Publications

Abstract

This study examined whether song lyrics and their semantic meaning interfere with speech intelligibility. In three experiments, a total of 108 native Dutch participants listened to Dutch target sentences in the presence of three versions of the pop songs Last Friday Night (T.G.I.F.) (Experiment 1) or Hot N Cold (Experiment 2a and 2b) by singer Katy Perry at different signal-to-noise ratios. The versions consisted of the original English songs, the karaoke versions of the songs without lyrics, and anomalous versions of the songs in the fictional language Simlish, which was created for the video game The Sims. The songs were played in chronological (Experiments 1 and 2a) or in random order (Experiment 2b). Participants’ task was to type the target sentence they had heard. In all experiments, speech intelligibility was better in nonlyrical (karaoke) than lyrical music (English and Simlish). In addition, listeners performed better in lyrics without semantic meaning (Simlish) than with semantic meaning (English). Finally, speech intelligibility was better when the song in the background was played in chronological rather than in random order. These findings aid in understanding the mechanisms involved during speech-in-music intelligibility.

Abstract

Purpose:This study investigated to what extent iconic co-speech gestures helpword intelligibility in sentence context in two different linguistic maskers (nativevs. foreign). It was hypothesized that sentence recognition improves with thepresence of iconic co-speech gestures and with foreign compared to nativebabble.Method:Thirty-two native Dutch participants performed a Dutch word recogni-tion task in context in which they were presented with videos in which anactress uttered short Dutch sentences (e.g.,Ze begint te openen,“She starts toopen”). Participants were presented with a total of six audiovisual conditions: nobackground noise (i.e., clear condition) without gesture, no background noise withgesture, French babble without gesture, French babble with gesture, Dutch bab-ble without gesture, and Dutch babble with gesture; and they were asked to typedown what was said by the Dutch actress. The accurate identification of theaction verbs at the end of the target sentences was measured.Results:The results demonstrated that performance on the task was better inthe gesture compared to the nongesture conditions (i.e., gesture enhancementeffect). In addition, performance was better in French babble than in Dutchbabble.Conclusions:Listeners benefit from iconic co-speech gestures during commu-nication and from foreign background speech compared to native. Theseinsights into multimodal communication may be valuable to everyone whoengages in multimodal communication and especially to a public who oftenworks in public places where competing speech is present in the background.