perception of affordances for such objects across different exploratory modalities (visual vs. haptic) would offer a strong test of the lawfulness of information about affordances (i.e., the invariance of such information over transformation). Along these lines, “feelies”— objects created by Gibson with no obvious function and unlike any common object—could shed light on the processes underlying affordance perception. This study showed that when observers reported potential uses for feelies, modality significantly influenced what kind of affordances were perceived. Specifically, visual exploration resulted in more noun labels (e.g., “toy”) than haptic exploration which resulted in more verb labels (i.e., “throw”). These results suggested that overlapping, but distinct classes of action possibilities are perceivable using vision and haptics. Semantic network analyses revealed that visual exploration resulted in object-oriented responses focused on object identification, whereas haptic exploration resulted in action-oriented responses. Cluster analyses confirmed these results. Affordance labels produced in the visual condition were more consistent, used fewer descriptors, were less diverse, but more novel than in the haptic condition.

Abstract

During silent problem solving, hand gestures arise that have no communicative intent. The role of such co-thought gestures in
cognition has been understudied in cognitive research as compared to co-speech gestures. We investigated whether gesticulation
during silent problem solving supported subsequent performance in a Tower of Hanoi problem-solving task, in relation
to visual working-memory capacity and task complexity. Seventy-six participants were assigned to either an instructed gesture
condition or a condition that allowed them to gesture, but without explicit instructions to do so. This resulted in three
gesture groups: (1) non-gesturing; (2) spontaneous gesturing; (3) instructed gesturing. In line with the embedded/extended
cognition perspective on gesture, gesturing benefited complex problem-solving performance for participants with a lower
visual working-memory capacity, but not for participants with a lower spatial working-memory capacity.

Abstract

Speakers often use gesture to demonstrate how to perform actions—for example, they might show how to open the top of a jar by making a twisting motion above the jar. Yet it is unclear whether listeners learn as much from seeing such gestures as they learn from seeing actions that physically change the position of objects (i.e., actually opening the jar). Here, we examined participants' implicit and explicit understanding about a series of movements that demonstrated how to move a set of objects. The movements were either shown with actions that physically relocated each object or with gestures that represented the relocation without touching the objects. Further, the end location that was indicated for each object covaried with whether the object was grasped with one or two hands. We found that memory for the end location of each object was better after seeing the physical relocation of the objects, that is, after seeing action, than after seeing gesture, regardless of whether speech was absent (Experiment 1) or present (Experiment 2). However, gesture and action built similar implicit understanding of how a particular handgrasp corresponded with a particular end location. Although gestures miss the benefit of showing the end state of objects that have been acted upon, the data show that gestures are as good as action in building knowledge of how to perform an action.

Abstract

We show that the human voice has complex acoustic qualities that are directly coupled to peripheral musculoskeletal tensioning of the body, such as subtle wrist movements. In this study, human vocalizers produced a steady-state vocalization while rhythmically moving the wrist or the arm at different tempos. Although listeners could only hear but not see the vocalizer, they were able to completely synchronize their own rhythmic wrist or arm movement with the movement of the vocalizer which they perceived in the voice acoustics. This study corroborates
recent evidence suggesting that the human voice is constrained by bodily tensioning affecting the respiratory-vocal system. The current results show that the human voice contains a bodily imprint that is directly informative for the interpersonal perception of another’s dynamic physical states.

Abstract

Co-speech gestures have been proposed to strengthen sensorimotor knowledge related to objects’ weight and manipulability.
This pre-registered study (https ://www.osf.io/9uh6q /) was designed to explore how gestures affect memory for sensorimotor
information through the application of the visual-haptic size-weight illusion (i.e., objects weigh the same, but are experienced
as different in weight). With this paradigm, a discrepancy can be induced between participants’ conscious illusory
perception of objects’ weight and their implicit sensorimotor knowledge (i.e., veridical motor coordination). Depending on
whether gestures reflect and strengthen either of these types of knowledge, gestures may respectively decrease or increase
the magnitude of the size-weight illusion. Participants (N = 159) practiced a problem-solving task with small and large
objects that were designed to induce a size-weight illusion, and then explained the task with or without co-speech gesture
or completed a control task. Afterwards, participants judged the heaviness of objects from memory and then while holding
them. Confirmatory analyses revealed an inverted size-weight illusion based on heaviness judgments from memory and we
found gesturing did not affect judgments. However, exploratory analyses showed reliable correlations between participants’
heaviness judgments from memory and (a) the number of gestures produced that simulated actions, and (b) the kinematics of
the lifting phases of those gestures. These findings suggest that gestures emerge as sensorimotor imaginings that are governed
by the agent’s conscious renderings about the actions they describe, rather than implicit motor routines.

Abstract

Expressive moments in communicative hand gestures often align with emphatic stress in speech. It has recently been found that acoustic markers of emphatic stress arise naturally during steady-state phonation when upper-limb movements impart physical impulses on the body, most likely affecting acoustics via respiratory activity. In this confirmatory study, participants (N = 29) repeatedly uttered consonant-vowel (/pa/) mono-syllables while moving in particular phase relations with speech, or not moving the upper limbs. This study shows that respiration-related activity is affected by (especially high-impulse) gesturing when vocalizations occur near peaks in physical impulse. This study further shows that gesture-induced moments of bodily impulses increase the amplitude envelope of speech, while not similarly affecting the Fundamental Frequency (F0). Finally, tight relations between respiration-related activity and vocalization were observed, even in the absence of movement, but even more so when upper-limb movement is present. The current findings expand a developing line of research showing that speech is modulated by functional biomechanical linkages between hand gestures and the respiratory system. This identification of gesture-speech biomechanics promises to provide an alternative phylogenetic, ontogenetic, and mechanistic explanatory route of why communicative upper limb movements co-occur with speech in humans.
ACKNOWLEDGMENTS

Abstract

We introduce applications of established methods in time-series and network
analysis that we jointly apply here for the kinematic study of gesture
ensembles. We define a gesture ensemble as the set of gestures produced
during discourse by a single person or a group of persons. Here we are
interested in how gestures kinematically relate to one another. We use
a bivariate time-series analysis called dynamic time warping to assess how
similar each gesture is to other gestures in the ensemble in terms of their
velocity profiles (as well as studying multivariate cases with gesture velocity
and speech amplitude envelope profiles). By relating each gesture event to
all other gesture events produced in the ensemble, we obtain a weighted
matrix that essentially represents a network of similarity relationships. We
can therefore apply network analysis that can gauge, for example, how
diverse or coherent certain gestures are with respect to the gesture ensemble.
We believe these analyses promise to be of great value for gesture
studies, as we can come to understand how low-level gesture features
(kinematics of gesture) relate to the higher-order organizational structures
present at the level of discourse.

Abstract

The phenomenon of gesture–speech synchrony involves tight coupling of prosodic contrasts in gesture
movement (e.g., peak velocity) and speech (e.g., peaks in fundamental frequency; F0). Gesture–speech
synchrony has been understood as completely governed by sophisticated neural-cognitive mechanisms.
However, gesture–speech synchrony may have its original basis in the resonating forces that travel through the
body. In the current preregistered study, movements with high physical impact affected phonation in line with
gesture–speech synchrony as observed in natural contexts. Rhythmic beating of the arms entrained phonation
acoustics (F0 and the amplitude envelope). Such effects were absent for a condition with low-impetus
movements (wrist movements) and a condition without movement. Further, movement–phonation synchrony
was more pronounced when participants were standing as opposed to sitting, indicating a mediating role for
postural stability. We conclude that gesture–speech synchrony has a biomechanical basis, which will have
implications for our cognitive, ontogenetic, and phylogenetic understanding of multimodal language.

Abstract

There is increasing evidence that hand gestures and speech synchronize their activity on multiple dimensions and timescales. For example, gesture’s kinematic peaks (e.g., maximum speed) are coupled with prosodic markers in speech. Such coupling operates on very short timescales at the level of syllables (200 ms), and therefore requires high-resolution measurement of gesture kinematics and speech acoustics. High-resolution speech analysis is common for gesture studies, given that field’s classic ties with (psycho)linguistics. However, the field has lagged behind in the objective study of gesture kinematics (e.g., as compared to research on instrumental action). Often kinematic peaks in gesture are measured by eye, where a “moment of maximum effort” is determined by several raters. In the present article, we provide a tutorial on more efficient methods to quantify the temporal properties of gesture kinematics, in which we focus on common challenges and possible solutions that come with the complexities of studying multimodal language. We further introduce and compare, using an actual gesture dataset (392 gesture events), the performance of two video-based motion-tracking methods (deep learning vs. pixel change) against a high-performance wired motion-tracking system (Polhemus Liberty). We show that the videography methods perform well in the temporal estimation of kinematic peaks, and thus provide a cheap alternative to expensive motion-tracking systems. We hope that the present article incites gesture researchers to embark on the widespread objective study of gesture kinematics and their relation to speech.